ART
Naming rivers, gargling: Ecofeminist show
Curated by Lucrecia Palacios, executive director of arteBA, it brings together two artists from Argentina and Switzerland, the Argentinian Jimena Croceri and her Swiss partner, Sarina Scheidegger, in a full-length performance involving more than 16 performers of different sexes. The project has the collaboration of the Swiss cultural foundation Pro Helvetia. Also participating in this project are performers Igne Argento, Franziska Baumgartner, Guillermina Etkin, Agustín Genoud, Malena Ríos Itoiz, Carla Guida Johnson, Kambiz Shafei, Sofía Isabel Martinez, Yamila Mendez, Belara Michán, Ariana Moyano, Sebastián Rey and Barbara Togander.
The artists propose a performance and musical exercise that investigates the inherent fluidity of our bodies and their connection with the seas, glaciers, rivers and the bodies of others. During the performance, the members perform different actions, individual and collective, in which their bodies are linked to each other and to water, producing movements and sounds that account for the organic, identity and political relationship we maintain with water.
The performance will take place every Saturday at 3:30pm and is two hours long. On the day of the opening, it will be held at the special time of 12:30 p.m. and then it will be repeated at 3:30 p.m.
In a second room, individual projects by the artists are integrated that collect their previous research in relation to water policy. Croceri offers a series of subtle drawings for which he immerses paper in the stream, so that cloudy water marks the paper and draws it as it filters. Scheidegger linoleums represent clepsydras or water clocks, an ancient way of measuring time through the movement and decantation of fluids.
Opening, Saturday 12 March at 12 noon, opening hours: Tuesday to Sunday from 11 a.m. to 6 p.m. Admission: free.
* In MUNTREF, headquarters Hotel de Immigrants, Av. Antarctica Argentina S/N, 1104 C.A.B.A.
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Dear Dignora
As part of women's month, Galería Calvaresi is pleased to present this exquisite exhibition curated by artist and researcher Paola Vega, with work by Argentinian artist Dignora Pastorello. The exhibition is framed online with a greater objective: to give visibility to great Argentinian women artists whose work was forgotten, despite having developed an outstanding artistic career and having won multiple awards.
Pastorello (1913 - 2001) was a great painter who had an interesting artistic training, both at the National School of Fine Arts, and in the workshops of Jorge Larco, Ramón Gómez Cornet and Luis Centurion. With an outstanding career in awards and exhibitions both nationally and internationally, especially during the sixties, seventies and eighties, the artist was part of the Group of Five, with artists such as Ángel Fadul, Juan Ibarra, Andrés Fernández Taboas and Mario Vuono.
Paola Vega, the curator of the show, anticipates: “Dignora's work will be exhibited in two stages - the first one lasting a month and a half. In this first stage, 18 works by the artist are exhibited, and in the second stage another 18. “In both episodes, various series will be shown that have marked his work and that in some way, give us a profile of artist and person in a way of brushstrokes.” And immediately, he adds: “They are interior, exterior seen from windows, images of different parts of the world thanks to their voyages, black cats, people, still lifes. Some of these aspects will be seen in the first episode, and others in the second episode”.
From Thursday, March 3 to May 31.
* Calvaresi Gallery, Defense 1136, C.A.B.A.
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The multiple and the unique | Expanding photography
The exhibition brings together a series of projects that explore the capabilities of photography as an ever-expanding medium. His works articulate various combinations of techniques and photographic operations to be deployed in space or linked with other materials and media. Thus, they investigate the different aspects and possibilities of the medium based on research that moves from halide to pixel, from paper to projection, from scientific uses to intimate records, from mass media to home publications. All these searches, linked to each other through different degrees of connection or conflict, propose a situation of critical dismantling that shows the constituent tension of the medium, between the multiple and the unique.
Curator: Julieta Pestarino. Artists: Martin Bollati, Natacha Ebers, Lorena Fernández, Lisa Gimenez, Immensities, Hernán Kacew, Estefania Landesmann, Carolina Magnin, Lucia Peluffo, Lucia von Sprecher.
From March 22 to May 21. Tuesday to Friday 2pm to 8pm and Saturdays from 2pm to 7pm. Free admission, without prior registration
*ArtexArte. Lavalleja 1062, CABA
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Filoctetes Project
The Filoctetes Project, an urban intervention by the artist Emilio García Wehbi who stormed the streets of the city of Buenos Aires in 2002, arrives at the Kirchner Cultural Center with an exhibition that seeks to give visibility to those contemporary art practices of temporary duration that invite the production of critical thinking. In the first basement, the exhibition Filoctetes Archive: Documents of an Intervention, an exhibition that brings together a heterodox documentary corpus, classified and preserved from the four editions of the Philoctetes Project held in Buenos Aires, Vienna, Berlin and Krakow between 2002 and 2008, can be visited until 27 March.
*CCK. Sarmiento 151, CABA
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Symbiology. Artistic practices on a planet in emergency
“Symbiology” is a word invented to shift the meanings of art (symbology) towards the generation of relationships with other beings (symbiosis). The exhibition brings together more than 170 works of contemporary Argentine art by more than 140 artists from all over the country who explore new links and mixtures between the human and the non-human. This exploration emerges at a time when the crisis of the planet's habitability raises profound questioning of the dominant models of action, knowledge and feeling.
It is carried out jointly between the Secretariat of Cultural Heritage, the Kirchner Cultural Center and the Ministry of Culture of the Nation, and with the support of the Medifé Foundation. It is curated by a team led by Valeria González, Secretary of Cultural Heritage, and composed of Mercedes Claus, Florencia Curci and Pablo Méndez.
The exhibition will be open to the public from Wednesday to Sunday from 2 p.m. to 8 p.m. until 26 June, with protocols and with prior reservation on the website www.cck.gob.ar
*Kirchner Cultural Center. Sarmiento 151, CABA
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March at Bellas Artes
* Guided tours of the permanent collection
Challenges of the 20th century: abstraction-non-figuration. By Mabel Mayol, Wednesday, March 16 and 30, at 16; Saturday, March 19, at 16.
Behind the surface. Stories of women exposed. At each meeting, an approach to the behind the scenes of a woman protagonist of the Museum's collection, highlighting the social imaginaries that surround her and the roles assigned to her. Given by Jeanette Gómez Jolis. Rosa Bonheur: Thursday, March 17, at 16. Berthe Morisot: Thursday, March 31, at 16.
* Accessible visits
Guided tour for people who are blind or have low vision. “A story behind each portrait”. The selection of sculptures from the 19th century will invite you to discover who the characters represented are and why their features were perpetuated in marble or bronze. The historical and artistic context of the different aesthetic proposals will be provided. Route where perception is stimulated by story and touch (the Museum provides latex gloves). Given by Mabel Mayol. Approximate duration: 60 minutes. Access to the Museum by ramp or staircase with railing, towards the entrance door. Saturday, March 19, at 11 am, with prior registration: mabel.mayol@mnba.gob.ar
Visit in Argentina Sign Language. “Argentine art, first decades of the twentieth century”. Landscape, people and customs through national identity. Tour in Argentine Sign Language (LSA), intended for the deaf community. Given by Carlos Vera Flores. Sunday, March 27, at 17.30. Prior registration: carlos.vera@mnba.gob.ar
* Talleres
Guided sketches: Hirsch Collection. An active approach to the area where the Hirsch Collection is exhibited. In this activity, we propose drawing with pencils in room 3, exercising observation and thinking plastically about the works and the space in which they are immersed. The materials will be provided by the Museum. It is not necessary to know how to draw, just to cheer up. By Germán Warszatska and Gabriela Canteros. Suggested activity for adolescents (from 15 years old) and adults. Friday 18 and 25 March, from 17.30 to 18.45. Sunday, March 20, from 17.30 to 18.45. Saturday, March 26, from 17.30 to 18.45.
* Children's activities
Participatory proposals, suggested for girls and boys between 5 and 10 years old. Cycle: Listening to pictures, looking at stories.
I dream of an afternoon at the Museum. A puppet that dreams... stories that are intertwined with works of art. An invitation to a dreamlike journey by some artists from the Museum's collection. Given by Roxana Pruzan. Sundays 13 and 27 March, at 17. To participate in the activity, it is necessary to register in advance by completing this form
Space mission. At the meeting, girls and boys become “artenauts” to discover stars, satellites and meteorites in the Museum's works, with the mission of imagining and wishing for our planet a better possible future. Tour with participatory activities through the rooms of the 20th century. Saturdays 12, 19 and 26 March, at 17. To participate in the activity, it is necessary to register in advance by completing this form
For the full agenda you can access it here.
* National Museum of Fine Arts. Avenida del Libertador 1473, C.A.B.A.
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Something (of) rhythms, instruments, mutations
On March 15, the Herlitzka+Faria gallery opens Algo (de) rhythms, instruments, mutations, an exhibition by Alicia Herrero that brings together some twenty new works that link the world of statistics and the macroeconomic gaze with Fine Arts and everyday life.
Herrero transforms the pure and hard universe of graphics that overwhelm into paintings on wood and canvas, sculptures, watercolors, interventions on the walls of the room and assemblies. His works draw on graphics, academic papers and statistics provided by prestigious international organizations, such as the Swiss Federal Institute of Technology (Switzerland), which publishes an annual study on the distribution of global wealth.
Monday to Friday from 11:30 a.m. to 7 p.m. until May 24, 2022.
*Herlitzka + Faria. Libertad 1630, CABA
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MUMORA: Our garden of randas, in MUNTREF
A collaborative work that investigates the floral and plant motifs that had been abandoned in the 16th century, bringing them to the present day by the hands of the Tucuman women who collaborate with the Mobile Museum of La Randa, whose objective is to bring handicraft work closer to other audiences and geographies, can be seen in MUNTREF, Headquarters of the Immigrants Hotel , under the name of MUMORA: Our garden of randas.
Curated by Alejandra Mizrahi, jardines y randas, are related in the exhibition that also alludes to Tucumán, the Garden of the Republic, the place where this lace is still woven today and where the artisans come from.
The artist and researcher from the National University of Tucumán Alejandra Mizrahi and the randeras (weavers) from the town of El Cercado (Province of Tucumán) participate. This proposal also includes the participation of the anthropologist Lucila Galíndez and the historian Isabel Heredia, from the Cultural Action Department of the Tucumán Culture Authority.
Visits to the MUNTREF Sede Hotel de Immigrants take place from Tuesday to Sunday between 11:00 and 18:00 hours. Admission is free. No prior reservation required.
* MUNTREF Immigrants Hotel Headquarters. Antarctica Argentina Avenue 1335. CABA
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Online art subasts
Witcomb launches its first online auction 2022, with 80 works by the most prominent Argentine artists. You can participate until March 27. It features paintings by Quinquela, Berni, Castagnino, Presas and Campanella, among others. Prices start at USD 50.
Under the name “First Art Auction 2022″, Witcomb, the oldest gallery in our country, launches, on web support (https://witcombsubastas.com.ar), the possibility of viewing and acquiring works by the most prestigious painters in Argentine history, with the option of bidding for the price end. In this way, you can access 80 paintings by artists such as Benito Quinquela Martin, Antonio Berni, Leopoldo Presas, Vito Campanella, Juan Carlos Castagnino, Horacio Politi, Guillermo Roux, Milo Lockett, Roberto Rossi, Raul Russo, Juan del Prete and 50 other outstanding firms.
Among many others, there are paintings by Carlos Alonso, such as “Ivonne”, “Characters” and “Toro”; “The Dance” and others by Antonio Berni; “Puente Nuevo” by Benito Quinquela Martín; and “The Illusory Stampede” by Vito Campanella.
In turn, among the 80 pieces there are some opportunities, given by access to large firms at low amounts. This is the case of Berni's woodcuts, for USD 100, and other works by Cogorno, Kuitca, Soldi and Petorutti. Or Milo Lockett, with options for $50.
The works can be purchased from anywhere in the country. The paintings offered - whose prices and characteristics are published on the Witcomb auctions website - can be paid in dollars or translated into pesos, with the price of the MEP dollar
Those who want to participate must enter the website (https://witcombsubastas.com.ar/), where you must first create an account, and then you can access the lots of interest, within the auction, and later you can bid, within the work that you like best and can access one.
More information at: http://www.galeriaswitcomb.com.ar
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Mantle of Mists
An installation that was inaugurated as part of the activities for the 40th anniversary of the Malvinas War. The Ministry of Culture, through the Buenos Aires Theater Complex, reports that on Thursday, March 17 at 7 pm, the installation Manto de neblinas will be inaugurated in the Alfredo Alcón Hall of the San Martín Theater, a sensory experience that invites contemplation and empathic experience.
The installation is presented within the framework of April 2 40 years. Meanings, experiences and interventions from art and culture, a series of activities organized by the Buenos Aires Theater Complex in commemoration of the 40th anniversary of the Malvinas War.
It can be visited — until Sunday 24 April — from Tuesday to Sunday from 2 p.m. to 8 p.m., with free admission. For Friday, April 8, a tactile visit was organized for people with visual impairment.
*San Martin Theater. Corrientes Avenue 1530, CABA
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Everything is a lot
As part of the Art Department's Exhibition Cycle, we are pleased to present the collective exhibition “Everything is a lot” curated by Santiago Villanueva, which brings together a group of works by artists Fernanda Laguna, Claudia Del Río, Jorge Gumier Maier and Juan Del Prete made between 1934 and 2022.
Opening: Wednesday, February 23, at 18. The exhibition will be open from February 23 to March 25, Monday to Friday from 15 to 19. Free entry with ID card. Prior registration required: HERE.
* Exhibition Hall of the Torcuato Di Tella University, Av. Pte. Figueroa Alcorta 7350, C.A.B.A.
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The file as an exposure device
A conversation is held walking through the exhibitions The table will always have a flower center (room 512) and Filoctetes a href="https://cck.gob.ar/events/archivo-filoctetes-documentos-de-una-intervencion/" rel="noopener noreferrer" Archive: Documents of a intervention (Rooms S101 and S122, first basement) through their respective curators: Francisco Medail and Maricel Álvarez. During the tour, we seek to inquire about the connections and derivations of two exhibitions around archival materials and curatorial practices.
Meeting point: Room 512
The activity is part of the Public a href="https://cck.gob.ar/programas-publicos-de-la-mesa-ostentara-un-centro-de-flores/19433/" rel="noopener noreferrer" Programs of the exhibition La mesa will always have a flower center and the Filoctetes a href="https://cck.gob.ar/archivo-filoctetes/17747/" rel="noopener noreferrer" Archive.
The activity is free and does not require prior reservation: participation is on a first-come, first-served basis, until the capacity of the room is completed. March 23 at 6 pm.
*CCK. Sarmiento 151, CABA
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Visual arts at the Buenos Aires Theater Complex
SITE-SPECIFIC CYCLE OF INTERVENTIONS
The work created by the Argentinian artist Elisa Strada is composed of street signs painted by her in her workshop. Amurated on the façade of the Sarmiento Theater, the painting went beyond the limits of the support and crowds of colors advanced on the walls. A place that is interior and exterior at the same time, that welcomes us and invites us to meet. After a time of intermittence and a future with more uncertainties than certainties, Strada's work is an invitation to experience the power of meeting spaces. The cycle of site-specific interventions is part of the Visual Arts Program of the Buenos Aires Theater Complex, a work space aimed at dialogue between the visual and performing arts.
Until Friday, September 30. Free entry.
*Sarmiento Theater. Sarmiento Avenue 2715. C.A.B.A.
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50th Anniversary Exhibition of the Teatro de la Ribera
The exhibition on the occasion of the 50th anniversary of the Teatro de la Ribera includes photographs and posters of the shows that took place in this theater since its reopening in 2016. Carlos Furman's photographs and posters designed by the Art section of the Buenos Aires Theater Complex invite a journey that does not seek to be exhaustive but rather to evoke, in a poetic way, the works that were presented in recent years.
From Friday 18 to Sunday 26 June. Free entry.
* Ribera Theatre. Pedro de Mendoza Avenue 1821.
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Fine Arts publishes online the catalogue of the exhibition Dante x Alonso
The National Museum of Fine Arts makes available to the public, to read online or download free of charge from the website, the catalogue of the exhibition “Dante x Alonso”, composed of 47 works on paper by the Argentine master Carlos Alonso inspired by the figure and work of the Florentine poet, which can be visited until March 13 in room 33 on the first floor.
Produced by the Museum, the bilingual catalogue, published in Spanish and Italian, includes Duprat's curatorial text, the body of work, the prologue to the first edition of Alonso's works on “Divine Comedy” written by Ernesto Sabato, excerpts from an interview with the artist conducted by Diana Wechsler and José Emilio Burucua, and a chronology about Alonso.
This publication, whose physical format is on sale at the Bellas Artes Store, can be read online or downloaded in digital version by going to the Museum's website.
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At Cultural San Martín
* In Illo Tempore, by Monica Souza. Inaugurated on March 9, it can be visited at the Sarmiento Space, from Thursday to Sunday from 15 to 21.
* From the gesture, an exhibition by Florencia Ferioli, Cristina Sille, Camila Godoy, Daniela Morán, Daniela Yechua, Melisa Molina, Deborah Valado, Sofía Genovese, Camila Alonso Suarez, Noelia Marcia Guevara. Inaugurated on March 9, it can be visited in the Hall of Sala Muiño, 4th floor, from Thursday to Sunday from 15 to 21.
* Plant Chromatology, summer solstice, by Lucila Gradín. On the mezzanine,, from Thursday to Sunday from 15 to 21.
In addition, the odorous sample of Cecilia Catalin continues. They can be visited from Thursday to Sunday from 15 to 21 from January 20.
* What is the path that the word takes to become a smell? by Cecilia Catalin and curated by Paola Fontana. Entresol
In the series Olfactory Captures, exhibited in this exhibition, Cecilia Catalin extracts the odoriferous from the textual support in films and series, and turns it into her strategy. It suspends the image and deceives our most used sense, while the smell, driven through language, becomes a clear scene in which we participate. The artist points out actions, people and categorizations in which the smell is manifested, emanated or inhaled by the bodies themselves, in spaces in which we are immersed as people between cultural assumptions or in fantastic categories, objects and food; she does so by investigating the construction of the olfactory field in language audiovisual, its considerations and social consequences.
*El Cultural San Martín, Sarmiento 1551, C. TO. B. A.
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La, La, La,
“La, La, La,” is the title of the show that the artist “Conde Divagante” has exhibited at the art space of Menéndez Libros since March 23. Sergio Monaco adopted and patented his current pseudonym -” Count Divagante” - for which he is known.
OPENING: March 23, 6 pm.
MENENDEZ BOOKS. Paraguay 431, CABA. T.E.: 431-6665
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Claude Viallat at MACBA
MACBA opens its program on Friday 4th March at 12:00 with Freedom of Colors, a retrospective of the historic French artist Claude Viallat, founder of the avant-garde movement Supports/Surfaces.
This is the first time that an exhibition of this iconic artist, born in 1936, in Nîmes, France, has been held in Argentina. The exhibition, which can be seen until 12 June, is curated by Marie Sophie Lemoine and brings together Viallat's eighty most representative works, brought especially from her studio in Nimes.
The exhibition will be on display at MACBA and at Shopping Alcorta until June 12th.
* MACBA, Av. San Juan 328 and Shopping Alcorta, Salguero 3172, both in C.A.B.A.
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Conjuro, traveling exhibition by Sandra Sarraúa
The exhibition consists of 40 drawings and paintings, abstract interpretations of landscapes of the Buenos Aires countryside that allow us to recognize images, textures and sounds of the Salado Basin. The works are made with unusual materials, media and techniques that range from graphic ink and industrial graphite powder combined with flush water, varnish, wax and acetone, applied with a brush, spatula, cloth, rushes and plastic cards, on encapsulated cardboard, cardboard and high impact (laminated plastic) to cubes of an oak recovered and PVC.
Simultaneously and in dialogue with the exhibition she is presenting at the EMA club, the artist exhibits her work Palenque V (ink on canvas, 150 x 200 cm, made from the photograph of a local artist), in the collective landscape exhibition Añada La Caverna and El Horizonte, which commemorates the tenth anniversary of the gallery MAPA de Las Flores, where Conjuro began his journey. This can be visited until April 30 at Rivadavia 489, Las Flores, Prov. de Buenos Aires.
With extended hours, from 13 to 20. The exhibition will remain open until March 30, from Wednesday to Saturday from 13 to 20, with free admission.
* In EMA Gallery, of El Más Acá cultural club of San Telmo, Av. Caseros 514, C.A.B.A.
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Exhibitions at the Recoleta Cultural Center
* Hermana Soltá La Panza is a sample of the collective Women who were not tapa, founded by Lala Pasquinelli. It brings together a series of photographs taken by women of their own bodies, which account for diversity, of what tends to be invisible because it is different. In addition, there are hundreds of stories recorded by the voices of women in the community who tell their stories and questions that challenge the public and which are an invitation to search for answers. It opens on March 11th.
* Urban Imaginary is a set of sculptures and reliefs by María Juana Heras Velasco (1924-2014) made between the 70s and 80s. Using industrial materials and techniques, the artist constructs her works from different aesthetic references linked to the urban.
* Fourth diagonal stepb is a new site-specific project by Mariela Vita (La Plata, 1978) in which she continues the study of the work of the sculptor María Juana Heras Velasco (Santa Fe, 1924 — Buenos Aires, 2014) that began in 2021 within the framework of the Federal Laboratory at the Sívori Museum.
* The frog and the flower make up the new mural on the Recoleta façade, a creation by Venezuelan illustrator, animator and director Igor Bastidas, who celebrates love in all its forms. Recognizing influences such as Paul Rand, George Dunning, Saul Steinberg, Matt Groening, Zapata and Quino, Bastidas finds in vibrant, flat colors and imperfect and simple shapes a way to connect with people.
* “Inventory” is the intervention of the illustrator Adrián Sonni who will occupy the corridor on the ground floor and the upper floor. It is inspired by a series of talks in which more than 500 teenagers and young people from all over the country participated sharing their emotions, feelings and desires in these times.
* Seers and sparkling wines, an amazing rhythm shows that will occupy rooms 3, 4 and 5 with works by Marcela Astorga, Elba Bairon, Adriana Bustos, Marina De Caro, Ana Gallardo, Silvana Lacarra, Mónica Millán and Cristina Schiavi, artists who form the feminist collective “Desperate for the Rhythm”. The pieces are made of different materials and formats: there are wire structures, wood, installations, textiles, drawings and sculptures.
* The opportunities unfold in rooms J and C, curated by Paola Vega, which reflects how the artist permeates herself with other universes linked to crafts and crafts. The conceptual axis is the transversal idea of the relationship between art and craft.
* El Obrador is the creation of Argentine illustrator Manu Correa Soto, for the El Obrador campaign, which reflects the action of collaboration, help and creation between people as a way of being in the world, building together and transforming it. On a bluish background, the bodies are intertwined in various actions involving ropes, stairs and carts, forming a kind of great human wheel in full articulation. The production is by Rodrigo Díaz Merlis, Dana Allesi, Florencia Alvarez Guardo and Pablo Lloveras.
* CODIGOLUX, in room 2, is an installation based on the investigation of the chromatic phenomenon of solstices and equinoxes that determine the beginning and end of seasons. In this way, the room changes subtly throughout the year, becoming a living space, as dynamic and changing as the people who inhabit it.
- Room J houses works by Ana Sokol, a leading artist and hairdresser between the 60s and 80s, and there will be a tribute to the El Taller Gallery, to which she belonged. It will exhibit works by, in addition to Sokol, Orlando Ruffinengo, Juan Otero, José Luis Menghi, Leonor Vassena, Valerio Ledesma, Casimiro Domingo, Luis Centurion, Dignora Pastorello, Adolfo Ollavaca, Manuel Mujica Láinez and Susana Aguirre.
- Room C shows the work of 18 artists and 3 contemporary art collectives. It includes creations by the Tchinaj thä chumaas Group (Working Women), the Salta collective Thañí (artisans Estela Saavedra, Ana López, Aurora Lucas, Nora Arias, Claudia Alarcón and Anabel Luna).
- “Self-perception”: collective exhibition that will occupy room 8 and its curators are Patricio Olivier and Juan Duncan. It brings together self-portraits of 44 artists from different fields and disciplines: designers, comics, photographers and illustrators think about identity, understood both individually and collectively.
* “Nativas” curated by Fabián Trigo, the show occupies room 7 with illustrations, a mural and an infographic. In addition, it includes two guest works: a mural created by Elina Mendez and made by Gabriela Piserchia, Marina González and Martina Trach; and an infographic by the Onaire Collective.
- The intervention “Alley of the Elements” on the walls of the Patio del Aljibe is a collective intervention by Hernán Borda (CABE), Luciano Gatti (ICE) and Mauro Gauto (SWAM), urban artists with more than twenty years of experience in graffiti art together with three fellow friends: Ladyb, Mako, Members. “We tried to show the different disciplines that make up culture, and we set the patio with a street scene and lots of color, where graffiti is a fundamental part of the landscape,” says the trio.
The cultural center is open from Tuesday to Friday, from 1.30 p.m. to 10 p.m. and Saturdays, Sundays and holidays from 11.15 a.m. to 10 p.m.
* Recoleta Cultural Center. Junin 1930, CABA
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Itaú Award for Visual Arts
This year, the Itaú Visual Arts Award was attended by 3,516 works from all the provinces of the Argentine Republic, thus greatly exceeding the number of participants in other calls. The exhibition of the Itaú Prize for Visual Arts for the second consecutive year can be visited online on the Google Arts & Culture platform, thus facilitating greater visibility of artists globally.
There are 84 works from the most varied disciplines and materials, made by artists from different regions and profiles. In addition to the physical and virtual exhibition, the Prize has an interactive catalog, free to download from the Itaú Argentina Foundation website.
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Imagine the Colony. Buenos Aires 1810-1960
The National Museum of the Cabildo of Buenos Aires recovers an exhibition with objects, works of art and documents that were exhibited at the celebrations for the 150th anniversary of the May Revolution. These pieces, considered relics of a glorious past and the origin of the nation, were incorporated into the Museum's heritage, crystallizing an official imagination around national identity in line with developmental policies.
The exhibition will be open from December 16, for six months, from Wednesday to Sunday from 10.30 to 18.
*National Museum of the Cabildo of Buenos Aires and of the May Revolution. Bolivar 65, CABA
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Modular tide. Oracle of the Potential Image
It is the fourth virtual exhibition produced by Espacio Pla and the UCA Pavilion of Fine Arts. On this occasion, curated by Malena Souto Arena and Merlina Rañi, artists Aldana Bit, Constanza Castagnet, Daira, Dano Marello, Prifma, QOA, Renee Carmichael and Vicky Lamas are presented in a group exhibition hosted on the web, programmed by Renee Carmichael as a web-site work containing and linking the set of visual works, sound pieces and poems.
Daira, Dano Marello, Prifma, Vicky Lamas present 32 visual works that explore from the digital medium; Aldana Bit, Constanza Castagnet and QOA, artists from sound art, present 16 sound pieces; 7 poems that emerge from the pieces exhibited by Laura Fuchs (Prifma), Aldana and Constanza; and finally Renee, who comes from the field of writing and code, proposed by this website.
The exhibition invites visitors to immerse themselves in an initial space where all the works coexist. If a piece summons it, the visitor can land on it and activate the Oracle of the potential image with a click.
The Oracle of the Potential Image is a room that appears to connect three works randomly, that is, randomly. The visitor can consult the oracle as many times as he wishes and each time the image generated through the link between the works will take on a new manifestation. Each experience is different, there is no predetermined relationship, each click will connect in a totally different and arbitrary way a poem, a sound piece and a visual work.
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Being Women at ESMA II: Time for Encounters
On Friday, March 18, at 12h, the temporary exhibition Ser Mujeres will be inaugurated at ESMA II: Tiempo de Encuentros seeks to delve into aspects that have not had much visibility in our society: the consequences on the lives of survivors, after leaving the clandestine center. How did they rebuild family ties and their life projects? , how did they face the stigmas of having suffered and suffered - almost in all cases - sexual violence? , how did silence and lack of listening affect them? , what was it like for them to participate in the trials?
The exhibition can be visited from March 18 to July 28, from Tuesday to Sunday from 10 a.m. to 5 p.m.
It is carried out by the Esma Memory Site Museum and the Center for Legal and Social Studies, with funding from the German Embassy in Argentina.
*ESMA MEMORIAL SITE MUSEUM. Avenida Del Libertador 8151/8571 (former ESMA) CABA
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Pilgrim landscape
Exhibition by Adriana Bustos, Claudia del Rio, Mónica Millán at the Modern Museum. Monday, Wednesday, Thursday and Friday: 11:00 to 19:00 Saturdays, Sundays and holidays: 11:00 to 20:00 (Tuesday closed). Until March 27. Reservation of tickets.
*Modern Museum. 350 San Juan Avenue, CABA
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Ocean. Becoming Blue
The Cultural Center of Science C3 presents an immersive and interactive exhibition for all the public that covers ocean culture, the relationship with our way of life and its environmental impact. The 450 m² sample proposes a cultural transformation regarding this critical resource. Organized in four conceptual axes (climate change, pollution, biodiversity, human dimension) embodied in 20 digital and analogue devices, it will seek to open environmental discussions, the active response of the public and possible actions that favor the preservation of the planet.
The exhibition proposes a tour for the public to experience its link with the ocean and immerse themselves in this cultural transformation promoted by C3: Blue Library; The sea as territory; To a good forest you go for seaweed; The sea was not serene; Every drop counts; With water around your neck; Getting to a good port; Sailing in a sea of doubt; The ocean complains on the coasts; Restless waters; Mapoteca del mar; A wave never comes alone; Let's make waves; With rumor in the background; On the crest of the wave; Facing the sea; High in the sky; #VolverseAzul; Blue Science and Office of the Sea.
Since 2019, C3 worked on the design of the exhibition in conjunction with the Pampa Azul Initiative, scientists and scientists from all over the country and the collaboration of organizations and institutions related to the subject.
From October 29, every Friday, Saturday and Sunday, from 2 p.m. to 6 p.m., with free admission and prior reservation.
*CULTURAL CENTER OF SCIENCE C3. Godoy Cruz 2270, Palermo, C.A.B.A.
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The table will always have a flower centrepiece
Gabriel Baggio's exhibition investigates food practices in Argentina through the analysis of production models, culinary traditions, consumption habits and the environmental impact of food industries. Photographs from the General Archive of the Nation in dialogue with a group of works by contemporary guest artists: Gabriel Baggio, Fabiana Barreda, Raúl Flores, Mariela Paz Izurieta and Matías Sarlo.
The exhibition, almost 20 years later, presents the remastered video record of that performance. On Saturday, May 5, 2002, in Boquitas Pintadas GB, he presented “Sopa”, the first performance that would open the way to several years of his work. She cooked together with her mother and grandmother a broth from the collection of family recipes transmitted orally from mothers to daughters.
Baggio says: “I find there two fundamental pillars that still go through my creative processes today: the collaborative as an artistic event and the idea of imperfection as a resistance to mandates. The loving rebellion in the face of “what is given” for the realization of one's own desires and, consequently, the movement towards the realization of collective desires.”
Curated by Francisco Medail. Until April 30th. Wednesday to Sunday, from 2pm to 8pm CCK, Room 512, fifth floor. Free and free admission.
* CCK, Sarmiento 151, CABA
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Meetings in the room: Nahuel Levaggi
As part of the exhibition La mesa will always have a flower center, the national coordinator of the UTT Nahuel Levaggi walks the room with the public to reflect on the different issues addressed in the exhibition.
The activity is part of the Public Programs of the exhibition.
The activity is free and does not require prior reservation: participation is on a first-come, first-served basis, until the capacity of the room is completed.
*CCK. Sarmiento 151, CABA
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Between Us and the Others: TOGETHER APART
The exhibition can be seen at MUNTREF, the headquarters of Hotel de Immigrants, and brings together pieces by 36 artists from America, Europe and Africa focusing on current migration issues, in a world where walls are erected and the neighbor is perceived as a threat.
Curated by Diana Wechsler, Colombian Alex Brahim and Italian Benedetta Casini. Poetic readings, critical looks, visual reconfigurations are found in this curatorial story that has in the former Immigrant Hotel in Buenos Aires a privileged place for encounters with the public.
Visits take place from Wednesday to Sunday from 11:00 to 18:00. Admission is free of charge and can be booked in advance through the Museum View MUNTREF App or via email at visitasmuntref@untref.edu.ar. Until the end of March.
* MUNTREF Immigrants Hotel Headquarters. Avenida Antarctida Argentina (between the National Directorate of Migration and Buquebus), entrance by Apostadero Naval. Puerto Madero
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The gaucho myth
Taking up the title of the book by the philosopher Carlos Astrada, the exhibition proposes a journey through the history of gaucho literature, from its beginnings in the times of independence, through the 19th-century classics such as Fausto by Stanislao del Campo or Martín Fierro by José Hernández, until it was consolidated in the centenary of country in 1910 and then stepped into the dispute over the figure of the gaucho as in the case of anarchism and later Peronism, sides rarely frequented by the usual studies of the genre.
The exhibition also seeks to account for the gaucho presence in formats such as theater, music, film and comics; as well as to exhibit some of the most recent rewritings and reinterpretations of the myth from a gender perspective and literary experimentation.
At the same time, the photographic series Gauchos and Gaúchos by Christian Delgado will be exhibited in the Plaza del Lector Rayuela, where we will be able to observe the survival of the Creole culture in the present, both in our country and in Uruguay and southern Brazil.
The catalogue of the exhibition can be obtained in printed format at the National Library. It can also be accessed and/or downloaded in digital format from the institution's website, by clicking here. Until December 31, 2022.
*National Library. Aguero 2502, C.A.B.A.
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Argentine rock hits the national museums
In a large exhibition entitled Rock on the Street, the Ministry of Culture of the Nation, through the Secretariat of Cultural Heritage, is promoting an impressive series of exhibitions and events that will take place from December in three national museums: Malvinas Museum and South Atlantic Islands, Manzana de las Luces Historical Cultural Complex and National Historical Museum.
On Saturday, December 18, the National Historical Museum inaugurates Los 80s. Rock on the Street, an exhibition on the history of national rock that focuses on one of the most important stages of Argentine rock: the decade that began with the Malvinas War (1982) and extends until the beginning of the 90s. During that period, Argentine rock won the streets amid the cultural effervescence of a society that left the dictatorship behind.
The exhibition is divided into three sections: the first covers the years 82-83, the national rock boom. The second — in the museum's auditorium — deals with rock between 1984 and 1991, and the third one — installed in the basement — includes the heritage of the Buenos Aires city, cult bands and punks and the countercultural theater. In each of the sections, visitors will be able to see pieces related to the most important figures of national rock: instruments, manuscripts, clothing, photographs, press publications, maps of rock venues, posters and fan memorabilia, among other interesting things.
The curatorship and texts are by historian Gabriel Di Meglio, director of the Museum, and Ricardo Watson, with the assistance of the research team of the National Historical Museum. The photographic curation is by Aspix. The exhibition will also include experiences such as rewinding cassettes with biromes, learning to style or look “at eighty” and entering a teenager's room full of posters, and participatory proposals on social networks. From Wednesday to Sunday from 11 to 19 to May 30.
This event will comply with hygiene and social distancing protocols due to COVID-19 in accordance with municipal and national regulations in force at the time of its holding.
* Manzana de las Luces Historical Cultural Complex and National Historical Museum, Defense 1600, C.A.B.A.
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Daughters. Poetics of memory
The exhibition organized by the National Library reflects the manifestations of a new collective voice that emerged in the mid-1990s in the heat of mobilizations and demands against the denial of the military dictatorship and impunity as state policies. The tour starts at Plaza del Lector Rayuela and continues to the Leopoldo Lugones and María Elena Walsh rooms on the ground floor. Pictures, photographs, installations and films by more than forty artists are exhibited, as well as records of street mobilizations, escraches and some of the literary texts central to the production of this group.
It is exhibited in the aforementioned rooms, Leopoldo Lugones and María Elena Walsh on the ground floor, and in the Plaza del Lector Rayuela. It can be visited from Monday to Friday from 10 a.m. to 4 p.m. until March 31, 2022.
* Mariano Moreno National Library, Aguero 2502, City of Buenos Aires.
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Opening of exhibitions of Andreani Foundation Residences
The exhibitions are Ufficio di Autocognoscenza, Microcyclone Catheter/Timeless Economy, Clementine and Supernova Generation, by the artists Giraud, Lindner, Mendilaharzu, Feldman, Medici and Algranti.
It can be visited from Thursday to Sunday from 11 to 18. Reservations here.
* Andreani Foundation: Pedro de Mendoza Avenue 1987, C.A.B.A.
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Located Room: A Present View of the Past
What stories does this room tell? Are we alone in front of an art room?
Anti-aircraft guns, Bofors fire batteries, mechanical gunsmith rifle, caldén wood paving...
Located room tells the story of what was the Weapons and Aviation Pavilion of the ESMA, today Haroldo Conti Cultural Center of Memory.
What traces tell us about his past? What symbolic operations are spinning time in this space? What omissions reveal our recent history?
Through an exercise in memory, the proposal is to focus on the architectural space of the room and its elements, to dialogue with researchers, curators and historians. Recover the stories situated with a present view of the past.
This project includes: Daniel Schiavi, Public Entity Space Memory and Human Rights ex ESMA; Julieta Núñez, Conservation Team of the National Memory Archive; Leandro Porcellini, historian of the National Memory Archive.
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Argentine Prize for Visual Arts
The OSDE Foundation presents the catalogue that brings together the winning and selected works of the 4th edition of the Argentine Prize for Visual Arts. To view or download it, click here.
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Greatest successes at the National Historical Museum
This is an exhibition of objects from the Museum's collection that, many times, were exhibited to tell a particular story and, on this occasion, they combine with others and show a new facet of themselves. They are also presented a few other times exhibited. The curation of the exhibition also addresses the various changes in the way we create during different historical moments and the worldviews of the popular sectors, entertainment, everyday life, even death. It can be visited from Thursday to Sunday and holidays at 18.
* National Historical Museum of Defense 1600, C.A.B.A.
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Next Process Universe
Collective exhibition of HACHE artists. Catherine Schliebener, Dani Umpi, Diego Figueroa, Elena Loson, Florence Böhtlingk, Photo Studio Louisita, Gabriel Baggio, Gilda Picabea, Ivana Vollaro, Leila Tschopp, Leticia Obeid, Martin Sichetti, Santiago Garcia Saenz & Sofia Quirno.
Until Friday 31 March The exhibition will be open Monday to Friday from 14 to 19.
*Hache. Loyola 32, Villa Crespo, C. A. B. A.
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Walden Naturae arrives in Garzón
The new art gallery seeks to revalue the area with cultural initiatives and commitment to its natural environment. Walden Naturae is Pueblo Garzón's new exhibition space in Maldonado, Uruguay. The gallery has an annual program that combines historical and contemporary exhibitions in all disciplines and media, in its own 500-square-meter space.
Surrounded by hills, olive trees, vines and close to the ocean, it activates and cultivates its unique environment with agricultural, ecological and artistic initiatives, creating an idyllic context. In its commitment to the local ecosystem, it will also have a space dedicated to permaculture and will work on the recovery of the native forest, combining it with a sculpture park.
At the same time, it encourages permanent exchange between artists of different generations, as well as a large annual calendar of exhibitions. A residency program for collectors and artists will be integrated next year.
Exhibitions:
Program//Oscar Bony March 12 - April 16
info@waldennaturae.com/T 091221977
*Walden Naturae. Calle De los Cerrillos and Pasaje del Faro. Garzon Town. Maldonado//Uruguay.
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Light and body
The Andreani Foundation premiered Luz y Cuerpo 2021, a cycle that crosses disciplines in a game of improvisation and interaction in the Foundation building. On her YouTube channel, you can watch “Pendo de un hilo”, an experimental opera in three acts for two performers and ghost string ensemble, which brings together actress and playwright Nadia Sandrone with cellist and composer Violeta García , illuminator Sebastián Francia and audiovisual artist Karin Idelson; “The Guardian Angel”, performance and “Untitled”. The latest release is a collaboration between “Alfio Demestre + Florencia Vecino + Francisco Tripodi”.
* To learn more about this cycle, click here.
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Ideas for Monuments in tribute to heroines and unknown heroes, virtual exhibition at Bellas Artes
The National Museum of Fine Arts presents the virtual collective exhibition Ideas for Monuments in homage to unknown heroines and heroes, in which more than 45 artists from 20 countries participate, based on a call by artist and theorist Luis Camnitzer during the months of confinement due to the global pandemic.
“Through his Facebook account,” explains Andrés Duprat, director of Fine Arts, “Camnitzer made an open appeal in which he proposed to pay tribute to unknown heroes and heroines of society by questioning the usual process of choosing, financing and building official monuments.”
The result brings together 47 works by important artists from 20 countries: Italy, Guatemala, Philippines, Spain, El Salvador, United States, Panama, Kurdistan, Cuba, Germany, Uruguay, Colombia, Venezuela, Chile, Nicaragua, Sweden, Puerto Rico, Costa Rica, Brazil and Argentina.
The collection of monument projects, which began to take shape in July 2020, can be seen by clicking on this link.
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Pato Gil Villalobos presents on “Happy Art Tour 2022″
The self-taught and multifaceted artist presents a journey of interaction and connection with art. Its imprint, aimed at joy and hope, creates emotion and happiness by capturing messages, sparkles and colors in a unique combination.
For those who want to join the second meeting, the date will be Friday, February 25 at Paseo del Arte Cabrales (Martín Miguel de Güemes 2521). The exhibition, which will remain open to the public until 20 March, can be visited from 10 am to 9 pm, will feature more than 33 works of different sizes that will allow visitors to enjoy the journey through the artist's history and different stages: from her beginnings with mandalas, to the famous collections of “Women” Empowered”, “Reigns of Love”, “We Are One” and “Democratizarte”, limited series of hand-operated and numbered reproductions.
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DANZA
Grub
A dance recital directed by Ana Frenkel with co-direction by Carolina Borca, based on the meeting between five performers of movement and musical construction. At GRUB, dance is intertwined and enhanced by the sound and lighting of the space, along with the particularity of each of the dancers. “The search is aimed at being able to empathize and unite with others, both among the performers and the audience, in those emotional or sensitive passages that, by putting them to play on the poetic plane, undo judgments and make us freer and more empowered.”
Performers: Ares Barrios, Lucia Cuesta, Nahuel Delgado, Felipe Figueroa, Vicky Machta.
Performances on Thursdays at 9pm until March 31st. Duration: 60 minutes. Locations $1,200 (alternativateatral.com) 2x1 Banco Ciudad Promotion Purchase with credit or debit card of Banco Ciudad at 2x1 value through Alternativa Teatral. The card used at the entrance to the room must be presented. Benefit also valid at the theater box office on the day of the show. Both options are subject to availability
* The Galpón de Guevara. Guevara 326, CABA
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Sandro, the happiest days
Sandro, the happiest days is an invitation to explore Sandro's work through dance in a dream space designed and built by him in the neighborhood of Boedo: his Castle. On the façade, a cast of artists will draw a universe with the map of their music.
With the direction of Andrea Castelli and the special participation of Lidia Borda, you will be able to attend this world of sensations, dance, gypsies and songs, in the neighborhood of Boedo, in the Castle that Roberto Sánchez, the popular idol, once dreamed of.
The appointment is on Sunday, March 20 at 9 pm, with free and free access. The public will be able to watch the show from the street, and it is suspended in case of rain.
Then, on Sundays March 27th, April 3rd and 10th at 8pm there will be guided tours through dance, inside the Castle. Visits are limited, have a value of $800 and can be purchased through Eventbrite.
Important:
- On guided tours inside the Castle, the space is not accessible to people with disabilities and/or reduced mobility.
- The functions will be carried out in person, respecting the current Protocol for the Prevention of COVID-19 Infections.
*Sandro Castle: Avda Pavón 3939 - Boedo. City of Buenos Aires
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THEATRE
Mr. Martin
A comedy that challenges us from the most internalized, putting our identity and our learning matrices in check. How do we build and build our national identity from schools? In what way does colonized thought pass us through? What makes us proud and what makes us ashamed of being Argentinian? Gastón Cerana's work, directed by Gabriela Villalonga, questions our most deeply rooted ideas about the homeland, others, and ourselves. Re-premiere: Friday, March 11 at 21:30, performances: Friday in March and April at 21:30.
* Tadron Teatro, Niceto Vega 4802 (esq. Armenia) C. A. B. A.
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PROGRAMMING OF THE BUENOS AIRES THEATRE COMPLEX
Who is Clara Wieck?
Although overshadowed by musical historiography as the wife of the great Robert Schumann, Clara Wieck was not only one of the most outstanding performers of her time but also an admired composer as well as an influential diffuser of musical Romanticism. This work proposes a dialogue between the music of Schumann and Brahms and the sayings of Clara. Musical fragments that interact with it in the manner of confessions, dreams, reproaches, desires. Her beginnings as a child prodigy, her early infatuation with Schumann and her questioned love relationship with Brahms emerge from this biographical fiction.
Authors: Betty Gambartes, Diego Vila. Direction: Betty Gambartes. Performers: Annie Dutoit Argerich, Eduardo Delgado (piano), Victor Torres (baritone) or Hernán Iturralde.
From Wednesday, February 16 to Sunday, May 29. Wednesday to Sunday, 7 pm. Duration: 100 minutes. Stalls $1,000 Wednesday $500
* Cunill Cabanellas Room. San Martin Theater. Corrientes Avenue 1530
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Tropical night falls
Two octogenarian sisters living in Rio de Janeiro recall the past and discuss the loves of a younger neighbor. According to Puig, the fundamental theme of his novel is affection. And he says: “In old age the craving for affection grows. When we can no longer plan for the future, the need for affection, to give affection rises. The last activity, almost unique, is affective.” Old age seen as “the epic age par excellence” and affection as a necessity to alleviate the absurdity of the world.
Author: Manuel Puig. Stage version: Santiago Loza, Pablo Messiez. Direction: Pablo Messiez. Replacement direction: Leonor Manso. Cast: Leonor Manso, Ingrid Pelicori, Carolina Tejeda
From Wednesday, February 16 to Sunday, April 17. Wednesday to Sunday, 7 pm. Duration: 105 minutes. Stalls $1,000 Wednesday $500.
*Casacuberta Room. San Martin Theater. Corrientes Avenue 1530.
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The captives
The Teatro Futuro Company holds an artistic residency at the Buenos Aires Theater Complex with its project “The European Saga”, made up of a group of four works set in the 19th century that aim to explore the relationship between Latin America and Europe through the sieve of literature. The series consists of the works Las Captivas, The Natural Sciences, The English Invasions and The Translations, which will be released in the different rooms of the Complex over the next four years. Las Captivas, which is now being premiered at the Teatro de la Ribera, is offered as a refounding, as a metaphysics, as a nature, as pure fiction and as an eagerness to return to a place we have definitively lost.
Las captivas is an integral production of the Buenos Aires Theater Complex. Dramaturgy and direction: Mariano Tenconi Blanco. Cast: Laura Paredes and Lorena Vega. Musician on stage: Ian Shifres.
From Friday, February 18 to Saturday, April 30. Thursday and Friday, 7 pm. Saturdays and Sundays, 17 hours. Duration: 70 minutes. Stalls $1,000 Pullman $750 Thursday $500.
*Ribera Theatre. Pedro de Mendoza Avenue 1821.
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How do dogs play
Nadia and Agustín have just moved to a new smelling PH. The couple has grown, the shared past and the future ahead are getting bigger and bigger. But this family isn't complete without Aldo, his dog. He is not a dog like any other: the tricks he can do exceed logic and expectations, he knows how to play poker. Uploading the video to Youtube is just the beginning of the journey; every day he learns new and stranger things. In this house, who is the owner and who is the pet?
With dramaturgy by Lucas Ranzani and directed by Rubén Viani. From April 2 to May 28, every Saturday at 8:30pm. Tickets: $1200 /Theatrical alternative. Reservations: 4831-9663. Duration: 60 min.
*The Kairós Method. El Salvador 4530, CABA
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She's in my head
Adrián reached a point where he can no longer live with Laura, his wife, but not without her. Adrián is a living manual of contradictions, fears, anguish, jealousy and more jealousy; exposed by an unconscious who keeps talking to him and tormenting him. This is an exquisite case for the acute analysis of Klimovsky, his scathing therapist, who delves into where it costs the most: What really unites them after so many years together?
Joaquín Furriel, Juan Leyrado and Florencia Raggi will star in a new production of ELLA EN MI CABEZA, the theatrical hit written by Oscar Martínez, directed by Javier Daulte. PREMIERE JANUARY 20, 2022. PERFORMANCES: THURSDAY 8pm/FRIDAY 20:15pm/SATURDAY 20:00 and 22pm/SUNDAY 20:30 h. Locations from: $2300.- ONLINE SALE BY PLATEANET SYSTEM
* Metropolitan Sura Theatre, Corrientes Avenue 1343, C.A.B.A.
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The visitor
This work by Marcelo Galliano, winner of the federal competition “Prints of Argentina Actual II”, comes on stage with the direction of Anabella Valencia, commemorating the 40th anniversary of the Malvinas War and within the framework of the 10 years of the El Popular theater.
Functions: Saturdays 20 hs. Tickets www.alternativateatral.com
*People's Theater, Chile 2080
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The killers of the holidays
Six extravagant brothers, fierce and greedy, devise a plan to seize the material goods of wealthy people.
Direction: Marcelo Velázquez. Functions: Sundays 20 hs. Tickets www.alternativateatral.com
*The Carpintería Teatro. Jean Jaures 858, CABA
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The other Duarte
The work proposes a new look at the iconic figure of Eva Perón. From the subjective and emotional perspective of his half-brothers, beings forgotten by history, the passing of the character and our country is reviewed.
By Gastón Quiroga, directed by Marcelo Velázquez.
Functions Monday 20 hs Tickets www.alternativateatral.com
*People's Theater. Lavalle 3636, CABA
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The good exile
In the middle of the eighties, a homeless man in his twenties arrives at a retirement home, escaping from his father. He will be welcomed by two small-time religious who will take advantage of the event to fantasize about the arrival of an envoy from God as the only possible way to the olive tree, the hierarchies and privileges of high-ranking priests. However, Manuel believes he has arrived at the right place: his mystical speculation and the relationship with a functional music apparatus seem to be the salvation of a path hitherto riddled with misery and torment.
Written and directed by Alfredo Staffolani.
Friday at 10.30 p.m. Until April 29th. Duration: 80 minutes. Locations: $1000 per Teatrical Alternative.
*The Carpintería Teatro. Jean Jaures 858, CABA
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Casa Duarte
The audience will be a spectator and at the same time the protagonist of the only wake where people cry, but laughing! You won't see a play. The #ExperienciaCasaDuarte will live, the craziest wake! In the 2021 season, the seats were sold out for all functions, and after a very short — and well-deserved — vacation, this original proposal repeats success again.
Casa Duarte is the place chosen by the De la Puente family to make the traditional farewell to Pedro. The owner of the wake house, her daughters and the appearance of crazy characters, will make her widow and family have a wake to oblivion. With high doses of dark humor, this comedy will make us wonder if we are really happy with the life we have, or what we do to have it.
Performances: Fridays and Saturdays at 10:00 p.m. Ticket sales.
*Multiscene Theater. Corrientes Avenue 1764, CABA
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Precoz
After its successful first season, Precoz returns to the scene, a play based on the novel of the same name by Ariana Harwicz, directed by Lorena Vega and the performances of Julieta Díaz and Tomás Wicz.
Precoz immerses us in the story of a mother, her teenage son and the intense relationship that unites them. A link that is debated between tenderness and madness. Bordering the boundaries of insane and perfect love, the most absolute loneliness and contempt of society. Together they are dynamite: separated, they are nothing.
THURSDAY-FRIDAY-SATURDAYS 20:30 H. Duration: 80 minutes. Locations: $1300 TICKETS FOR SALE BY TEATRICAL ALTERNATIVE
* Dumont 4040. Santos Dumont 4040, CABA
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The day I'm going to die
The Day I'm Going to Die is a play that tells the story of Daphne, a woman who on her thirty-third birthday will have to face her broken ties after a long time of being locked up in her house. The relationship with her mother; her best friend - with whom she has always been in love - and all her ghosts who, very surprisingly, visit her to remind her what to do. Daphne will have to decide whether to bury the corpse of his memories or live with them forever.
A creation by Laura Medina, directed by China Andrea Villagrán and a cast composed of 3 actors on stage who will represent a striking story. A Chilean-Argentinian creative imprint that was presented in October 2021 within the framework of the Akroasis Dramaturgia Festival, and now its re-release arrives on Saturday, March 5 at 22:30 hours. Tickets can be obtained at the theater box office or through Alternativa Teatral.
* Teatro Border. Godoy Cruz 1838, Palermo, CABA
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River animal
A teenager and her mother live on the banks of Chania Creek, in the second section of the Tiger Delta. They just threw the body of the dead father into the creek. The play takes place on the pier, waiting. Inés and Matilde must face the difficult situation of covering up the crime and continuing to live under the shadow of a presence that haunts them still dead. Animal de Rio, anchored in the wildest part of nature, allows you to enter a common and unjust world where two women build a pact of silence for fear of not being heard.
Written by Guadalupe Fernández Peña who is also the director of this strong story. His script was awarded by the Teatro Nacional Cervantes, in the 2020 Nuestro Teatro Competition. After an excellent first season, it will be re-released on Sunday, March 6 at 7:00 p.m. Tickets can be obtained at the theater box office or through Alternativa Teatral.
* Polonia Theatre. Fitz Roy 1477, Palermo, CABA
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La Madonnita
Next Sunday, April 3rd, a new version of La Madonnita by Mauricio Kartun will be released, undoubtedly one of the best playwrights and directors on the national scene. Directed by Malena Miramontes Boim, this exquisite version of the classic of our national theater - almost ten years after its premiere - proposes a new reading of the work, from the present, in a tragicomic tone.
The story of LA MADONNITA takes place at the beginning of the 20th century in a warm mezzanine in Parque Lezama. A man takes pictures of his wife and then markets them to the immigrant working class. The work brings to the fore the friction between desire, sex and poetry with all the talent of Kartun's pen. In the words of the author, the Madonnita is a possible inquiry into “the fantasy of keeping unchanged an image transmitted to the lover's head. Perfect. Without the deterioration of time or the daily vulgarity of the relationship. The desired flesh kept away from its own flesh, forgetting, of course, that the flesh hurts.”
La Madonnita explores the complexity of human psychology and its links. The piece tells a love story that puts the elusive object of desire in the foreground. Desire, a fundamental tool for survival in a hostile world.
PREMIERE: April 3, 7.30pm. Performances: Sundays at 19.30. Places $1000, discount students and retirees $900 available in Teatrical Alternative
*Itaca Cultural Complex, Humahuaca 4027, CABA
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Piece for mannequins and a supporting actor (Documentary about silence)
Gabriel Penner's piece, Piece for mannequins and a supporting actor. (Documentary about silence) is a condensed dramaturgy that breaks down the theatrical as if it were the articulated body of a doll. The show, directed by Ana Alvarado, stages actors, objects and space in a beautiful humorous, ironic and critical stage game, with the absurd determination to answer why we play with such passion. The bodies of those who act establish a loving and intense encounter with the stage, long overlooked.
Performances from March 11, every Friday in March and April at 9pm, in the new Inda Ledesma Hall of the Leonidas Barletta Experimental Space (Diagonal Norte 943), General admission: $1000 - by Teatrical Alternative. Students and retirees: $700 at the Box Office of the Cooperation CC.
*CC of Cooperation. Currents 1543, CABA
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A balcony with a view
On January 23, a delirious real-time comedy about marital DNA arrives at the Multiscena theater Un balcón con vistas. With more than 50,000 spectators in Spain, the European hit will be released on Calle Corrientes. Couple relationships and the diffuse boundaries between love and heartbreak, where the truth is hidden at all times and yet always remains visible. From Sunday 23 January, every Sunday at 8.30 pm. General admission $1200. Points of Sale: Plateanet, Catch it and Theater Box Office.
* Theater: Multiscena Cpm. Corrientes Avenue 1764, CABA
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Lustro
Ximena and Juan Cruz, involved in the maelstrom of domestic chores, try to celebrate their fifth anniversary within their business: an antique house. Children, money, housework, work, routine, sex? They will overshadow the night... A comedy to value and be able to shine love again.
A creation by Mauro Mangione, who also stars in the story with Rosario Jaimes, directed by Paula Zurdo. From Friday, March 4 at 8:00 p.m. Tickets can be obtained at the theater box office or through Alternativa Teatral.
* La Mueca Theatre. Cabrera 4255, C.A.B.A.
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Runners
Running runners travel through the territory and contemporary national history, trying to avoid any contingency that prevents them from continuing their march. In development, the route will become a path that discourages the hope of achieving any goal.
By Pablo Caramelo. Performances: Friday at 23 pm. Locations: $1,000.- Students and retirees: $800.-Sale by Alternative and www.elportondesanchez.com.ar Duration: 60 minutes
*The gate of Sánchez — Sánchez de Bustamante 1034 — CABA
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The dogs
On her fortieth birthday, Laura has a fleeting but devastating experience: during her usual subway ride, a stranger smiles at her and whispers something in her ear. At home, during the holiday, that seed will germinate and end up bombarding the “supposedly” settled family life, despite Laura's efforts to maintain the union with and among her loved ones.
Rodrigo, Emilio and Alicia, comfortably accommodated in their fears, will be forced to review certain approaches that will turn their placid home into a battlefield, while Laura finds herself capable of her greatest heroics: daring to look from consciousness
The cast consists of Claudio Rissi, María Fiorentino, Melina Petriella and Patricio Aramburu, directed by Nelson Valente.
Premiere: March 4. Performances: Friday and Saturday at 20 pm/Sunday at 20:30. Places: $2200.- at the theater box office or on plateanet.com
* Theatre: Picadero — Pje. Henry S. Discépolo 1857, CABA.
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Too much for nothing
A group of young actors begin to rehearse the play Mucho ruido y pos nueros by classical author William Shakespeare. Shortly after walking, they discover that the task will not be as simple as they imagined: they don't understand the text, they don't have enough actors, to mention just a few obstacles. Far from being intimidated, they embark on an adventure, trying to solve the difficulties that arise on the fly and involving the public in the licenses they decide to take.
By Maria Ines Falconi. Duration: 80 minutes. Genre: Comedy.
Friday 20 hours. Tickets by Alternativa Teatral.
* Teatro Border. Godoy Cruz 1838, CABA
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A work for me
The play is the dramatization of the creative process of an author who, convened by a festival, will embark for the first time on a very particular autofiction. Who narrates what is being narrated? A search, a work that thinks of itself and invites us to think about why everything that happens to us can become fiction. It has a relevant argument for the debate on the LGTBQY theme. The text is by Sebastián Suñé who also directs it with Lia Bagnoli and stars it with Francisco Bertin.
Friday at 22.30 until March 18.
* Space Alley. Humahuaca 3759, CABA
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The misfortune
After 4 seasons on the independent circuit, he premiered his 5th season on Paseo La Plaza. The play has been acclaimed by the public and the press, it was able to break the boundaries of the traditional musical audience and became a place among the plays on the Buenos Aires cinema with more than 15,000 spectators and has just completed 100 performances. In a small, conservative village there is a deadly sexually transmitted disease that they call “La Desgracia”. The scandal is evident when Anita, the young daughter of the mayor, is placed in a medical ward for being infected. As if this were not enough disgrace, the only doctor in town is found dead in his office within minutes of finding a cure. A mysterious murder, ideological fanaticism, frustrated love and guilt are some of the ingredients that weave through farce, parody and at a dizzying pace, the plot of this shattering work; with songs that reveal the deepest and most sincere desires of its main protagonists.
Friday at 20.30.
*Paseo La Plaza. Currents 1660, CABA
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Dance body
A work that, from humor, comes to question how institutions discipline the body and through it, desire. In its second season Carolina Guevara returns to La Carpintería Teatro on February 5 with Dance Body, a one-person show that intertwines two languages: comicity and oral narration.
After the successful Los coups de Clara, the duo formed by Carolina Guevara and Leandro Rosati will stage this time the story of a woman named Corral who, from a small town in the province of Buenos Aires, where she spent her childhood and adolescence, flees to the big city in search of her desire: to dance. Based on this premise, the protagonist narrates the misadventures and conflicts she has suffered throughout her life due to having a desire and body that is different from what is considered “normal” in a context that does not accompany her.
Performances: Saturdays in February and March at 20. Tickets for $1000 on sale by Alternativa.
*The Carpintería Teatro. Jean Jaures 858, CABA
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The Dark House
The multifaceted, workaholics, feminist, flashy, long tongue, super power of the off come together to battle and unmask their worst enemy: the mind. Two people, two life stories, two medical and emotional histories, two psychiatric diagnoses, two heads that are difficult to explain. Where are the manners when the coconut is painted?
The work proposes a journey into the interior of two troubled minds, who with humor, music, sensitivity and many words, will try to relate to themselves, with the sole purpose of illuminating the dark house.
Two minds. Two fronts. Two ways. A medication.
Until April 15, Fridays at 21. Tickets from $1000 on sale by ALTERNATIVA
* The Galpón de Guevara. Guevara 326, CABA
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The dark night. Santiago tragedy
Acclaimed by critics and the public as one of the best works of 2021, it re-premieres “The dark night -tragedy of Santiago-”, which seeks to narrate the tragic from a rural and creole perspective, exploring our traditions to the rhythm of chacareras, empanadas and wine. Dramaturgy and direction Eugenio Soto
Saturdays at 22:00. General admission $1200/$1000 Discount est. and jub. Advance purchase.
*People's Theater. Lavalle 3636, CABA
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The Macocos present Maten to Hamlet
On this occasion, the Macocos embody four transhumant jesters in the Middle Ages. After suffering all over Europe, they arrive in Denmark with the dream that the great Yorick, jester of the court of Elsinor, will receive them and give them work, house and food... but they are too late. However, they manage to enter the castle, although not at a good time: the king was killed, his brother has taken the throne and he married his sister-in-law. Our dear jesters then find themselves at the service of, nothing more and nothing less, the most famous prince in the history of the theater. And with a mandate that the great Yorick urged you to fulfill... Kill Hamlet! The true story that Shakespeare plagiarized to make his work most famous.
The most comical tragedy of all time. Performances on Fridays and Saturdays 9 pm. Ticket sales.
*Theater 25 de Mayo. Triumvirate 4444, CABA
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La floresta
A work with a gender perspective that investigates situations that challenge us. It reflects on identity, links, desires in contrast between life in the city and a sea town. Laughter turns into tears while subtle humor is present throughout the work.
Debut work by playwright Majo Silva, created during a pandemic and inspired by real events. With the dramaturgical advice of Maruja Bustamante.
It reopens on April 2nd at 22:30pm. Performances: Saturdays in April, 22:30 ps/ Entry: $900/ Social networks: @laflorestaobra/Sponsorship Proteatro
*Gargantua Theater. Jorge Newbery 3653, CABA
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Manos Verdes
These worlds in contrast led us to explore, inquire and mix, but without moving away from a lyrical, poetic language. A meeting between Silvina Ocampo and her gardener Ramón, where everything is evident, time, society, class differences, and even botany are intertwined and shaken, without leaving us far from this epic language.
By Francisco Pesqueira, directed by Natacha Córdoba and starring Maru Cesanelli and Emiliano Samar along with Mariano Frumento, composer and musician on stage.
After its first successful season, it comes its re-release on Sunday, March 6 at 18:00. The show will be held outdoors (it is suspended due to rain) and lasts 45 minutes. Tickets can be obtained through the Alternativa Teatral platform.
Functions
March: Domingos 13, 20 and 27.
April: Sundays 3 and 10.
DECLARED OF CULTURAL INTEREST BY THE MINISTRY OF CULTURE OF THE NATION.
*Anne Frank Room. I exceeded 2639, CABA.
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Punk and Rota Samurai
The Ministry of Culture, through the Buenos Aires Theater Complex, reports that two new shows winning the 2020-2021 Banco Ciudad Prize for Performing Arts will be released in February, a joint action by Banco Ciudad and the Buenos Aires Theater Complex that seeks to give impetus and support to the performing arts of the circuit independent.
Samurai Punk, the debut film by Santiago Pedrero directed by the author himself and starring Emiliano Carrazzone and Lucila Casalis.
In Samurai Punk, two friends (a director and an actress) go on a journey in search of a well-known and successful actor to offer him a special participation in the film they are filming four years ago and which is about to go unfinished.
The performances will take place on Thursdays at 8.30 p.m. Duration: 55 minutes
Platea $1,000
2x1 Banco Ciudad Promotion
Web sale through Alternativa Teatral with credit card, debit card, Mercado Pago or Pago Fácil. The card used at the entrance to the room must be presented. Subject to availability
On the other hand, it will premiere on Saturday, February 19 at 8 pm, Rota, with dramaturgy by Natalia Villamil and direction by Mariano Stolkiner, and performance by Raquel Ameri. Rota shows how a woman struggles to rebuild her existence after the death of her son, who committed suicide after killing her girlfriend. In his solitude, he will try to reassemble the puzzle of his body. Hand in hand with remembrance, the tastelessness of loss unfolds. When he stops at that moment, he glimpses its breakage. This mother will try to find some love, understanding, like any other woman. Only the empowerment of her search will be able to confront her with those who judge her. The performances will be on Saturdays at 8pm Duration: 60 minutes
Platea $1,000
2x1 Banco Ciudad Promotion
Web sale through Alternativa Teatral with credit card, debit card, Mercado Pago or Pago Fácil. The card used at the entrance to the room must be presented. Subject to availability
* The Extranjero. Valentín Gómez 3378, CABA
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A long story. Instructions to be a failure
A group of friends decide to go to the party that is organized at their school for the ten years of their graduates. From that moment on, they will begin to remember their classes, what they wanted to be and what they are now. Not everything was so good when they were kids, nor is it so bad when they grow up. A long story, a comic tragedy like life itself.
A creation by Juan Catriel Mirabelli who also directs the 5 protagonists in this charming comedy. After a first season in full room, it will be re-released and the performances will be on Saturdays 5, 12 and 26 March and Saturday 2 April at 8:30pm. Tickets can be purchased on the Alternativa Teatral platform at $700.
* Brilla Cordelia Theatre. Lt. Gen. Juan Domingo Peron 1926, CABA
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What the porridge wants
Is “what the gouaches want” always what they want? Musical theatre play where narration and reality are mixed connecting the city, youth and social classes. Desire, pleasure, violence and fear of what is different. Hasty decisions and unconsciousness mark destiny, if any. The youthful lack of control at parties makes it possible to meet that almost always ends in tears. The narrative also emphasizes the discrimination that exists in our country and the intolerance resulting from aggression caused by the economic situation, race, gender and clothing.
After exhausting each show days in advance in the 2020, 2021 and 2022 season, Mariana Cumbi Bustinza's multi-award-winning and critically praised Mariana Cumbi Bustinza returns to CABA Lo que que las guachas wanted. This is the last work linked to the trilogy that began with Menea para me and Gorilla. It will be re-released on April 2nd at 10:30pm and will be presented every Saturday.
*El Extranero Theater. Valentín Gomez 3378, CABA
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Sound Garden - Stations
Theatrical experience to tour a garden and listen to stories. On Saturday, March 12 and until Tuesday 22nd, the Carlos Thays Botanical Garden Sound - Stations will be presented at the Jardín Botanical Carlos Thays - Estaciones, a mobile application that connects public space with the theater, allowing you to tour a garden and listen to four short plays related to nature. As in its two previous editions, they are works written, directed and performed by female artists and in this edition, each of the four works is crossed by a season of the year.
The playwrights called for this edition are: María Marull (summer), Consuelo Iturraspe (autumn), Beatriz Catani (winter) and Sol Rodríguez Seoane (spring). The latter was selected from 150 works received through a call open to the whole country.
To enjoy the experience, you must download the Sound Garden - Stations application to your mobile phone from the App Store (Apple) or Play Store (Android), activate Bluetooth, walk through the Botanical Garden and look for the listening points identified on the map and marked in space. Then, a play will be triggered to listen to. Once you pass each point in the garden, the soundtrack will be saved to your phone so that it can be heard at another time and place.
From Saturday 12 March, Tuesday to Sunday from 9 a.m. to 6 p.m. The entrance to the Garden closes at 17:30 h. Duration of the experience: 60 minutes. Free and free activity. No wifi or data required, only cell phone and headphones. Until March 22nd
* Carlos Thays Botanical Garden. 3951 Santa Fe Avenue, C.A.B.A.
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Out of the world
The drizzle and the fog. A long weekend. That town of the province. An unexpected encounter. Julia and Martin. Like shipwrecked people from memory, in a storm of emotions. What could have been and wasn't. The train that won't pass again. 1955.
A creation by Raúl Brambilla, starring Malena Figó and Marcelo Mininno. The new season reopens next Saturday, March 5th at 17 at the Teatro Del Pueblo. The show lasts 55 minutes and tickets can be obtained through the Alternativa Teatral platform or at the theater box office for $1200 or with discounts for students and retirees of $1000.
* People's Theater. Lavalle 3636, CABA.
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Guarani pearl
Perla is waiting, clinging to her machete, crouching like a jaguar, for the entrance of her clientele. Leather shoes is what he sells... in front of our eyes he becomes an erotic and dangerous character: he condenses in his body the snake and the charmer. An exuberant, ominous coastline creeps and manifests itself on it as an open sore. His story, music and voice are a narcotic, the bait that draws us to the hook. As in any transaction where passions are put up for sale, we will have to choose between buying her a shoe or, for a higher cost, a stretch of her tragedy.
Written by Gabriela Pastor and directed by Fabian Díaz. Winning work of the More Theatre Competition of the SAGAI Foundation
Performances: Sundays March 20.30. (From March 6 to 27, 2022) General Admission: $1000 Duration: 45 minutes.
* Doorbell 4. Boedo 640- Phone: 4932-4395. CABA
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The tunnel to your sins
Are you ready to sin? We are all sinners, we all seek to be free, we invite you to enjoy a truly different show of the off, where you too will be part of this 360º performance with more than 20 artists on stage. We want you to enter the tunnel and decide who deserves to follow or escape from that horrendous place. Meet our 7 deadly sins and thus be able to satisfy your deepest desires. Captivating characters will make you uncomfortable or not, telling you their miserable stories and making you feel identified with them. Between very suggestive dances and high provocation with the audience, “the tunnel to your sins” invites you to reflect at times as well as make the spectator laugh. It is a work that makes an impact and the audience comes out with its highly mobilized adrenaline.
We wait for you to sin. A sensual 360° experience. The play The Tunnel to Your Sins is a creation by Pablo Dorado, composed of a cast of more than 20 artists on stage, in a proposal that will challenge you in every way.
It is presented every Saturday at 23:00pm Tickets can be obtained at the theater box office or through Alternativa Teatral.
*Empire Theatre. Hipolito Yrigoyen 1934, CABA
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Auction jealousy
Valentina, a fashion designer, with severe anxiety problems, and José, a building administrator, a little hung, hardworking and very mamero. Her mother, Berni, keeps her son as if he were a child; she sparks with her daughter-in-law, but Valentina is not far behind. He has a brother who is delusional, the Peter Pan of the family, comes to help and entangles the situation. Together with a sensual, naive and romantic neighbor: she is Carla and she will be unintentionally stuck among the lovebirds because of great confusion.
A creation by Daniela Alberti, who also directs and stars alongside a shocking cast. Premiere: Saturday, April 2). Tickets can be obtained at the theater box office or through Alternativa Teatral.
* Vitral Theatre. Rodriguez Pena 344, corner Corrientes Avenue, CABA
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Papa Bianco and Los Alonso returned to the Teatro Del Pueblo
Sisters Irina Alonso and Ingrid Pelicori, daughters of Ernesto Bianco and Iris Alonso, return with their biodramatic documentary show, which proposes to explore the history of their family, made up entirely of emblematic artists of Argentine cultural history. On this occasion, it is part of the celebrations for the hundred years since the birth of Ernesto Bianco.
Multimedia show, documentary theater, with humor and emotional power, which invites us to explore part of the Argentinean artistic/cultural heritage. A moment in the history of our theater, our radio, our cinema and our television within the framework of a glorious era of Buenos Aires bohemia. Proposal composed of different registers, ranging from narrative to recreation with fictional tones, recitation and payada, to the most intimate confession; with various archival materials rescued for this piece, such as testimonies, audios, interviews, songs, along with the original music of remembered television programs , plays and films.
Mondays at 8pm. Tickets are worth $1200 and $1000 (for students and retirees) and are purchased through Alternativa Teatral.
*People's Theater. Lavalle 3636, CABA
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Bonfire Mountain, by Chinese Puppet Group Walkers of the Universe
Traditional Chinese puppet show, adapted to Spanish from the most popular and canonical novel of Chinese folklore, “PILGRIMAGE TO THE WEST”. Performed by Chinese and Argentine artists, it promises an unforgettable journey into the heart of the Asian giant. It will be a unique experience that will allow us to relive this cultural pearl that has entertained adults and children for more than 1500 years.
Performances: Saturdays 4pm (from 23/April to 28/May 2022) Duration of the show: 60 minutes
Audience profile: ATP, for the whole family. Tickets $700 for Alternativa or at the theater box office.
*Cultural Center of Cooperation: Corrientes Avenue 1543 — Tuñón Hall, CABA
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The woman in the green dress
A woman who finds in the word her salvation and the vital pulse that holds her to existence. The protagonist of The Woman in the Green Dress is in a completely vulnerable and fragile situation after a traumatic episode and through her words she will be able to shed light on her story and her present.
The work of Jorgelina Aruzzi, directed by Gloria Carrá and starring Dalia Elnecavé, discovers the dreams of a woman, crossed by a historical event. Saturdays 18 hs.
*The Kairós Method. El Salvador 4530, CABA
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The God of the Internet
In the context of the Covid 19 pandemic and within the framework of the CC25 Mayo Community Area, the Neighborhood Snacks program was organized in which a group of more than one hundred older adults met, virtually and weekly, to carry out artistic and recreational activities. As part of this space, the work The God of the Internet was created. In its beginnings, the Internet was an eden made of words, cultivated by engineers and poets, where settlers assumed impossible identities, shared knowledge and did not know about laws or borders. What happened to that idealistic project? Can you be nostalgic for what never happened? Does that look change according to the generation we belong to? Does the**** of the internet exist?
Sunday 20 March at 7 pm
*CC May 25. Triumvirate 4444, CABA
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Magallanes.0
A play by Jeroni Obrador, directed by Merceditas Elordi and starring Claudio Pazos. In Magellan.0 the Portuguese explorer wanders lonely and confined on a desolate planet, devastated, yet he feels alive, the only survivor of the heroic expedition that was the first circumnavigation in the world. Five centuries have passed since his alleged death, but his body full of life contrasts with the desolation that surrounds him. His deviations and reflections invite us to think about the possibility that he is simply asleep in an eternal sleep, that he has been separated to a parallel universe, or that it is his soul that wanders in limbo, waiting for his final judgment. In this state of despair at times and deep reflection for others, Magellan will discover the future by confronting an unknown and strange entity. A new world is revealed to him, where all times are together in one, where the homeland is the entire universe with its diverse wealth that should be understood as sacred.
Friday, March 18, 8 pm - Free activity. The shows in the terrace are at 20 pm, in the open air, they are suspended due to rain. Free activity with limited capacity. Ticket booking for Alternativa Teatral
*CC May 25. Triumvirate 4444, CABA
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The Puerca woman
The play is directed by Lisandro Rodriguez, from Santiago Loza and starring Valeria Lois. A woman has lived to the fullest to achieve holiness. He hasn't succeeded, he has a pig nature. It's worldly, earthly. The desire for bliss does not combine with his being. The tragedy of matter that is not meant for transcendence. THE PIG WOMAN is the story of an orphan. Like those stories of Dickens devoured in childhood. It is dedicated to the sorrow of orphans on their wandering journey looking for a place of origin. Somewhere that contains. THE PIG WOMAN is a kind of phenomenon, ridiculous and tender, it has melodrama and humor. Also some thoughts about love. God's unrequited love for this wounded little woman. LA MUJER PUERCA is the journey of a divided and divided body. The need and foolishness to love when there is silence around.
Friday 25 March, 8 pm (rescheduling of date suspended in February)
The shows in the terrace are at 20 pm, in the open air, they are suspended due to rain. Free activity with limited capacity. Book tickets for Alternativa Teatral.
*CC May 25. Triumvirate 4444, CABA
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Intimate haunts
A magic and illusionism show by Pablo Zanatta that takes place every Saturday, for a select group of 30 people in the “Room of Lies”, a small close-up magic room, shaped like an amphitheater.
Saturdays at 9:00 p.m.
* Bar Magico Teatro. Carlos Calvo 1631, City of Buenos Aires
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Women in the bathroom
Five runaway manifestos about the body, social mandates, relationships, loss, obsession, desire and sex. Desperate, poetic, ironic, angry and desirous women merge dream and reality. The bathroom as a refuge becomes a disco, a confessional, a video clip; it goes through infinite scenarios that are built through passionate stories, unexpected songs and furtive choreographies. A bathroom that always returns to what it is: a space inhabited by fantasy and desire, search and doom, humanity in all its forms.
Created and directed by Mariela Asensio, this new version brings together a cast of talented and dedicated actresses: Maida Andrenacci, Laura Conforte, Laura Cymer, Iride Mockert and Esther Goris. With production by Paola Luttini (Pronoia Producciones) it will be possible to see, starting on 21 January, every Friday and Saturday at 22 pm. Duration: 80 minutes. Age Rating: +15 years OLD TICKETS ON SALE BY PLATEANET $1800
*Picadero Theater. Enrique Santos Discépolo 1857, CABA.
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Three new stage projects within the framework of FIBA at El Cultural San Martín
- The blind spot, by Lucia Giannoni
It continues on Fridays at 20 from March 11 to April 1. Duration 70′. Room B. General admission $800 through tuentrada.com.
The attempt to capture my body to observe the moment of its mutation, to disarm and disfigure myself. A body that multiplies to find all the bodies that are in it. It is possible that while I am writing, something about him has changed. I'm everything I loved, everything I can't decide, everything I forgot, everything I got fat. I am everything I was and what I am going to be. A confused body, contradiction like a waterfall, irrational tenacity.
- Boys from Warsaw, directed by Dennis Smith
It continues on Saturdays at 20 and Sundays at 19 from March 12 to April 24. Duration 55′. Room A. General admission $800 through tuentrada.com.
When her grandfather dies, Ana decides to rebuild her family history to tell her mother, like a reversed good night story, who her heroic ancestors were: the boys of Warsaw, children who were the protagonists of the bloodiest uprising against the Nazi occupation during the Second World War.
- One and a thousand, directed by Jimena del Pozo Peñalva
It continues on Wednesdays and Fridays at 20:30, from March 9 to April 29. Duration 80′. Room 3. General admission $800 through tuentrada.com.
This isn't a play. It's not an essay either. A thousand and one questions that become narratives, or narratives that become questions. Fourteen bodies on stage are looking for some possible answer: is there?
*CC San Martin. Sarmiento 1551, CABA
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My mother, my girlfriend and I
Sebastián Presta leads this shocking comedy in which he plays Fernando, an eternal bachelor who for the first time will introduce his girlfriend (Victoria Almeida) to his overwhelming mother (Graciela Tenenbaum). The night will bring surprises and revealed secrets, which, in the midst of crazy situations, will take each of them to the limit. On a Christmas Eve, which may not be so “good”, family and love ties will take the scene. Can mother's love and partner love coexist? Leaving the nest was never easy... but staying, neither was it. Direction: Diego Reinhold.
The performances will be held from Thursday to Sunday in the 2022 summer season. Thursday 10pm/Friday 7.30pm/Saturday 9.30pm/Sundays 7.30pm. Tickets can be purchased through Plateanet.
*Picasso Room Paseo La Plaza. Currents 1660, CABA
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The happiest days
It tells the life of an Argentine family through events that tangentially marked the history of our country. Peronism, with its 70-year tenure on the national scene, is the focus of the story. A family overwhelmed by the last military dictatorship, the disease of Evita, the bombings of 55 and the festivities of 45 and 73 as a counterpoint.
The play features the dramaturgy and direction of Rodrigo Cardenas and the performance of Rodrigo Cardenas, Cecilia Cósero, Antonia De Michelis, and Carolina Pofcher. The work was nominated for the ACE 2017 Best Work Award, declared of National Interest by the PJ bench and declared of Cultural Interest by the Buenos Aires City Legislature.
Saturdays at 8pm (until Saturday, April 2). General admission: $800 /Est. & retirees: $600
*Payro Theatre. San Martin 766, CABA
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The remedy of Amparo
Ophelia imagines a trial against her mother. She is accused of causing the early death of her other daughter, Elizabeth. The argument is that the disease that killed her was caused by permanent doses of Amparo mistreatment of her daughters from the earliest childhood. But in this trial, in which the testimonies of different witnesses take place, not all opinions coincide. Subjective views on the facts intersect, disagree and collide with each other. Is there a truth? Or are there as many truths as there are looks? “The Amparo Appeal” puts some on the table. You decide.
Authorship: Laura Oliva. Direction: Javier Daulte. Cast: Gloria Carra, Magela Zanotta, Marcos Montes, Monica Raiola, Javier Niklison, Aymara Abramovich, Gerardo Serre, Marcelo Pozzi.
Performances: From February 1st. Tuesday at 8pm. Locations through Alternativateatral.
*CC25 May — 4444 Triunvirato Avenue — Villa Urquiza - CABA
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Othelo - Ends badly
William Shakespeare | Gabriel Chame Buendia | Matias Bassi | Nicolas Gentile | Elvira Gomez | Agustin Soler
Friday 8pm | Saturdays 10.30pm. From February 4 to April 4 Buy Tickets
* Faces and Masks Room 2037. Sarmiento 2037, CABA
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Terrenal
Mauricio Kartun | Claudio Da Passano | Tony Lestingi | Claudio Martínez Bel
SATURDAYS AND SUNDAYS 8PM From February 4 to April 4 Buy tickets
* Faces and Masks Room 2037. Sarmiento 2037, CABA
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The Thunder Company premieres I would love you to like me
On Thursday, March 3, the Thunder Company premieres I would love you to like me, a theatrical proposal that emerges from the literature of Fernanda Laguna. With the performance of Sol Fernández López and the direction of Luciana Mastromauro, the play will be presented on Thursdays at 8.30 pm.
The Thunder Company, a collective of women artists, emerged in 2019 from their first production “With the eyes of my absolute solitude”, presented as part of the theater and literature cycle “Encredadera” (4th Edition). This is the second work of the company with performance by Sol Fernández López and directed by Luciana Mastromauro. Both have been sharing projects together for more than a decade as actresses of the Escalada Collective, directed by Alberto Ajaka.
Fernanda Rosetti is a high school literature teacher who is looking for love from her absolute solitude. She lives intensely between everyday life and her imagination, full of loves that seem to occupy everything. Fernanda tries to write a new story about her compulsion to love and the search for herself.
Premiere Thursday, March 3 Performances Thursday - 20.30 hours Tickets by Alternativa teatral Locations: $900 - Students and retirees: $700 Duration: 60 minutes. Until April 28th.
*Beckett Theatre - Guardia Vieja 3556 — CABA
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Be flippable
Elmer and Madelon are splitting up, but they never finish doing it. From absurd humor, the work deals with themes such as conformity, or not settling for anything, the way of wanting, the time wasted thinking about a future that has not yet come, life and death as an analogy about happiness and Nietzsche's concept of 'eternal return'.
An absurd tragicomedy, created by Angie Oña, directed by Laura Cecilia Alvarez starring Camila Sebio and Pablo Rusconi.
It will be re-released on Sunday, April 3 at 9:30 p.m. Tickets can be obtained at the theater box office or through Plateanet. There are also important discounts with La Nación, Clarín 365 and Atrápalo.
*CPM Multiscene Theater. Corrientes Avenue 1764, CABA
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Ampelmann, a comedy about love and other revolutions
It is a comedy with intelligent humor, where the struggle for dreams plays until the end. Miguel returns home after a time when he left without saying goodbye. He presents himself happy and exultant waiting for his family to receive him with emotion, but he encounters an unexpected reality.
The cast consists of Emilia Mazer; Cristian Thorsen; Fernando Davobe; Carolina Bonzi Ferrer and Felipe Martínez Villamil, directed by Diego Rinaldi.
*Winner of the Theater Biennial of the City of Buenos Aires for best play*
Premiere April 3. Functions: Sunday 18 hs. Places $ 1000.- at the theater box office or by theatrical alternative.
*Teatro: Border. Godoy Cruz 1838, CABA
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Eternal Passers-by
This work tells the story of beings locked in a dead-end world, filled with hatred, reproaches and violence. Four brothers marked by the cruel and ruthless upbringing of a beating father. Their lives, full of grudges, led each of them to follow the same path. The presence of someone who is not seen makes each of them with their respective wives reach the cruelest of limits, death. The play tells, in terms of dramatic comedy and suspense, the darker side of human beings.
Eternal Passersby is the brainchild of Marcelo Silguero, who directs a cast of 11 actors on stage who will impress you with this stunning story. The premiere will be on Saturday, February 5th at 23:00 hours. Tickets can be obtained at the theater box office or through Plateanet.
*Multiscena Theater. Corrientes Avenue 1764, CABA.
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Cruel woman
The play recounts the meeting of two very different women, in an improvised dressing room before the premiere of a tango. It's 1927 and the lyrics of the Tango “Otra no te queda” bear the signature of a man even though it was written by a woman. One word was modified without the author's consent and this prompts her to commit an act of rebellion that seems small, but played on the voice of another becomes giant. This work is the result of research on tango and the women who have made this popular music one of the most successful in the Rio de La Plata since the beginning of the 20th century.
A creation by Judit Gutierrez, who also directs the protagonists Victoria Arrabaça and Marina González in an unmissable musical. Tickets by Alternativa or in the theater ticket office.
GRAND RE-RELEASE SUNDAY 3 APRIL 7:00 P.M.
*Machado theater. Antonio Machado 617, CABA
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28 souls on the ice
Based on a true story. In 1914 an expedition was lost in Antarctica, his ship was trapped in the ice. There are 28 men of different nationalities who in an exemplary act of faith struggle to survive in the most hostile climate with temperatures below 20 and 30 degrees below zero for long months in absolute darkness, starving and surrounded by the most dangerous sea on the planet. They are trapped in the ice until the end of 1916.
It is a show of theatrical narration, projections of original images from 1914/ 15/ 16. It is held in the hall of the theater for reduced attendance between 15 and 20 spectators, an intimate and close story.
Authorship and narration: Silvia Copello. Direction Fernanda Gomez.
Performances: Saturdays 20:30pm from February 26. Admission $500 /Discount jub. est. and neighbors. Advance purchase.
* Hall Theater - Colombres 35 - CABA. Inquiries and reservations: whatsapp +54 11 5114 0524.
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Doll's house
A visionary Ibsen invites us 140 years later, in a world struggling to build a fairer and more egalitarian social model, to rethink through his texts, reflecting once again on the human condition. It is one of the most transgressive and revolutionary works in the history of theater.
Author: Henrik Ibsen. Translation: Clelia Rosa Chamatropulos. Cast: Gabriela Puig — Nora, Santi Vicchi — Trovaldo Helmer, Agustina Saenz — Cristina Linde, Alexander Holm — Krogstad, Luciana Lamota — Elena, the maid, Richard Courbrant — Dr. Rank. Direction: Lizardo Laphitz
Premiere Thursday, January 20 at 20, until April 9. Performances: Thursday at 8pm/Locations: $1,000.- Ticket sales by Alternative.
*Border Teatro. Godoy Cruz 1838, CABA
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Rota
Work written by Natalia Villamil, with performance by Raquel Ameri and directed by Mariano Stolkiner.
In this new creation by El Balcón de Meursault, a company of the Teatro El Extranjero, about the play Rota by Natalia Villamil, the winning text of the first women's competition of the National Theater Institute, a woman struggles to rebuild her existence after the death of her son, who committed suicide after killing her girlfriend. In his solitude, he will try to reassemble the puzzle of his body. Hand in hand with remembrance unfolds the tasteless of loss. When he stops, at that moment, he glimpses its breakage. This mother will try to find some love, understanding, like any other woman. Only the empowerment of its search will be able to confront it with those who judge it.
Performances: Saturdays at 8pm from February 19. Localities: $1000.-
*El Extranero Theater - Valentín Gómez 3380, CABA
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La Falcon
LA FALCÓN is a tango musical in the format of a café concert, set in the 1920s and 30s, and inspired by the life of the great singer Ada Falcón, one of the milestones of the female voices of Argentine popular music, and by her secret romance with Francisco Canaro. “The empress of tango” with its lights and shadows, on a journey through time and its tangos.
Dramaturgy and general producer: Augusto Patané. Acting: Maria Colloca, Carlos Ledrag, Florence Craien, Monica Driollet, Sofia Nemirovsky. General direction: Cintia Miraglia.
Performances: Sundays at 19.30//Tickets: General $1,000
*El Extranero Theater - Valentín Gómez 3378 - Abasto
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Minas Thing 2 — “I have things to do”
In this show, through monologues, songs and video clips, Dalia laughs and suffers from the speed we live in, she talks about that endless list of things to do, about guilt, about the relationship with our body, the intense, complex and insane bond with her mother and daughter, about what makes her suffer, and also what gives her joy.
Thing of Minas 2 - “I have things to do” is an invitation to “GutMannDalia”, a delusional and ATR world where the comedian gives herself to being who she is, shares the things she thinks, talks about what is happening to her, and reflects with humor and intelligence on the uncomfortable but inevitable emotions that we go through every day.
With Dalia Gutmann. Original texts: Dalia Gutmann. Direction: Mariela Asensio. It is a production by Lino Patalano for Teatriming S.R.L.
Premiere Thursday, January 20. Performances: Thursdays at 20.30 and Saturdays at 22.30 Locations: From $1,200.-/Sale by Plateanet.
*Maipo Theatre. Esmeralda 443, CABA. Tel. 11-5352-8384
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The secrets
A literature teacher and a security guard connect via a remote device. Through this virtual network they reveal their most hidden desires, their impossibilities, their past. The journey until they meet shows what they are willing to give in order to love. The piece travels through the problems of love, of virtual relationships, from terror to loneliness. Two who reveal their weathering in the desire to love. Two universes trying to fit in. The route. The shelters they always return to: the secrets.
A play by Juan Andrés Romanazzi starring Paula Fernández Mbarak and Ivan Moschner. The performances are on Saturdays 22.30. Tickets $1000. Retirees and students $800. For sale by Alternativa
*The Porton of Sánchez. Sánchez de Bustamante 1034, CABA
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toxic
After an excellent first season in full room, interrupted by sanitary restrictions resulting from the pandemic, and having been very well received by critics and the specialized press, Toxic returns.
A man and a woman meet again after years of not seeing each other. Two strangers who know each other very well. And the desperate attempt to leave behind a past that consumes them.
The Dutch artist Lot Vekemans is the author of this dialectical and affective battle between those who still need to understand what happened and who has only after many years managed to explain it to himself.
Pablo Di Paolo is responsible for the commissioning and direction. Mara Bestelli and Marcelo Subiotto, who replaces Javier Pedersoli, are the protagonists of this lost love.
Performances: Saturdays at 22.40. Tickets: $1000/Estud and Jub $800 Reports and reservations.
*El Extranero Theater. Valentín Gomez 3378, CABA.
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Norberto Jansenson presents Magic Nights live
An intimate magical experience full of wonder, joy and emotion. Jansenson returns to the first stage where he performed in his career, the Pablo Picasso Hall of Paseo La Plaza, to present LIVE, Magic Nights, a 90-minute immersive theatrical experience, with the best illusions of his repertoire and some exclusive premieres. In addition, he will present The Dream of the Aces, the illusion and the story that became a film in Hollywood (with its screenplay and lead), and for which he has just won the Best Actor award at the Golden Gate International Festival in San Francisco. The short film, shot and produced in Los Angeles, has been selected to compete in 7 International Festivals, and won awards for Best Director at the Rome Film Festival, and for Best Edition and Best Actor at the aforementioned San Francisco Film Festival.
Tuesday, March 22 21:00 hs
The show is recommended for all audiences, and it is suggested that children under 18 years old be accompanied by older people.
Tickets on sale at Plateanet or theater box office. Locations from: $2300.-
*Paseo La Plaza. Currents 1660, CABA
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Alice confusion
Alicia Confusión takes up the Lewis Carroll classic to tell the story of a girl who arrives in a world where you can only be what you do and do what you are. Uncomfortable in the face of the lack of freedom, she tries to help the inhabitants of the kingdom look for other ways of being, other forms of identity, before the absorbed gaze of a Queen who needs everything to be as it should be. Through nonsense, absurdity, Alicia ConfusiÃ3n tries to build a world that allows us to be what we want to be when we want to be.
Hours on Saturdays at 16 pm. Tickets by Alternativa. Dramaturgy: Juan Ignacio Fernández
*Ithaca Theater Complex. Humahuaca 4027 - CABA
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A role in the wind
In a closed environment, which is not a cell, with only a small skylight on top, Pacho O'Donnell's “A Paper in the Wind” takes place. Four characters live there, Bill, Monica, Diego and René, it is not known since when, it is not known for what reason. As the story progresses, with a curious humor, their fears, frustrations and desires will be discovered. Crossed by memory in virulent contradiction between what they really were and what they dreamed to be. An unexpected event confronts them with the universal dilemma, which we all face, of choosing between a threatening and unpredictable freedom or an unhinged but predictable hell.
Tickets: $1000. Performances on Thursdays 20.30hs. Dramaturgy: Pacho O'Donnell. Direction: Daniel Marcove
*The Tinglado. Mario Bravo 948, CABA
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It's never too late
Raúl is an ironic and stubborn actor who had his moment of fame 40 years ago and is expecting a stellar character that will never come to him anymore. Maira, his patient ex-wife and current representative, is looking for him to accept a role in accordance with the working reality he has to live in. The obstacle is that the only project in sight is a creation of Belén, the rebellious and talented daughter of both, which seems impossible to achieve because father and daughter have not spoken to each other for years because of an argument that only they know.
With Arnaldo André, Claribel Medina, Jasmine Laport.
Saturday 26th of March 9:30pm Click to buy tickets
*Gran Rivadavia Theatre. Rivadavia 8636, Floresta, CABA
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Three beats of an artificial lung
On this occasion, the theory of artifice triggers a world that has been invaded by garbage, simulations of emotions and the staging of everyday life, in which its protagonists function as containers of different social constructions, accompanied by strange faceless musical entities. It is based on the hypothesis that, because we belong to a society conquered and crossed by capitalist culture, we have developed artificial patterns that dominate our daily life, alienating ourselves to the point of seeming more like a product to be consumed than a being of personal and critical thought.
Dramaturgy and Direction: Nicolas Blandi. Performances on Fridays at 21 pm. Tickets $800
*Beckett Theatre. Old Guard 3556, CABA
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Alfa
ALFA is a retro-futuristic dystopia with a gender perspective that reflects on the role of women in line with the current landscape in our society. The man's semen has lost its fertilizing power. In a desolate world where children are no longer born, every birth is lived like a miracle. A woman, her daughter and the historic employee carry out in the kitchen of the house, a weak laboratory for the extraction, selection and sale of semen, with which they try to survive and face the debts left by Luciano, a successful geneticist and father of the family, a fugitive from the law due to the sinister maneuvers in the business of selling semen. The appearance of Santo, a donor carrying a semen with infallible fertility rates, renews the idea of what is possible as a light of hope that ignites and blinds to delirium.
By Felicitas Kamien. Functions: Saturdays 20 hs. Tickets: $1200. Duration: 1.15 hours. ALFA was selected to participate in the 2020 edition of the Buenos Aires-FIBA International Performing Arts Festival and the CABA 2020 Festival
*Dressing room of the Muses. Mario Bravo 960, CABA
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A circumstance called the world
One day Bruno announces to Dalmaro that he will go on an expedition to the center of the Earth to be able to find the giant squid that always appears to him in his dreams. Dalmaro will seek and find refuge in his two best friends, El Neto and La Neta, in his bass, in his bed and in the light that his lamp gives.
Dramaturgy and direction by Jimena Aguilar. The work won the III International Prize Invasive Dramaturgy 2019, Spain. Premiere: Monday, February 14. The performances will be held on Mondays, at 9pm. Tickets by Alternativa. Locations: $1000 - Students and retirees: $800 Duration: 70 minutes. Until March 28th.
* Space Alley. Humahuaca 3759, CABA.
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The great Argentinian cabaret
All the ingenuity and humor in a deranged musical. A society that marginalizes, which devalues, that is why this group of artists who run a cabaret that has fallen apart, tries with their art to continue to maintain their show before a society that does not integrate them.
A creation by Marcelo Silguero, who directs a cast of more than 20 artists on stage who will dazzle you with a beautiful story. The premiere will be on Friday, January 7 at 10:30pm at the Teatro Multiscena. Tickets can be obtained at the theater box office or through Plateanet.
* Multiscena Theater. Corrientes Avenue 1764, CABA.
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32 weeks
32 weeks are enough to engender a life. 32 weeks enable finding love or definitively abandoning it. In 32 weeks a destiny is twisted. Majo is a social media influencer who wants to be a mother in her forties. Rita is your newcomer from Misiones. She is pregnant with Danilo, an evangelist pastor, who bears a past full of addictions. Martín is a free-lance cameraman who records what happened with the patience of a witness. None of the characters search, they just find.
Text by Pedro Gundesen and directed by Pablo D'Elía, with Bimbo, Emiliano Carrazone, Nelson Rueda and Juli Bartolomé. Winning work of the “Second National Dramaturgy Competition for Graduates of Public School Dramaturgy Careers”.
Performances: Tuesday at 20.30 at Teatro Picadero (Pasaje Enrique Santos Discépolo 1857 - CABA). Locations: $1,800.-/Sale by Plateanet
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Yorick, the gaze of the jester
Inspired by Hamlet's own readings, Fabricio Rotella rescues poor Yorick, a skull jester, who with only five lines in Shakespeare's classic, brings this new creation to life.
Premiere March 5. Performances Saturday 21 hs Teatro Beckett (Guardia Vieja 3556, CABA). Tickets: www.alternativateatral.com
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Like a cow watching a train
Laura Nevole interprets this intense and poetic one-person gender-perspective, written and directed by Natalia Villamil, which reopens on March 6. Performances: Sundays from 19 to 10 April.
Teatro Del Pueblo (Lavalle 3636, CABA). Entradas www.alternativateatral.com.
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Bienal of Performance
The fourth edition of the Performance Biennial continues. Its duration will be five months, until April 16, 2022. Under the general direction of Graciela Casabé, curated by Maricel Álvarez's artistic program and academic direction by Susana Tambutti, BP.21 presents around twenty creations - most of them as a world premiere - a nutritious academic program - anchored in diversity and dissent - and two guest programs: Impulso Cazadores , curated by Mariana Obersztern, and Queer Art Festival -FAQ- curated by Lisa Kerner and Violeta Uman. The Biennial will celebrate the closing of its programme with the premiere of the two projects selected from the first open call it has organized since its creation.
All activities are free of charge with prior registration through the web from one week before the start of the activity: https://bienalbp.org/bp21/.
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The Burdens
An unusual proposal that reflects from the absurdity about social mandates, those burdens that fall on people and their links transforming everything.
We are all mothers, fathers or children of someone. We were once or are lovers or loved, in a crowd or in solitude. We are something in our own way, family, intent or whatever. All that together, sometimes, and nothing at the same time. Anyway, when our time comes, we're gonna tow our bodies ashore like seals. And there, on the verge of everything, we will wait for the tide to drag us in, to make our burden its own.
Dramaturgy and Direction: Christian García. Performances: Friday 22:30 until April 1. Tickets $700 Reservations: www.alternativateatral.com Duration of the show: 45 minutes
* Casa Teatro Estudio. Old Guard 4257, CABA
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Theater at AMIA
The Department of Culture of AMIA continues to present a varied and comprehensive agenda of activities to be carried out virtually and free of charge.
-The test
“What would you choose? 100 thousand dollars right now or 1 million ten years from now?” This is the trigger for a conversation that will lead the characters of the play to expose their values and bring to light their darkest secrets. The comedy, starring Jorge Suárez, Carlos Belloso, Viviana Saccone and María Zubiri, will be available on the AMIA Cultura website from Monday, January 17.
- Bergman and Liv: Love correspondence
Played by actors Osmar Nuñez and Ingrid Pelicori, the love story tells the exchange of letters that Ingmar Bergman and Liv Ullman had over forty years. The play can be seen from Monday, January 24.
All activities are open to the public and require prior registration on the cultura.amia.org.ar website.
*AMIA. Pastor 633, CABA.
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Radio Tangueras
A singer on trial on a radio program, in Bs. As in the mid-1950s, a new tango show begins remembering the great successes that tango women have had for decades, recalls the history and poetry of popular music, hoping that one day she, the brunette, the admired and great Tita Merello will appear.
Dramaturgy Carla Haffar - Pablo Cernadas. Direction Pablo Cernadas
Performances: Saturdays at 20:30 until May 14. Tickets: $800 /2x $1000 retirees. Advance purchase
*Korinthio Teatro - Charcas 2737, 1st A, by elevator - CABA
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CINE
Three film cycles at El Cultural San Martin+8M special marathon
Recent Spanish-language documentary films, the filmography of director Paul Thomas Anderson — currently awarded the Oscars for the latest release of his film Licorice Pizza — and monstrous classics from Universal Studios are screened.
Documentary film
General admission $200 — Students and retirees $150 through tuentrada.com.
Like the sky after it rains (Mercedes Gaviria, 2020). Saturday 12 at 17; Sunday 13 at 17; Friday 18 at 20; Sunday 20 at 19; Saturday 26 at 17; Sunday 27 at 17. Duration: 75′. Origin: Colombia.
Mercedes returns to her hometown to accompany the shooting of a film by her father, filmmaker Víctor Gaviria. A director who, between filming and filming, was also responsible for recording his family in pictures over time.
Transoceanic (Meritxell Colell and Lucia Vassallo, 2020). Saturday 12 at 19; Saturday 19 at 17; Sunday 20 at 17; Thursday 24 at 20; Saturday 26 at 19. Duration: 116′. Origin: Spain.
A project that is established at the intersection between written text and image and that arises from the need of two filmmakers, Spanish and Argentine, to reconnect with Barcelona and Buenos Aires. The film is composed of letters, images, emails and Skype sessions that communicate them over the course of four years.
Gathering Nro 250 (Mariano Galperín, 2022) Friday 11 at 20; Sunday 13 at 7 pm; Thursday 17 at 20 pm; Saturday 19 at 7 pm; Friday 25 at 20 pm; Sunday 27 at 7 pm. Duration: 77′. Origin: Argentina.
In mid-March, a few days before the quarantine that paralyzed Argentina began, a group of artists gathered at the headquarters of the Mansalva publishing house to attend the Tertulia No. 250, not knowing that that night would remain in their memories as the end of an era. Film, literature, bibliophilia, rock, psychedelia and friendship are the main ingredients of this cocktail that was captured in a fast-paced documentary.
Author's cycle
This month is dedicated to filmmaker Paul Thomas Anderson. General admission $200 — Students and retirees $150 through tuentrada.com.
Boogie Nights (Paul Thomas Anderson, 1996) Sunday 20th at 20:30 h. Duration: 156′.
In the late 1970s, Jack Horner, a porn film director who considers his work an art form, discovers Eddie Adams, a naive young man who wants to succeed and who has physical characteristics that are very suitable for that type of cinema.
Magnolia (Paul Thomas Anderson, 1999) Wednesday 23rd at 8pm. Duration: 188′.
The film consists of nine parallel plots set in the San Fernando Valley, in Los Angeles: a child prodigy, the host of a television contest, a former child prodigy, a dying man, his lost son, the wife and the nurse of the dying man.
Intoxicated with love (Paul Thomas Anderson, 2002) Saturday 26 at 21:15 h. Duration: 89′.
Barry is a lonely and unsociable man who was brought up between seven sisters. The overprotection he was given since childhood has prevented him from falling in love. One day he discovers a flaw in a contest with which he intends to earn thousands of miles on airline tickets.
Bloody Oil (Paul Thomas Anderson, 2007) Sunday 27 at 20:30 h. Duration: 158′.
Texas, early 20th century. A story about family, greed and religion. Daniel Plainview moves to a miserable city in order to make his fortune, but as he enriches his principles and values disappear and he ends up being dominated by ambition.
The Master (Paul Thomas Anderson, 2012) Saturday 12 at 21:15 h. Duration: 137′.
Lancaster Dodd, a brilliant intellectual with strong convictions, created a religious organization that began to become popular in the United States around 1952. Freddie Quell, a young vagabond, becomes his right-hand man.
Hard Eight (Paul Thomas Anderson, 1996) Sunday 13th at 20:30 h. Duration: 101′.
John is a man without resources who lives in Reno. One day, a mysterious individual named Sydney invites him to breakfast and offers him the opportunity to earn money by accompanying him through the casinos. Everything is going great for them, but John falls in love with a waitress who is willing to do anything to get money.
Own vice (Paul Thomas Anderson, 2014) Wednesday 16th at 8pm. Duration: 148′.
California, 1970 year. Doc Sportello, a peculiar private detective from Los Angeles, is asked for help by his ex-wife, a seductive “femme fatale” due to the disappearance of her lover, a real estate tycoon. Sportello is thus involved in a dark plot, typical of film noir.
The Phantom Thread (Paul Thomas Anderson, 2017) Saturday 19th at 9pm. Duration: 130′.
In post-war London, in 1950, the famous couturier Reynolds Woodcock and his sister Cyril are at the forefront of British fashion, dressing royalty and every elegant woman of the time. One day, bachelor Reynolds meets Alma, a sweet young woman who soon becomes his muse and lover.
The Cultural of Culto
The month of March is dedicated to the classic monsters produced by Universal Studios. General admission $200 — Students and retirees $150 through tuentrada.com.
Frankenstein (James Whale, 1931) Friday 11 at 22. Duration: 71′.
Dr. Henry Von Frankenstein undertakes a dark experiment: to build, from fragments of corpses, a new human being. With the help of his servant Fritz, he ventures into the local cemeteries during the night to rip off the corpses the parts he needs.
The Invisible Man (James Whale, 1933) Friday 18 at 22. Duration: 71′.
Adaptation of a novel by H.G. Wells about a man who has the power to become invisible.
The Werewolf (George Waggner, 1941) Friday 25th at 22:15. Duration: 67′.
After 18 years in the United States, the son of an English nobleman returns to his father's mansion in Wales. One night in the company of two neighbors, he goes to a gypsy camp to visit a fortune-teller and they are attacked by a wolf.
* San Martin Cultural Center. Sarmiento 1551, CABA.
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From Argentina, by Werner Schroeter
As part of the National Day of Memory for Truth and Justice, the Goethe-Institut together with Kino Palais and the National House of the Bicentennial present De la Argentina (De l'Argentine; 94 min. France/Argentina, 1983-1985) by irreverent German director Werner Schroeter.
Dedicated to Rodolfo Walsh, De la Argentina is a valuable document on acts of terror and torture committed by the military dictatorship. It brings together valuable testimonies and interviews with Norma Aleandro, Ronnie Arias, Osvaldo Bayer, Hebe de Bonafini, Alejandra Conti, Marcelo Conti, Graciela Fernández Meijide, Paco Jamandreu, Libertad Leblanc, Cipe Lincovsky, Fernando Noy, Eduardo Pavlovsky, Adolfo Pérez Esquivel and Patricia Walsh, among others. It will be screened on March 24 at 8 pm at the National House of the Bicentennial, with free admission.
*National House of the Bicentennial. Riobamba 985, CABA
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At the Gaumont cinema
21/3/2022 CAMILA 19:30 Maria Louise Bemberg FICTION
22/03/2022 AZOR 19:30 Andreas Fontana FICTION
17/03/2022 to 23/03/2022 AMERICAN NIGHT 14:30 Alejandro Bazzano FICTION
17/03/2022 to 23/03/2022 ANOTHER CONVICTION 17:00 Juan Manuel Repetto DOCUMENTARY
17/03/2022 to 20/03/2022 and 23/03/2022 AMERICAN NIGHT 7:30 PM Alejandro Bazzano FICTION
17/03/2022 to 23/03/2022 THE DOSE 22:00 Martin Kraut FICTION
17/03/2022 to 20/03/2022 THE SHAPE OF THE FOREST 13:30 Gonzalo Mellid FICTION
17/03/2022 to 23/03/2022 STONE NIGHT 16:00 Iván Fund FICTION
17/03/2022 to 23/03/2022 PERMANENT PLANT 18:30 Ezequiel Radusky FICTION
17/03/2022 to 23/03/2022 THE SHAPE OF THE FOREST 21:00 Gonzalo Mellid FICTION
17/03/2022 to 23/03/2022 NIGHTS BELONG TO MONSTERS 12:30 Sebastián Perillo FICTION
17/03/2022 to 23/03/2022 AXIOMS 15:00 Marcela Luchetta FICTION
17/03/2022 to 23/03/2022 THE EMPLOYEE AND THE EMPLOYER 17:30 Manuel Nieto Zas FICCIÓN
17/03/2022 to 23/03/2022 THE LAND OF LAST THINGS 20:00 Alejandro Chomsky FICTION
Official Film Ticket: General Public: $90.-. DISCOUNTS Retirees and pensioners: $45.- College and university students: $45.- Members of A.A.A., SADOP, ATE, UPCN, SUTERH, AEFYP and SICA: $45.-. People with disability certificate: 10% of the value of the BOC. INCAA employees: 10% of the value of the BOC.
* GAUMONT COMPLEX, Av. Rivadavia 1635, C.A.B.A.
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Screening of the film Camille & Ulysse, by Diana Toucedo
Within the framework of the Program with Audiences of the exhibition Symbiology. Artistic Practices on a Planet in Emergency, Camille & Ulysse, a film by the artist and filmmaker Diana Toucedo made thanks to multiple cooperations, is screened. First of all, it was commissioned for the exhibition Science F (r) iction (curated by María Ptqk at the CCCB, in cooperation with the Centre Pompidou). On the other hand, Toucedo collaborated with Fabbula, a French production company that works on topics related to those we present in Symbiology.
Dates and times:
Friday 25th March at 7pm. Screening of the film. Auditorium 614
Saturday, March 26 at 6pm. Screening of the film and subsequent dialogue, via videoconference, with the director. Auditorium 614
The activity is free and does not require prior reservation: participation is on a first-come, first-served basis, until the capacity of the room is completed (90 seats).
*CCK. Sarmiento 151, CABA
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Permanent cinema space at the CCKirchner: March
The encounter between the public and the private and the personal with the political is a way of linking with the world around us that feminisms have taught us. In this sense, the feature films and shorts of March in the Kirchner cinema bring a series of views of women and lesbians on our recent history; of inhabiting spaces and bodies, rites of passage and existences on thresholds: the interstices “between”.
From Esquirlas's very strong social criticism — which sheds light on a dark and little-revisited period in our history — to Canela's bright but bittersweet existence, these films tell us about possible futures, with a conscious record of one's own identity.
The shorts, on the other hand, start from Playback, a farewell essay, by Agustina Comedi, who looks at those years from a present vindication. In Teteras, a series of interviews gives an account of the sexualities experienced on the margins; Desmadres gives a farewell rite to two women who maternalized; For Mati, si kiere offers us a portrait of the post-fourth wave generation that brings many questions and few certainties, but enormous desire to live living.
Finally, on the weekend after 24 March, two feature films will be screened that review the personal history of the directors in relation to the dictatorship, in a novel and situated way: questions of the present for their “elders”.
*CCK. Sarmiento 151, CABA
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Memorias salvajes film series
The film series is presented as part of the exhibition Hijxs. Poetics of Memory organized by the National Library and aims to screen films made by the generation of sons and daughters of the disappeared that display other narratives to address the country's recent past. Each screening is presented by the director of the film, who shares with the audience his experiences around the making of the film.
Daughters. Poetics of Memory reflects the manifestations of a new collective voice that emerged in the mid-1990s in the heat of mobilizations and claims against the denial of the military dictatorship and impunity as state policies. It is exhibited in the Leopoldo Lugones and María Elena Walsh rooms on the ground floor and in the Plaza del Lector Rayuela. It can be visited from Monday to Friday from 9 to 21 until March 31, 2022
* Jorge Luis Borges Auditorium - Mariano Moreno National Library. Aguero 2502, CABA
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Cinema at the Buenos Aires Theater Complex
IT'S NOT GOING ANY
Premiere of the latest feature film by director Rafael Filippelli, which had its world premiere as a closing film at the last Bafici. 7 unique performances starting on Thursday 17 February.
FROM FINLAND WITH LOVE
Three outstanding titles of contemporary Finnish cinema, one of the most prominent cinematographies in Nordic cinema, dedicated to two iconic figures of that country's modernism. In collaboration with the Ibero-American Institute of Finland, the Finnish Film Foundation and the Finnish Embassy in Buenos Aires. Starting Tuesday, February 22.
Locations for sale from five days before the start of the cycle. General admission $300. Students and retirees $150.
* Leopoldo Lugones Room. San Martin Theater. Corrientes Avenue 1530
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Plan Recover cycle of restored Argentine films
BA Audiovisual is screening together with DAC (Argentine Film Directors) a Film Series of Argentine films restored by Plan Recuperar. The selected films are varied, of different genres and are directed by talented and dedicated directors. To enjoy the productions, it will be accessed through Vivamos Cultura. The program will be renewed month by month, 4 films will be screened monthly and each film will be available for a week. The aim of the cycle is to highlight the historical films of Argentine Cinema.
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Buenos Aires International Documentary Film Festival
FIDBA is the First International Festival with a competitive nature dedicated to documentary film in Buenos Aires, Argentina. In this edition, whose programming will be available online between December 2021 and March 2022, the audience will enjoy films from 43 countries. This year, the program includes 260 films, of which 153 participate in its 11 competitions, 62 are of national origin and more than 50% of the total were directed by women.
The program will be available online for 12 weeks from December 13 to Sunday, March 6, 2022. The offer of films will be renewed week by week. On March 5, the awards will be held, in person, for all the competitions and the FIDBA Industry Area #LINK, which will take place between February 21 and March 4.
In its ninth edition, FIDBA is organized into 11 competitions: International Feature Film Competition; Ibero-American Feature Film Competition; Argentine Feature Film Competition; New Narratives; First Feature Film/New Directors; Genres and Generations; Human Rights; Lateral - LGTBIQ; International Short Films; Short Films Nationals; and the new Fictions of the Real, with 12 titles that do not fall within the traditional documentary genre although they use reality as their raw material.
This year's non-competitive sections are: Revolution /Documentary Cinema and the Arts; Evolution /Environment and Contemporary Documentary Panorama.
* Cultural Center 25 de Mayo, Avenida Triunvirato 4444, CABA
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Virtual Jewish Film Series, at AMIA
The Department of Culture of AMIA continues to present a varied and comprehensive agenda of activities to be carried out virtually and free of charge.
From Tuesday, January 11, will be available the works of international production Zaytoun, All My Loved Ones, Neighbors of God, Lord Saturday Night, Footer, Homicide, Marlene Dietrich, His Own Song and Invincible.
All activities are open to the public and require prior registration on the cultura.amia.org.ar website.
*AMIA. Pastor 633, CABA
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Hello Andy?
At the end of 2019, Alejandra Radano's performance was presented at PROA, playing the legendary star Joan Crawford. From these performances Ignacio Masllorens made a video film with Alfredo Arias that was entrusted to the great Juan Gatti to do an animation work transforming this monologue into an incredible kaleidoscope of images about Hollywood cinema and Andy Warhol's visual art.
Performances during March every Sunday at 6pm.
PROA Foundation - Don Pedro de Mendoza Avenue 1929, CABA/11 4104 1001
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AUDIOVISUAL CONTENT
The Contar platform premieres the series Sumergidos
The free public platform Contar is launching a Brazilian-Argentinian co-production that tells the lives of two friends who are passionate about surfing, but end up involved in the world of drug trafficking, putting their lives and those around them at risk.
This thirteen-episode police fiction series, which will be released together with TV Pública, stands out for its high level of production and the extraordinary cast of Argentine and Brazilian actors and actresses that star in it, including Jorge Marrale, Guillermo Pfening, Juan Gil Navarro, Liz Solari, Guilherme Weber, Mariano Bertolini, Cássio Nascimento, Ana Cecilia Costa, Lucas Heymanns, among others.
This Monday, March 14, Contar will premiere the first six episodes of the series and, next Monday, March 21, the next ones will be released from 7 to 13. There is also a brand-new chapter of CLACSO Radio's podcast about Chile, a new hope on the move.
SUBMERGED
Police Officer (2019) 13 chapters — 52 minutes
Gabriel Fontan is a public relationist who plans an event to promote the brand of his great friend, the Brazilian former surfer and multiple world champion Nando Olivera. What Gabriel doesn't know is that the event is an excuse to smuggle ecstasy pills from Brazil to Argentina. On a beach in Brazil, Gabriel is intercepted by a stranger, who, after threatening to reopen a court case, forces him to pass sensitive information about Nando. At that moment he discovers his friend's business and, without options, he ends up accepting. Everything quickly gets complicated when they arrive in Argentina and are involved in a multiple and fierce hunt involving corrupt police, DEA agents, local intelligence services and Brazilian hit men. Everyone wants a slice and Nando and Gabriel's lives are put at risk. Both will do what it takes to survive and on their way a hidden truth will come to light, causing their destinies to change forever.
CHILE, A NEW HOPE IN PROGRESS. RADIO CLACSO
Podcast. 1 chapter - 26 minutes. Premiere: Friday, March 11
The free public platform presents a new episode of the CLACSO Radio podcast series. The new president of Chile, Gabriel Boric, assumed the presidency of Chile on March 11, 2022. A new government that opens great expectations in a country that historically — but especially since October 2019 — has been mobilizing for its rights and against the remnants of Augusto Pinochet's dictatorship. President Boric took over in the final section of the Constituent, meeting to draw up a new magna carta that will be submitted to a referendum.
In addition to having appointed a young cabinet, a majority of women stands out in the new governing cast. A podcast by Eric Domergue for CLACSO Radio.
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Contar premieres Archaeology of Pop Culture (ular)
This Friday, March 18, the free public platform launches this series of six episodes that go through, with humor and shrewdness, the recent history of our country. Directed by Néstor Montalbano and produced by Contenidos Publicos S.E. and Barakacine for Counting, with a remarkable selection of audiovisual material from the RTA Historical Archive and the General Archive of the Nation.
From the visit of the young revolutionary Fidel Castro to Argentina in 1959 to the golden medals at the 2004 Olympic Games in Athens, to the French Mayo, the return of Perón and to the launch of the beloved “Pelopincho”, Archaeology of Pop Culture (ular) offers us a tour full of extraordinary facts and characters.
The six-episode series covers one year for each chapter: 1959, 1968, 1973, 1984, 1992 and 2004, allowing us to feel the spirit of each era through curious and friendly access to extraordinary archival audiovisual material from the RTA Historical Archive and the General Archive of the Nation.
Alejandra Flechner and Damián Dreizik play Delia and Coco: two passionate characters who, through their stories, bring us closer to events in a unique way, charged with emotions, ranging from humor and longing to seriousness and anger. Two dear friends who meet to remember the most important events of a given year in Argentine and world history, including music, cinema, sports, fashion, advertising, politics, and much more.
In each chapter, Delia visits Coco, always bringing him a different object that functions as a trigger to transport us to different moments of the past, showing us our cultural imaginary crossed by the political, sociological, sports, artistic and everyday life, organizing the puzzle of an Argentinian that is built with the memories of two neighbors with memory.
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Cineclub with Dalma Maradona on DeporTV
Sport and film are an ideal combination for telling great stories. Classics, biopics and national short films. On Saturdays at 22 at the DeporTV signal.
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Unison, on Public TV
Produced by the National Institute of Music (INAMU). Unísono broadcasts groups and soloists who produce their music independently, with the words of their protagonists who present their works from their homes to yours. With the support of great referents of our music presenting the groups. In addition, special videos, tributes and surprises.
New schedule, Saturdays at 18.
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The ibNon-fiction cycle returns to Canal Encuentro
Every Saturday and Sunday at 23:00, Canal Encuentro will air the cycle Non-fiction. This is an Argentinian documentary film series that includes a new selection of contemporary and federal feature films, with stories about the particular and the collective. The series brings together works that have had an extensive international journey at the most important film festivals and screens in the world.
Documentary filmmakers from our country narrate and represent universes recreating some fundamental ideas of transcendental filmmakers of national culture. At the same time, the cycle dialogues in a territorial way with the Latin American region and with the rest of the world: Non-fiction highlights symbolic capital through the representation of our experiences, testimonies, stories, trades, personalities and diversities.
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Season 10 of BCN Radio
Starting Monday, March 14, the tenth season of BCN Radio, the web radio of the Library of Congress of the Nation, begins. The station began another year by taking on new challenges, consolidating an institutional communication project that gradually met its goals since March 1, 2013, when - with only 8 programs on the grid - it began broadcasting live from that year's Legislative Assembly.
Ten years later, the radio has more than 40 programs and in 2021 it reached more than 31,000 listens, with a wide variety of stories and stories that are replicated by various digital platforms.
This year, BCN Radio is celebrating and celebrating with its audience the first decade on air. All its programming can be accessed on www.bcnradio.com.ar and on @bcnradio's social networks (Spreaker, Twitter, Youtube, Facebook, Instragram, Spotify). More information at www.bcn.gob.ar and on @BCNArgentina's social networks
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IF Cinéma à la carte 2021
IFCinéma a la carte brings together a selection of short and feature films available to watch online around the world. The selection of content will be updated every month.
Available online at https://ifcinema.institutfrancais.com/fr/streaming/alacarte.
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The rehearsal space - CCK
The series of interviews with performing arts leaders adds a new chapter to the archive that gives an account of the work and creation processes of our local artists. More information.
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Flashback - CCK
A series of podcasts hosted by Ana Cacopardo that brings us closer to silenced and marginalized social memories. During the week of Respect for Cultural Diversity Day, four chapters are released with reflections by indigenous activists Liliana Ancalao, Soraya Maicoño, Sara Curruchich and Daniela Catrileo. More information.
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Documentary series “Stories of Conservatory II”
It will be shown in Vivamos Cultura from 23/12. The second edition of this documentary series arrives in which the musicians, graduates and teachers of the Higher Conservatories of Music “Manuel de Falla” and the “Ástor Piazzolla” tell about their musical creation process, their projects and their time in these institutions.
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Theatrical microseries “True Fictions”
It can be seen in Vivamos Cultura. Each episode of this theatrical microseries has the participation of an actor or actress with a renowned career and the cast is completed with actors and actresses who have gone through the acting career at the Metropolitan School of Dramatic Art and/or one of the proposals of the DGEART Center for Artistic and Professional Training.
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The Institute for Research in Ethnomusicology presents two premieres on the Vivamos Cultura Platform
The first is a clip that was recorded at the San Martín Cultural Center as part of the research work carried out by Soledad Venegas and Andrés Serafini around the project “Aníbal Pichuco Troilo Collection” and 100 years after the birth of Ástor Piazzolla. An unpublished arrangement by Piazzolla was rescued from the collection of scores of the Aníbal Troilo orchestra that are part of the heritage of the Institute for Research in Ethnomusicology. This is the first of the 7 clips that were recorded at the Centro Cultural San Martín within the framework of the editorial project “Songbook: women tango composers” by researchers Soledad Venegas and Julia Winokur. This project seeks to make visible a portion of the repertoire of Argentine popular music little known today.
The second premiere is that of the theatre microseries “True Fictions”, which presents the first of the three chapters that were produced by the General Directorate of Artistic Education and Abasto Barrio Cultural, a program belonging to the General Directorate of Heritage, on the Vivamos Cultura platform. The episode is Goodbye, Boy, with performers: José María Muscari and Fernando Migueles, dramaturgy: Alfredo Allende and direction: Gastón Zambon.
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ABC Capsules of the Library Network
Audiovisual deliveries to awaken our curiosity with thinkers and thinkers. A proposal produced together with ASE Nacional. ABC of women scientists, by Valeria Edelsztein. You can also see: ABC of food labeling, by Claudia Degrossi, ABC of microorganisms, by Luis Wall, ABC of food and sport, by Marcia Onzari and more through Vivamos Cultura
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Podcast “Reading Map”
A podcast initiated by the City's Ministry of Culture together with the Editorial Area and Cultural Impulse, to explore the country's literature through Spotify. Reading Map is a podcast that covers the country's literature from the eyes of a publisher, a bookstore and an author. In each episode, an author, a publisher and a bookseller tell about their work, bring to know the literature that is written in their province, recommend books and authors and read their favorite excerpts. It is produced as a section within the program “Poesía 1110″ of Radio Ciudad, and is available in podcast format through Impulso Cultural's Spotify account.
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Fed up with success
The best failures of Argentine literature. On this occasion, journalist and writer Liliana Viola will interview one of the most interesting national authors of the moment, Mariana Enriquez. Harta del Éxito is a series of interviews with writers and writers on the theme of failure, both in their work and in the life and history of national literature. All chapters can be viewed through Vivamos Cultura.
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Network Capsules
In its new season, the proposal of video tutorials of the Cultural Program in Neighborhoods “Capsules in Network” invites residents of the City to continue learning dance, music, painting and visual arts, among other artistic and cultural disciplines. The deliveries are weekly, of short duration and made by workshop operators of the Program. They can be found every Monday at Vivamos Cultura.
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Folklore at Home
The General Directorate of Music under the Ministry of Culture, the National Academy of Folklore and the Canal de la Ciudad, present the second season of their television program, which is broadcast every Sunday at 9pm on the Canal de la Ciudad. A cycle of meetings with references of the different expressions of Argentine folk art.
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MUSIC
Concerts at the CCK
- Under the direction of Luis Belforte, the National Symphony Orchestra begins its season at the National Auditorium. Valentín Garvie (trumpet), Rodrigo Domínguez (sax) and Sebastián Achenbach (organ) perform as soloists, in premieres by Demian Rudel Rey and Valentín Garvie, and works by Manuel de Falla and Camille Saint-Saëns. March 18, 8 pm, National Auditorium
-Leonardo Suárez Paz presents “The New Tango”
Accompanied by great musicians and dancers, violinist and director Leonardo Suárez Paz presents El Nuevo Tango, a show dedicated to Astor Piazzolla, with elements of jazzy, tango, rock and modern dance. The show, which brings together works and arrangements by Suárez Paz and Piazzolla, features Argentine and North American artists - countries where Astor grew up and forged his New Tango - in a special production with music and dance.
The cast consists of Leonardo Suárez Paz in artistic direction, solo violin, voice and dance, Patience Higgins on tenor sax, Pablo Agri and Fung Chern Hwei on violin, Ron Lawrence on viola, Leo Grinhauz in cello, Nicolas Enrich in bandoneon, Cristian Zarate and Abel Rogantini on piano, Hammond and Rhodes, Pablo Motta on double bass and Diego Alejandro on battery. In the Nuevo Tango Ballet, Olga Suárez Paz participate in conducting and dancing, and Francesca Antonacci, Caitlyn Casson, María Eugenia Pommorsky and Carla Loustaunau in dance, with choreographies by Laura Roatta. March 19, 8 pm, National Auditorium
- Georgina Hassan
The singer-songwriter, whose work draws on different folklore of the world, runs through creations from her four albums — Primera Luna, Como Respirar, Litmus and Honeysuckle — and advances new material. March 20, 7 pm, Sala Argentina
-Luis Lancelle Trio and Floro Aramburu//Contempo Orchestra
Luis Lancelle Trío performs tango works by emblematic composers such as Troilo, Discépolo, Expósito, Caló, Kaplún, Blazques and Mores, as well as his own compositions. For its part, the Contempo Orchestra, directed by Pedro Vercesi, presents a different proposal in a concert with 18 musicians on stage that unites classical music and film music. March 23, 7 pm, Sala Argentina
-Susana Rinaldi and Osvaldo Piro with the Argentine National Orchestra of Music “Juan de Dios Filiberto”
With direction and arrangements by Osvaldo Piro, the Argentine National Orchestra of Music “Juan de Dios Filiberto” offers a new performance, with the stellar presence of Susana Rinaldi as soloist, and a repertoire of songs by great tango authors. March 23, 8 pm, National Auditorium
-Opus Cuatro//Rolando de Marco in trio
Composed of Federico Galiana (bass and percussion), Hernando Irahola (baritone and guitar), Simon Fahey (first tenor) and Diego Namor (second tenor), the vocal ensemble Opus 4 incorporates Claudio Méndez as a guest pianist.
For his part, composer, guitarist and singer Rolando De Marco performs accompanied by Gustavo Glusman on drums and Marce Vicente on cello and vocals. March 25, 8 pm, Sala Argentina
-Fontova present
Directed and arranged by Gustavo “Popi” Spatocco, a large collective of more than 30 artists, a band of 14 musicians on stage and a visual production made for the occasion, the Kirchner Cultural Center pays tribute to one of our country's most beloved artists: Horacio “Negro” Fontova.
Musician, composer, actor, illustrator and writer, representative of our popular culture, the artist stood out for his social, political commitment, joy, love for nature, acid and critical thinking about human existence, militancy for the Great Fatherland and his historical loyalty to popular struggles and the defense of human rights.
Artistic direction and production: Gabriela Martínez Campos and Gustavo “Popi” Spatocco
Artists:
Adrian Bernal, Alejandra Flechner, Alfred Piro, Andrea Hammerschmidt, Witch Salguero, Bruno Arias, Cecilia Rossetto, Cecilia Roth, Chino Laborde, Claudia Puyo, Claudio Kleiman, Daniel Fanego, Federico Mizrahi, Fena Della Maggiora, Fernando Noy, Franco Luciani, Guillermo Fernández, Hernández Juan Carlos Baglietto, Juan Manuel Barrios, Julia Zenko , The Time Bomb, Laura Ros, Lidia Borda, Lygia Piro, Liliana Vitale, Lito Vitale, Luciana Jury, Marian Farías Gomez, Michelangelo Tallarita, Mirta Busnelli, Patricia Zappia, Piti Fernández, Rafael Gintoli, Richard Nant, Rolando Goldman, Sandra Mihanovich
March 26, 8 pm, National Auditorium
-Sky up
Composed of Sonia Brounstein and Jorge Gribo and with the participation of Astor Barrientos and Yamil Salim, the group offers a show for all ages where traditional folk songs and rhythms from Argentina and Latin America play along with their own creations. March 27, 4 pm, Sala Argentina
-The complete organ work of Bach/6: Enrique Rimoldi
As part of the cycle of concerts with audiences in which Johann Sebastian Bach's complete organ work is performed (in the Klais Opus 1912 of the National Auditorium), Enrique Rimoldi offers the toccata and fugue in D minor, along with preludes and fugues, and partitas and preludes on chorals.
The cycle, which takes place over 17 concerts on the last weekend of each month, is curated by Mario Videla and the participation of notable organists from our country and the region. March 27, 6 pm, National Auditorium
Free admission. Book online starting the Tuesday before the event. More information
*Kirchner Cultural Center. Sarmiento 151, CABA
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Buenos Aires Philharmonic Orchestra
On Friday, March 25 at 20:00, the Buenos Aires Philharmonic Orchestra will offer its third concert under the musical direction of the guest teacher Natália Larangeira along with the soloist presence of Joaquín Pérez in marimba. The musical program will feature works by Claudia Montero, Irma Urteaga and Amy Beach.
Tickets are on sale and can be purchased online through www.teatrocolon.org.ar. Also in person at the box office of the Teatro Colón (Tucumán 1171) from Monday to Saturday from 09:00 to 20:00 hours and Sundays from 09:00 to 17:00 hours, and at the Tu Entrada venue that operates at Calle Viamonte 560 (Local 5) from Monday to Friday from 09:00 to 16:00 hours.
*Colon Theater. Cerrito 628, CABA
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Bohemia
With music by Giacomo Puccini and a libretto by Giuseppe Giacosa and Luigi Illica, based on Scenes from the Bohemian Life of Henri Murger, this version will feature the musical direction of maestro Alain Guingal at the head of the Colón Theater Stable Orchestra and the stage direction of Stefano Trespidi. Saturday 19th, Tuesday 22nd, Wednesday 23rd and Saturday 26th March at 8:00pm, and Sundays 20th and 27th March at 5:00pm.
Tickets are on sale and can be purchased online through www.teatrocolon.org.ar. Also in person at the box office of the Teatro Colón (Tucumán 1171) from Monday to Saturday from 09:00 to 20:00 hours and Sundays from 09:00 to 17:00 hours, and at the Tu Entrada venue that operates at Calle Viamonte 560 (Local 5) from Monday to Friday from 09:00 to 16:00 hours.
*Colon Theater. Cerrito 628, CABA
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Buenos Aires Philharmonic Orchestra
Maestro Fabio Mechetti will conduct the Buenos Aires Philharmonic Orchestra with the presence of pianist Javier Perianes. The musical program will feature Concerto for Piano and Orchestra in A minor, Op. 16 by Edvard Grieg, and Symphony No. 1 in G minor, by Vasily Kalinnikov.
Friday, March 18, 8:00 p.m.
Tickets are on sale and can be purchased online through www.teatrocolon.org.ar. Also in person at the box office of the Teatro Colón (Tucumán 1171) from Monday to Saturday from 09:00 to 20:00 hours and Sundays from 09:00 to 17:00 hours, and at the Tu Entrada venue that operates at Calle Viamonte 560 (Local 5) from Monday to Friday from 09:00 to 16:00 hours.
*Colon Theater. Cerrito 628, CABA
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Juana Molina, Teresa Parodi and Liliana Hererro at the renovated Borges Cultural Center
From Saturday, March 19, the Borges Cultural Center, one of the most emblematic spaces of Argentine culture, now under the orbit of the Ministry of Culture of the Nation, reopens its doors. With new proposals, new spaces and an agenda of different artistic and cultural expressions.
This Friday, March 18, the official opening ceremony will be held and, from Saturday, March 19 at 2 pm, the Borges Cultural Center will be open to the public of all ages, with free admission.
The renovated Borges Cultural Center will once again operate in the historic site that made it a reference in the area of culture and art in the region, in Viamonte 525, city of Buenos Aires. In its more than 9,000 square meters it will have exhibition halls, auditoriums and classrooms to offer various activities of various expressions of Argentine culture.
The Bon Marché Room of the National Museum of Fine Arts, the Jorge Luis Borges Space, open libraries, dedicated photography rooms, exhibitions at the Palais de Glace, the store of the Argentine Traditional and Innovative Handicrafts Market (MATRIA), and soon, the National Museum of Oriental Art — which will have its own headquarters for the first time — are some of the new spaces of the Cultural Center that will be open from Wednesday to Sunday from 2pm to 8pm, with free admission.
There will also be new projects and activities by civil society organizations, such as the Julio Bocca Foundation, which continues the work of its school there; the Mercedes Sosa Foundation, which presents an exhibition dedicated to the great Argentinian singer; the Luis Felipe Noé Foundation, with various curatorial and educational projects and the Foundation international Jorge Luis Borges articulating activities dedicated to the work of the great Argentine writer.
The building that occupies the Borges Cultural Center is once again a public heritage site. This space has a history strongly linked to arts and culture: it was the headquarters of the Association of Stimulus of Fine Arts; it later became the first site of the National Museum of Fine Arts; the workshops of artists Eduardo Sívori and Ángel Della Valle were set up there; its dome was intervened with the mural paintings of Antonio Berni, Manuel Colmeiro, Lino Enea Spilimbergo, Demetrio Urruchúa and Juan Carlos Castagnino; it hosted the Malvinas Islands Cultural Center, and there the Imaginary Cultural Center of Latin America was dreamed of, before the current Borges Cultural Center was established.
OPENING AGENDA.
Borges Cultural Center - Viamonte 525, CABA
Saturday, March 19
14:00. Opening to the public
From 2 p.m. to 8 p.m. you will be able to visit the three floors of the Cultural Center.
17:00. Inauguration of the 32nd Annual Argentine Photojournalism Exhibition (Pavilion II, second floor) Exhibition presented by the Association of Photojournalists of the Argentine Republic (ARGRA).
19:00. Juana Molina (Auditorio Astor Piazzolla)
The artist is celebrating the twenty-first anniversary of her emblematic album Segundo (2000), the record that began her international career and was recently reissued on vinyl by her brand new record label Sonamos. Juana Molina will present her new show together with Diego López de Arcaute (drums and percussion), in which she reverses Segundo's music and runs through her wide repertoire.
Sunday, March 20
19:00. Liliana Herrero and Teresa Parodi (Astor Piazzolla Auditorium)
Together they will sing inherited music, essential in this crucial time in our history. This legacy, which is the memory of the deep homeland, today more than ever sustains us in the attempt to fight for a better world.
Wednesday, 23 March
18:00. Inauguration of You ruined my drawing again! (first floor).
The exhibition features four-hand drawings by Juan Astica, Delfina Bourse, Andrea Lamas, Luis Felipe Noé, Paula Noé Murphy and Eduardo Stupia. Curated by Cecilia Ivanchevich.
Friday, 25 March
19:00. Milagros Caliva and Noelia Sinkunas (Astor Piazzolla Auditorium)
Pianist Noelia Sinkunas and bandoneonist Milagros Caliva will tackle an instrumental repertoire composed of their own compositions and versions of tango classics and coastal music, on which they develop moments of creation in real time.
Saturday, March 26
19:00. Axel Krygier. Intimate and electro. Before Chaos, Calm (Astor Piazzolla Auditorium)
Axel Krygier will recreate his virtual lives on piano and turn the stage of the Borges into the living room of his house. As a counterpart, he will build and deconstruct his music and his new album Axelotl through his original device, something like a descendant of John Cage's prepared piano in digital key.
Sunday, March 27
19:00. Edgardo Cardozo (Astor Piazzolla Auditorium)
Edgardo Cardozo presents “Tiempo conmigo”, to welcome new songs and explore landscapes from his albums “Six of Copas” and “Las canciones del muerto”, including his masterful “Martín”, inspired by Martín Fierro, 150 years after the first edition of José Hernánez's poem.
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Diego El Cigala in Argentina
The great Spanish singer-songwriter returns to our country to present his album Cigala Canta México and his acclaimed classics.
CORDOBA: Wednesday, March 23, Quality Space, Avenida Cruz Roja Argentina 200, Córdoba.
ROSARIO: Friday 25 March, El Circulo Theater, Laprida 1235, Rosario
BUENOS AIRES: Saturday, March 26, 9pm, Teatro Gran Rex, Corrientes 857, tickets from $2800 at the theater box office or through Ticketek
MENDOZA: Monday, March 28, Ángel Bustelo Auditorium, 611 Peltier Avenue, Mendoza City
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Apple Rock Women
March 19 and 20 | Manzana Rock Mujeres: A weekend of pure rock made by women in the Apple of Lights.
The Manzana de las Luces Historical Cultural Complex welcomes rock starring women of national music. On March 19 and 20 at 7pm, the MANZANA ROCK cycle will take place, which proposes to explore the participation of women in rock formation in Argentina.
This time, the Apple of Lights welcomes four women who formed and are part of the history of national rock. On Saturday, March 19, María Rosa Yorio and Karen Bennett will be presented, and on Sunday 20th Claudia Puyó and Rocío Pereyra will be presented. Admission is free and free.
Manzana Rock | Saturday 19 and Sunday 20 March, 7 pm. Free admission until capacity lasts.
*Manzana de las Luces Historical Cultural Complex, Peru 222, CABA.
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When it gets dark
A series of concerts in the Centennial Park Amphitheater, with free admission until capacity is completed on a first-come, first-served basis. The City's Ministry of Culture, through the General Directorate of Art Education (DGEART) and the General Directorate of Music (DGMus), presents When it gets dark, a series of concerts of jazzy, rock, folklore, pop and klezmer music. This is part of the Centre for Artistic and Professional Training (CECAP), a program belonging to the DGEART, whose purpose is to promote and develop excellent artistic training and improvement proposals. In this way, they make visible in a field of professional practice, under the protocols in force for cultural activities, the musicians and musicians who have been trained in their Art Institutes and Programs. The cycle will run until February with more proposals.
MARCH
WEDNESDAY 16/3 - ALLPA MUNAY. folklore
WEDNESDAY 23/3 - BLAU. jazzfusion
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Ligia Piro
Some days the restaurant at Teatro Picadero becomes “Billie, Jazzclub”, a new space to create a meeting and listen to good music.
Monday 21 and 28 March 20:30 hs. With Protocols and Limited Capacity.
* BILLIE JAZZ CLUB — EL PICADERO Theatre. Enrique Santos Discépolo 1857, CABA
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A coda for Florida
The Ministry of Culture and the General Directorate of Music invite you to participate in the cycle in which the Buenos Aires Symphony Band brings back to life the streets of the microcenter. On this occasion, he will present a repertoire that brings together melodies in a variety of textures and orchestrations, giving each section of the band long stretches of thematic and counter-melodic material that will allow the songs to revolve around different themes.
The renowned formation of Darío Domínguez Xodo and Carlos David Jaimes will be presented in broad daylight just where Florida Street ends. The concert will take place next Friday, March 18 at 6.30 pm, at the intersection that contains the Florida square and Marcelo T de Alvear. The ideal space to get close to the public who missed so much and wanted to see them again.
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Vivi Verri presents Romántica
On the Terraza del Picadero with Daniel García (Piano, arrangements and musical direction). Guest musician: José Luis Lopetegui (percussion).
SUNDAY, MARCH 20, 2O HS. $1000 TICKETS ON SALE BY PLATEANET
*Picadero Theater. Enrique Santos Discépolo 1857, CABA
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Pyramides+Zebra Woman + Nenagenix, together live!
Pyramides and Mujer Zebra will present their latest material and Nenagenix will advance songs from their first album, to continue celebrating the 20th anniversary of Casa del Puente Discos.
Pyramides presents Amalgama, his second studio album, edited by Casa del Puente Discos and produced by Estanislao López. It has the peculiarity of having songs written by Facundo Romeo before Pyramides was a band, and completely new songs.
Mujer Zebra presents her debut album, self-titled, also released by Casa del Puente Discos and produced by Estanislao López. With guitars, distortion and simple melodies as protagonists, it recycles and integrates elements of 90s rock with the punk energy and ethereal sounds of dream pop.
Nenagenix is composing and preparing for his debut album, as well as being part of numerous dates and festivals organized by different groups on the scene. Flash Memory, their first EP, is a portrait of femininity, heartbreak and vengeance, produced almost entirely by the band; the 5 songs take elements of gothic, punk and shoegaze.
THURSDAY 5 MAY - 8 PM
*The Trastienda. Balcarce 460, CABA.
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Jorge Vazquez presents I propose
Jorge Vázquez's new album, “Yo te propongo”, combines a wide repertoire of boleros and ballads of all time with the unmistakable label of his voice.
El viernes 1 de abril a las 20.30. Entradas antipadas
*La Trastienda - Balcarce 460, CABA
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Bernardo Monk Orchestra
In “Mago: Journey to the Gardel Universe” Bernardo Monk travels through new paths the Gardelian repertoire, resignifying with his own voice the magic of this fundamental tango artist. Accompanied by his orchestra of outstanding musicians, Monk draws on a wide palette of expressive resources to tell a story. His story, which links him to Zorzal from a childhood full of aromas, games, images, stories and music. “Mago” is the seventh solo album by Bernardo Monk, who after nominations for the Latin Grammy Awards and Gardel 2019, continues his own path. The one who started one night, when as a child heard Carlos Gardel for the first time.
Bernardo Monk - alto and soprano saxophones, arrangements and direction. Matías Grande — violin. Juan Bautista Bringas — violin. Paula Pomeraniec — cello. Daniel Ruggiero — bandoneon. Emiliano Guerrero — bandoneon. Adrian Enriquez — piano. Martín Wainer — double bass
Saturday, March 19 - 21:00 hs. (Door 20:00 hs.) General Admission $900 per Ticket Today or Day of the Show /Advance at CAFF Box Office $800. The location is on a first-come, first-served basis until the Club's capacity is met.
*CAFF: Sanchez de Bustamante 772, CABA.
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Independent, new and diverse music at the Centennial Park Amphitheater
Estudio Urbano presents a cycle of independent, new and diverse music, as part of the celebrations for its first 15 years. Six Sundays in March and April will be dedicated to independent music in the Parque Centenario Amphitheater, in the open air and with the necessary preventive measures established in the protocols in force, with free admission and on a first-come first-served basis. The recitals will begin at 7.30 pm, they are suspended due to rain.
MARCH: Lucy Patané/Triangle/Sofia Viola/Nahuel Briones/Maca Mona Mu/Felix San Martin/Anahi Arias
APRIL: Battleship Potemkin/ Veronica Condomí + Matias Betti/ Cappacho
*Eva Perón Amphitheater. Leopold Marechal 832, CABA
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International Freestyle Combat Grand Final
After two years of exhibitions and battles in Latin America, SPACE presents the International Freestyle Combat Final, with the participation of the best exponents of the previous stages and guests who will bring to life a definition full of energy, ingenuity, mental acuity, improvisational ability and concentration, which will add to the spectacularity of an evening with an audience. The electrifying event will be held on Friday, March 25 from 7 pm at the Art Media Complex, in Buenos Aires. Tickets are already on sale from Ticketek. The international final will be shown live from 8.30 p.m. on the Combate Freestyle YouTube channel and on the SPACE channel pan-regionally.
The jury will be composed of Stuart, Dtoke and Núcleo, who will be responsible for evaluating the competitors and determining who will be the winner. DJ Stuart and DJ Zone will be responsible for the music and setting the mood for the competition to have the greatest flow.
*Art Media Complex. Corrientes 6271, CABA
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Cavetown for the first time in Argentina
The artist, also known as Robin Skinner and who has more than 7.5 million monthly listeners on Spotify alone, arrives in Argentina to sing his greatest hits with his full band. The opening show is run by the American spookyghostboy. Friday, May 27. Buy tickets
*Niceto club. Niceto Vega 5510, CABA
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ACTIVITIES
Poetic Festival of Memory
Film, theatre and literature festival within the framework of the exhibition Hijxs. Poetics of Memory organized by the National Library with productions created by the generation of daughters and sons of the disappeared, where paintings, photographs, installations and films by more than forty artists are exhibited, as well as records of street mobilizations, escraches and some of the central literary texts of the production of this group.
Visitors can also virtually access the catalogue and podcasts of the exhibition: Childhoods, Archives and Exiles, where authors read fragments of their own work, central to thinking about these narratives from various problematic axes.
The festival proposes to commemorate one more anniversary of the civil-military coup of March 24, 1976, based on the repertoire of narratives and new perspectives given by the generation of sons and daughters of the disappeared when addressing the country's recent past.
Program
Friday, March 18 | 7 pm. Rayuela Reader Square. Readings: Josefina Giglio, Paula Bombara, Julian Axat, Mariana Eva Perez and Maria Ester Alonso.
Often displaced from the traditional imprint of denunciation and the epic recovery of parents, these poetics opened a path where aesthetics are woven with affection.
Sunday 20 March | 7 pm. Jorge Luis Borges Auditorium. Two plays from the Teatro x la Identity cycle: The Search and Vic and Vic.
Vic and Vic is a documentary play that tells the story of Victoria Donda and Victoria Grigera. They met while militating at the Faculty of Law and became close friends. Victoria Grigera's father disappeared before she was born. Victoria Donda did not yet know that she too was the daughter of disappeared persons. Neither of them imagined that at the time Victoria Donda was born, at ESMA, Victoria Grigera's father was also there, kidnapped.
In La questa, a young man searches for his sister with the tools, strength and cunning that his grandmother showed him. The work recounts the tireless struggle of the Grandmothers of Plaza de Mayo, from its beginnings until today, and attempts to demonstrate the importance of the new generations in taking over this task.
Sunday 27 March | 6 pm. Jorge Luis Borges Auditorium. Play: Intermediate Room by Felix Bruzzone and Monica Zwaig.
Fourth intermediate part of the real meeting between Monica Zwaig and Felix Bruzzone in the corridors of the courts of Commodore Py. They speak different languages and do not understand each other well, but they decide that they can still talk about the judgments against humanity without biting their lips and without crying. The weight of justice, tourism, the future, circulate in this work as in a deformed cove or as in a ghost train. Under the direction of Juan Schnitman, this unexpected romance with the trials against humanity seeks the delusional, incomprehensible and absurd areas with which the judicial machinery impresses itself on the darkest events of recent history.
*National Library. Aguero 2502, CABA
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ENAMORAD ✨ S, a space to rethink affective bonds
Within the framework of Women's Month and the Day of Lesbian Visibility (March 7), the Ministry of Culture of the City of Buenos Aires, through the General Directorate for the Promotion of Books, Libraries and Culture, invites neighbors to participate in a meeting to discuss and reflect on emotional ties. The conference will take place this Friday, March 18 from 7 pm at the Parque de la Estación Library (Juan Domingo Perón 3326).
From 7 pm. Tamara Tenembaum and Liliana Viola will review Rolando Rivas, taxi driver - 50 years old to understand what place women occupied; society's view of the alleged heroine, the break in the face of the unexpected end and how fiction evolved on television and other mass media. Tenembaum, author of “The End of Love”, “Nobody Lives So Close to Nobody” and “All Our Curses Are Fulfilled”, published by Editorial Planeta, will reflect on romantic love, one of the topics in her bibliography, around this television milestone. In turn, Liliana Viola will contribute her gaze as the author of “Migré”, the biography of the creator of the fiction aired in the 70s. During the discussion, performers Ximena Banús and Javier Drolas will perform mythical scenes from the novel and at the end of it, the raffle of fifteen copies of “Migré” will be held among the people present.
From 8pm onwards. Elemento Disruptivo will present “Someone bites the end of their name”, an anthology of lesbian poems about “coming out”. The authors of the poetry collection will share their works, presented by Alex and Micaela Szyniak -part of the jury that selected the poems-. Cyano Baldunciel, Marina Meilín Fire, Patricia Fogelman, Natalia Garay, Julia Lavigne Laham, Sol Narvaez, Pilar Otero, Luciana Sofía Pino, Paz Rotoni, Mai Slipczuk and Mabe Warnes, among others, will recite the texts during the day.
A musical show by Paula Trama at 9pm will close the day, in the amphitheater of Parque de la Estación. The composer and guitarist will take a tour of her wide repertoire. It will be outdoors, with free admission. It will not be suspended due to rain.
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CreatiBA Fair: I believe in what you believe
An urban fair for independent entrepreneurs and designers, which has the main purpose of making Argentine design visible with its own products, made and produced by the local industry on a small and medium scale.
The Fair, with free admission, will take place on Sunday 20/3 from 12 a.m. to 7 p.m. in Crámer and Teodoro García streets in the Colegiales neighborhood, Comuna 13. Its curatorship, in this first edition, was carried out under the premise of self-creation, identity and quality, and collaborative work with various partners in the sector.
The event will feature activities for children, DJ sets in the afternoon and a jazzy music show as a closing:
● Design play station for children by “Abran Mancha”: it will work from 12 a.m. to 5 p.m.
● DJ Set by Piwi and Arielo: from 12 a.m. to 7 p.m.
● Miya Trio jazz-musical ensemble: on the terrace of Ruda Bar (Crámer 824) at 7pm.
This first edition has the support of the Festiva fair, which brought together different designers. In addition, they collaborated with the call for entrepreneurs for the CreaTiBA Fair: the Patio del Liceo Gallery, Montón Store, Sach Shop, Estilo Diseño, Nimia (Rosario), Darwin Collective, Colectivo Mala Prensa (Tigre), Santiago Paredes and Tienda Lechuga. Shops from the streets where the event will take place will also participate: Café Tres, Ruda Bar and Vivero Verdolaga, forming an interdisciplinary ecosystem between creativity, design and gastronomy in the neighborhood.
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Milongas Week
The fourth edition of the great event that celebrates the cultural phenomenon of tango, will be held from 21 to 27 March in different spaces and milongas in the City. Starting Tuesday 15/3, at Av. de Mayo 575, free tickets will be distributed to enjoy more than 60 milongas and various activities.
Between Monday, March 21 and Sunday, March 27, you will be able to enjoy, in more than 60 milongas, activities, shows, exhibitions and free classes that will be conducted by more than 150 artists, including dancers, musicians, costumes, choreographers, teachers, cultural managers and tour guides who are part of this great cultural network. The event will feature a map of the milongas, with geolocation and QR code - which can also be scanned when entering the milongas - to visualize the activities that will take place in more than 13 communes of the City.
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International Day on Children's and Young People's Literature
II International Conference: Research devices in the field of literature for children and young people and reading practices to be held on April 23, 2022, through virtual platforms. Aimed at teachers, researchers, librarians and reading mediators.
Free, with prior registration from April 4 and certification (UNT-UNC-UNRN-UNMDP).
All the information: https://investigacionypracticaslpnj.blogspot.com/
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Tangotic
Impulso Cultural with the support of Bamilonga presents Tangótica, on Tuesdays of the year from 7 pm to 00 pm, in Macedonia (Sarmiento 3632). Tangótica is a milonga whose main focus is the generation in the milonga setting of an inclusive space of belonging for all people without distinction as to age, gender or choice of role during the dance. It is a weekly milonga, with a previous dance class, which periodically presents a show of dancers and live music, as well as the call on special nights to both national and international musicalizers. Added to this is the offer of seminars with special topics by different teachers.
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Slaughterhouses Fair
On Sundays from 11 a.m. to 7 p.m. I came to visit the Handicrafts Walk and Gastronomic Patio, and I toured all of Argentina in one place! It is suspended in case of rain.
*Lisandro de la Torre Avenue and Los Corrales Avenue, CABA
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Transmomentos live, by Trans Argentinxs
As part of the Day for the Promotion of the Rights of Trans Persons, Cultural San Martín opens its doors to the Trans Argentinxs foundation — born in the province of Córdoba in 2017 — to give rise to a series of interviews where young trans and non-binary gender exhibitors tell and express, based on their experiences and roles — whether in the activist, academic, public and/or private labor or media spheres — what are the challenges that can arise in the daily life of their lives in terms of access to rights.
Saturday, March 19 at 6pm. Duration 120′. Free admission until capacity is exhausted.
Host
• Agustin Bartella. Trans masculinity; Director of Institutional Communication at Trans Argentinxs; influencer; father of Jeremiah.
Interviewees
• Coni Ros. Trans femininity; influencer; youtuber; student of Clothing Design.
• Transferlose NB. Degree in Political Science; Communication Assistant R.E.D. Di Tella; Justice and Gender Collaborator.
• Pamela Rocchi. Trans femininity; activist for the rights of trans people; General Secretary of Trans Men and Nb of Santa Fe; adviser to the Chamber of Deputies of Santa Fe.
• Natasha Steinberg. General Director of Coexistence in Diversity.
• Feca Twin. Joven trans; gamer; influencer.
• Lautaro Lucas Cruz. President of Trans Argentinxs; advisor in the Anses Women, Gender and Diversity Program; Micaela Law workshop at UNC.
The meeting closes with an acoustic show by Aaron Armeya.
20 years of gay Cupid. The first same-sex couple on argentinian tv, moderated by Lichi
Sunday, March 20 at 9pm. Covered patio. Duration 60′. Free admission until capacity is exhausted.
On Wednesday, March 20, 2002, the program “Cupid” (MuchMusic) united the first gay couple on Argentine television: Matías Rivero and Armando Rosales. Immediately, controversy arose, censorship appeared and even threats arose. Twenty years after that feat, the two participants remember this historic broadcast and talk with the producer and voiceover of the cycle, Franco Torchia.
*El Cultural San Martín. Sarmiento 1551, CABA
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Neighborhoods have a memory
46 years after the civic-military coup, we announced a new edition, the sixth, of LOS BARRIOS TIENMEMORIA, an interneighborhood event declared of interest for the promotion and defense of human rights by the Buenos Aires City Legislature.
On Wednesday 23 March, between 7 pm and 8 pm, a group of artists from different disciplines will give voice and body to the tiles for memory. The stories in tribute to victims of State Terrorism will reach the ears of residents of different Buenos Aires neighborhoods.
In addition, during this hour, the action can be followed on Facebook and Instagram by consulting the hashtag #LosBarriosTienenMemoria2022. The location of the tiles that will be part of this edition will be available from next Monday at www.losbarriostienmemoria.com.ar
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Presentation of the novel Laughter of naked women
The book Laughter of naked women, by Héctor Jacinto Gomez, is presented with the participation of Nicolás Artusi. Tuesday, March 22 at 7 pm, with free admission.
*Library of the Fund. Costa Rica 4568, CABA
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The waves of desire. On feminisms, diversity and visual culture
Available for free download, a book that brings together a series of texts by Georgina Gluzman, Cecilia Palmeiro, Nancy Rojas and Julia Rosemberg, advisers of the exhibition The Waves of Desire. Feminisms, Diversities and Visual Culture 2010-2020, which will be inaugurated by the National House of the Bicentennial next March.
The book is a state of the art that crosses the main theoretical contributions of feminist and cuir, and is the first piece in a series of actions that includes, in addition to the exhibition, a set of public programs that accompany it and a series of editorial developments aimed at disseminating the cultural potential of the feminisms of the Argentina.
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BUENA Magazine
An initiative of the City's Ministry of Culture that invites you to enter, discover and learn more about local contemporary culture, to say goodbye to the year with all its highlights. This is a free digital publication published quarterly - to download through the Vivamos Cultura platform - that comes out with the arrival of each season of the year, together with a printed version at the end of the year that collects all the highlights . The publication offers short, creative and inspiring texts, including interviews, editorials, stories, illustration section, fashion, industrial design, art, theater, psychedelia and more, focusing on both emerging and established national creators and artists. BUENA brings together a variety of voices and speeches, and has a bilingual digital version to broaden the conversation about local contemporary culture around the world.
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Trace. Performative tour of the La Prensa building
Traza is presented as a multidisciplinary intervention in the building of La Prensa - Casa de la Cultura, which invites a group of artists to deploy, experiment and deepen, through a creative and collective process, a conceptual journey on the remeaning of the spaces that were left empty after the pandemic.
The work is composed of plastic, literary, architectural, audiovisual, sound and light installations and performances. This is a conceptual journey that investigates how to return to inhabit the spaces that were emptied after the pandemic.
From Friday to Sunday 18:30 hs. Ticket reservation
*Building of La Prensa - Casa de la Cultura. Av. de Mayo 575, CABA
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Guided tours to the San Martín Theater
From this week, guided tours of San Martín return, offering the possibility of approaching the intimacy of the Gran Teatro de Buenos Aires. Touring its stages, visiting its dressing rooms and production workshops are just some of the attractions of these visits that allow the public to discover the theater “from the inside”
Two types of visits are offered, both lasting approximately 60 minutes, with reduced capacity and with prior registration.
Visit “Teatro Fábrica”: Aimed at the general public, this visit offers information on the construction of the San Martín Theater, its most important building aspects and includes a tour of the scenotechnical workshops, where the components of the staging of the theatrical rooms of the theatrical complex of Buenos Aires. Approximate duration: 60 minutes/ Reduced capacity and with prior registration.
“Playful” Visit: Intended for teenagers, the visit proposes to discover the secrets behind the scenes of San Martín, based on a game that invites them to know its ways of working, environments and stories lost in time. A tour of the stages, dressing rooms and production workshops guided by fragments, loose archives and objects, inhabiting the different corners of the theater. In this playful experience designed for young people, the participant's word will build new stories about the Theatre itself.
Hours: Wednesdays at 2pm/Saturdays and Sundays at 12:00, 14:00 and 16:00
Value: $200 Students and retirees $100. Registration and information to visitas@complejoteatral.gob.ar
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Guided tours to the Kirchner Cultural Center
Guided tours are available every weekend to learn about the history and characteristics of the building, its architecture and its spaces. The tour lasts 45 minutes. Places are limited and only by prior reservation through the web, from the Thursday before 12 noon.
Saturdays and Sundays, 14:30 and 15:30 h - Central Hall. Sarmiento 151
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Columbus factory
A magical tour of the great productions of the Teatro Colón arrives at the Arts District of La Boca Neighborhood. From November onwards, tours will be available every Saturday, Sunday and public holidays from 12:00 to 18:00. General Admission will cost $550.
*Pedro de Mendoza Avenue 2147, Arts District, La Boca Neighborhood
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COMPETITIONS AND CALLS
Storni Poetry Prize 2022
The Storni Prize is a joint initiative of the Kirchner Cultural Center and the Ministry of Culture of the Nation that seeks to reward an unpublished work of poetry. The objective behind the proposal is to recognize and promote Argentine poetic production and thus contribute to the growing general interest in poetry on the part of society and the publishing market.
Registration to compete for the prize will be open from February 14 to March 25, 2022. The works to compete must be submitted anonymously. In this edition, the jury will be composed of Elena Annibali, Susana Villalba and Mario Ortiz.
To participate in the calls you must be over 18 years of age, have a real domicile in the country and register through the FEDERAL REGISTER OF CULTURAL somos.cultura.gob.ar
Only one work per person will be accepted and a 1st prize of 250,000 pesos will be awarded, 2nd and 3rd prizes of 100,000 pesos will be awarded.
The names of the winners will be announced at the end of May.
Bases and conditions here
Model authorship note shared here
For any questions: premiostorni@cultura.gob.ar
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Second call for the National Novel Prize “Sara Gallardo”
The Ministry of Culture of the Nation, through the Secretariat of Cultural Development and its National Directorate for the Promotion of Cultural Projects, launches the second edition of the National Novel Prize “Sara Gallardo”, which will award a single prize of $600,000 and five honorable mentions.
The event is part of the commemoration of “International Working Women's Day”, a date that summarizes a long history of struggles for equal rights, opportunities and participation of women and invites reflection and action on persistent inequalities, subjects and challenges pending.
The 2022 call aims to recognize the creation and literary quality of Argentine authors -cis, lesbians, transvestites, transsexuals and transgenders-, to disseminate the diversity of views and voices within the current narrative scene, and to award the best novel published in our country in the last year.
The first edition of the National Novel Prize “Sara Gallardo”, held in 2021, had a great reception and impact on the cultural and literary field: more than 100 novels on different topics were received from women writers from all over the country, edited by independent labels and by large publishing groups. The work that won the first prize last year was the novel “La thirst”, by the poet, journalist and editor Marina Yuszczuk.
Until April 8, Argentine authors - cis, lesbians, transvestites, transsexuals and transgender - will be able to participate, with a novel published between January and December 2021, with print circulation in the country.
Each participant will be able to submit a novel with a free theme, originally published in Spanish or in the languages of the native peoples with a bilingual edition. The minimum length must be 70 pages and the first print run must be printed between January and December 2021 by an Argentinian publisher with an Argentine ISBN.
Novels published posthumously, self-published, only published in digital format, edited outside the dates provided for in the regulations, and/or that have not been circulated in print in Argentina may not be submitted. Nor will works that have been awarded during 2021 by the Ministry of Culture or any of its decentralized bodies be able to participate.
You can access the registration form and regulations on the website of the Ministry of Culture. For questions and/or queries, you can write to dnppc@cultura.gob.ar.
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New call for playwrights
A new call for New Narratives, the program for artists in the process of emerging that was born during the pandemic, begins. N/n stands for its acronym and is the training and experimentation program that already includes three disciplines: Dramaturgy, Film and Writing. After the call for writing and film at the end of last month, the call for the Dramaturgy courses is now launched. To apply there is time until March 31 (more information at http://nnprograma.com.ar/).
The tutorials are conducted by renowned referents such as Mauricio Kartun, Maruja Bustamante, Romina Paula, Eugenia Pérez Tomas, and Vivi Tellas, among others.
Once the participants have been selected, the coordinators will choose from among them two applicants, each of whom will be awarded a total scholarship. The New Narratives courses last one semester and you can choose virtual or face-to-face format. The second modality will be held at the Acéfala art gallery (Niceto Vega 4754, CABA) https://acefalagaleria.com
The N/n program is interdisciplinary: those who take the Dramaturgy course will also be able to participate in the area of Film and/or Writing, and vice versa. This modality is based on the conception that those who dedicate themselves to art never dedicate themselves to just one discipline or have a single concern. This innovative proposal makes the program unique in its modality, and differentiates it from the traditional dynamics of careers, workshops and clinics, while also covering a space of claim for years of artistic training aspirants themselves.
The course offers a multiple experience of tutoring, master classes and work accompaniment with a teaching staff that is renewed every year. Experiences will be exchanged, and there will be special talks with playwrights and producers in order to generate links and guide paths in industries that require extra effort from the artists themselves.
The Acéfala art gallery — associated with the N/n program, and a face-to-face space where the interdisciplinary proposal is developed — provides a related environment to the development of the course. There, works will be disseminated, readings will be scheduled, group exhibitions, meetings and outings will be organized: everything needed to promote artistic projects.
TOTAL SCHOLARSHIPS WILL BE AWARDED — until March 31 —
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Medifé Filba Foundation Award
The call for applications for the third edition of the Medifé Filba Foundation Award is now open, which will award 750,000 pesos to the winning title. The application period for the Medifé Filba Foundation Award will be open until April 18, which recognizes the best novels published in the previous year (between January and December 2021). In this third edition, we are once again accompanied by a luxury jury composed of writers María Teresa Andruetto and Mariana Enriquez and writer Fabián Casas, who will be in charge of choosing the list of ten finalist titles, then selecting five works for the short list and finally awarding the winning novel that will be announced at the month of December.
The first editions of novels originally written in Spanish by living Argentinian authors published by publishers anywhere in the world can apply for the Prize. Publishers and authors will be able to apply for all titles published during 2021 that meet the rules.
To postulate:
The application form found here must be completed and three (3) copies of each candidate novel, by Argentine author, published between January 1 and December 31, 2021, must be submitted.
Address of physical delivery or by certified mail: Fundación Medifé, Moreno 970 (zip code: C1091 AAT), Floor 1, City of Buenos Aires; Monday to Friday business from 10 a.m. to 6 p.m.
Delivery address e-books or PDF: premio@filba.org.ar
In July, the “long list” will be announced with a first selection of ten chosen novels. The short list will be announced in October and the winning book will be announced in December. The author of the winning novel will receive $750,000 (five hundred thousand pesos). The rules can be consulted at fundacionmedife.com.ar or filba.org.ar
Inquiries through premio@filba.org.ar
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AGN Award for the distinction of sound works
The Archives area of the Kirchner Cultural Center and the General Archive of the Nation (AGN) present the call to participate in the AGN Prize for sound pieces. Aimed at musicians and artists from all over the country, the award aims to stimulate artistic production and promote accessibility to the AGN's sound heritage. Five projects will be awarded with the sum of $100,000 (one hundred thousand pesos) each.
Mashups, remixes, songs, audiopoetry, audio fiction, radio theater, sound art, DJ sets and compositions of any musical genre using documentary material from the General Archive of the Nation (AGN) will be admitted. This material is available for consultation on the website of the General Archive of the Nation.
The selection jury is composed of producer and composer Nico Cotton, music curator and researcher Bárbara Salazar (Barbarelle) and music and radio producer Matías Messoulam.
Each participant must register on the website of the Federal Register of Culture, complete the registration form and provide the access link to download the work.
The five winning pieces will be exhibited through a series of functions at the Kirchner Cultural Center, during the course of 2022 and broadcast through special broadcasts on the Radio Caso Sound Art Center website.
The AGN Prize for Sound Pieces is part of the artistic-heritage policies promoted by the Kirchner since 2021 since the creation of the Archives area, and aims to generate new instances of resignification of the heritage of the General Archive of the Nation through the call for artists to reinterpret and use it heritage.
The call is open until 2 April. You can consult and download the Terms and Conditions
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Two calls from the Arthaus Foundation
- Call for visual arts in collaboration with the National Museum of Fine Arts. This first edition is aimed at electronic arts. The presentation of projects in which all expressions of experimental electronic arts will be accepted. Three prizes will be awarded: First prize of 600,000 pesos and two prizes of 300,000 pesos each, intended for the production of works whose results will be exhibited at the MNBA.
Closing date of the call: March 31, 2022
- Calls for contemporary stage practices laboratory under the coordination of director Ana Alvarado. Intended for artists with previous experience in theatrical performance, performance in object theater, dance, performance and/or audiovisual or multimedia arts with performance practices. The laboratory will be face-to-face.
Closing of the call: March 31, 2022
For the requirements of the call and any other information go to the Foundation's website or write to the following email: info@arthaus.ar
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COURSES, WORKSHOPS AND TRAININGS
Diploma in Parliamentary Libraries
The Library of Congress of the Nation and the Department of Information Science of the Faculty of Humanities of the National University of Mar del Plata signed an agreement to jointly launch the Diploma in Parliamentary Libraries.
This training will begin in April 2022, and will be aimed at the professional updating of librarians and librarians from all over the country who want to deepen their knowledge in parliamentary library services and current affairs. The modality of the classes will be virtual and will last six months.
The route foresees a Latin American approach among its modules and, in addition to experts in the field, will be attended by prominent references from parliamentary libraries in the region.
This first call will have a maximum registration quota and will be privileged workers who are already working in legislative libraries. Next March, an opening event will be held and detailed information about the diploma will be provided.
Those who are interested can complete the Pre-registration form at this link.
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Training programs of the Argentine Tango National Space
This is a new edition of ENTA Baile and ENTA Gestión, two free proposals aimed at those who wish to improve themselves in tango dance and in the management of cultural projects linked to tango. New closing date March 21, 2022.
The Argentine Tango National Space (ENTA), which belongs to the National Directorate of Cultural Training of the Secretariat for Cultural Management, is an interdisciplinary and federal training proposal dedicated to the development, improvement and professionalization of tango throughout the country. This year it again presents a call to participate in its activities in virtual mode and through two programs open to the community: ENTA Baile and ENTA Gestión.
It is aimed at people over 18 years of age who reside in the national territory. ENTA Baile is intended for dance couples with intermediate/advanced experience. ENTA Gestión is intended for individuals, with a background in production, cultural management or interested in general.
To participate in ENTA Baile, you must register using the a href="http://anuncios.cultura.gob.ar/lt.php?id=fEgCXQxQCk1SBQAMA0UAAAMCAgQ" rel="noopener noreferrer" bform below. Interested couples must complete a form with their personal data and the presentation of a video dancing this tango specially selected for the call.
To participate in ENTA Gestión you must complete the following form. Interested persons must present a cultural management project linked to tango.
Those interested have time to register until Monday, March 21.
Both programs are taken in virtual mode. ENTA Baile lasts 8 months (from April to November) with synchronous classes on Thursdays from 5 pm to 8 pm (every week) and Tuesdays from 6 pm to 8 pm (every 15 days). ENTA Gestión lasts 4 months (from April to July) and classes are held on Thursdays from 5pm to 8pm.
In addition, asynchronous content will be available for viewing and studying in both programs. The announcement of the people who will participate in the programs of the Espacio Nacional de Tango Argentino will be made from March 30 by email. The course will begin in the week of April 4.
For more information about:
- ENTA Management study program here.
- Frequently Asked Questions enter here.
- For inquiries you can write to enta@cultura.gob.ar.
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Course in Public Cultural Management 2022
The course will be held in virtual mode. It is aimed at workers in the public administration who carry out tasks within a cultural area and seek to add cultural management tools applied to the public sphere. Registration open until March 29, 2022.
The course on Public Cultural Management, organized by the National Directorate of Cultural Training of the Secretariat for Cultural Management, is a virtual training initiative aimed at contributing to the professionalization of cultural managers at all levels of public administration in the six regions of the country. The proposal is articulated with public cultural areas and departments in each region with the aim of deepening its territorial anchorage.
It is aimed at workers at different levels of the national, provincial, municipal and university public administration, whose area of work is linked to the cultural field and who have not participated in previous editions of the program.
The course has a limited capacity for the participation of 50 people from each of the six regions of the country. In total, a total of 300 people will be selected.
The course is composed of three modules: “Culture, State and Cultural Policies”, “Culture, State and Cultural Policies”, “Management Tools” and “Project Workshop” with a program that seeks to contextualize and problematize the scope of public cultural management from various perspectives. You can access the full program here.
The course lasts 11 weeks. It is structured in groups for each region and requires attendance at weekly synchronous meetings with specialists. In addition, it involves viewing and reading asynchronous materials, participating in spaces for discussion and the elaboration of a project as a final work. A weekly dedication of approximately 5 hours is estimated.
The course is taught virtually through Aula Cultura, the virtual training platform of the Ministry of Culture of the Nation.
Days and times of synchronous course according to each region
NOA, NEA AND CENTER: Tuesday from 10 a.m. to 12 p.m.
PATAGONIA, WHOSE AND BS. AS.: Wednesday from 10 a.m. to 12 p.m.
For registration you will need: Complete the following registration form. Have the endorsement of the public institution of belonging. Before registering, we suggest you consult the FAQs.
Equitable representation between the various regions of the country (and the provinces that compose them), gender parity, the inclusion of workers from different public agencies and institutions, the encouragement of the participation of those who meet the requirements and did not obtain vacancies in other editions of the course.
Course start and end dates in each region
NOA (Salta, Tucuman, La Rioja, Jujuy, Catamarca, Santiago del Estero). Start: Tuesday, April 19 | Ends: Tuesday, July 5
PATAGONIA (Chubut, Santa Cruz, Rio Negro, Neuquén, La Pampa, Tierra del Fuego, Antarctica and South Atlantic Islands). Start: Wednesday, April 20 | Ends: Wednesday, July 6
CENTER (Cordoba, Santa Fe, Entre Rios). Starts: Tuesday, April 26 | Ends: Tuesday, July 12
CUYO (Mendoza, San Juan, San Luis). Starts: Wednesday, April 27 | Ends: Wednesday, July 13.
NEA (Formosa, Chaco, Corrientes, Misiones). Starts: Tuesday, May 3 | Ends: Tuesday, July 19
BUENOS AIRES (Autonomous City of Buenos Aires, Buenos Aires Province). Starts: Wednesday, May 4 | Ends: Wednesday, July 20
Those interested have time to register until March 29 inclusive. For more information or inquiries write to gcp@cultura.gob.ar.
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First International Training in Political and Institutional Communication
The University of Seville, Spain, and the agency in communication and strategy, Acent.o, Mexico, are organizing this first training at an international level. It will be taught by experts in the different areas of the subject that work in the academic, public and private spheres.
The University of Seville, Spain, through the Laboratory for Communication Studies, LADECOM, in collaboration with the Communication and Strategy Agency, Acent.O, Mexico, organizes and invites the First International Training in Political and Institutional Communication. Challenges and perspectives in the digital age, which will take place virtually from May 16 to 31, 2022, through the digital platform of the same university.
The topics will be addressed from theory to current case studies, which makes training and specialization derived from a changing and complex world increasingly necessary.
At the end of the training, the participant will obtain their Certificate with Curricular Value, CVC, issued by the University of Seville and the Acent.O, and will be able to access personalized advice on topics of interest to them.
During the month of March, both the University of Seville and the agency Acent.O will offer scholarships to interested parties and partial payment options. In case of obtaining their place with payment in a single exhibition they will be able to access an additional discount.
More information https://fcom.us.es/ Phone: +52 477825328 Email: acentocye@gmail.com
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Mandarin Chinese workshop at the Library of Congress
The Library of Congress of the Nation reports that registration is open for the traditional Mandarin Chinese language workshop that will be held from next Wednesday, February 23, at 3 pm, at the BCN Cultural Space of Alsina 1835 in the Autonomous City of Buenos Aires.
The educational proposal will be led by Ms. Helena Nancy Liu and will last for 3 months, until May 11, with face-to-face study on Wednesdays from 3pm to 5:30pm.
The quarterly course offers the possibility to develop all four language skills: speaking, understanding, reading and writing traditional characters. At the end of the workshop, certificates of participation will be issued to those registered.
For the course, the use of a mask is compulsory for the entire time that people stay inside the Cultural Space and the safety and hygiene standards required by the institution's staff must be respected.
The teacher has a degree in Management and Supervision, a degree in Psychopedagogy and a Degree in Psychology from the Universidad Católica Argentina. She is also a pedagogical advisor at the Ministry of Education in the Government of the City of Buenos and coordinator and psychologist of the Cabinet at the Sinheng Cultural Institute, as well as a teacher of the Sino-speaking degree at the Chinese-Argentine School No. 28 of School District 5 in CABA.
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Stage Creation Laboratory at LSA. The poetic gesture and the word
The Cervantes National Theatre (TNC), an agency of the Ministry of Culture and the Secretariat of Cultural Management, opens the call for the Stage Creation Laboratory at LSA. The poetic gesture and the word. Its objective is to train and produce fictional and stage forms in Argentine Sign Language (LSA) through the investigation of possibilities of the poetic body.
In this training session aimed at deaf and hearing people, with a good level of communication in LSA and experience in performing disciplines, movement practices, specific training, theatrical exercises and reflections on the creation, translation and stage version of literary materials (poetry, story and theater) will be addressed.
The creation laboratory will be held from May to October, with face-to-face mode at the Teatro Nacional Cervantes (Libertad 815 - CABA) by Gabriela Bianco and Karo Torre.
It is aimed at hearing and deaf people, LSA speakers over 18 years old, with previous experience in performing disciplines (theater, dance, performance, storytelling).
To register, complete the following form: click here.
In it, you will be asked to attach a subtitled LSA video of personal presentation, tour and link with the LSA and the deaf community (if you have links with the local community). And another video with a creation of material in LSA (an acting improvisation, a poem or the narration of a fragment of a story).
It is suggested to read carefully the terms and conditions of participation HERE.
The call is open from March 15 to April 17 inclusive.
It takes place in person in one of the rooms of the Teatro Nacional Cervantes (Libertad 815), once a week for three hours, from May to October. This is a free activity.
The workshop will be given by actress and director Gabriela Bianco (native speaker of LSA-CODA) with the assistance of Karo Torre (native speaker of LSA CODA, poet and teacher of Spanish for foreigners) will be in charge of the workshop.
For more information, you can contact the TNC Public Management Department by email at gestiondepublicos@teatrocervantes.gob.ar or WhatsApp at 11 2456 2633, Monday to Friday from 10 a.m. to 6 p.m.
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Sustainable Cultural Spaces: new course on the Formar Cultura platform
The Ministry of Culture of the Nation, together with the Ministry of Environment and the Cultural Institute of the Province of Buenos Aires, present the new course “Sustainable Cultural Spaces”, aimed at cultural workers and with the aim of rethinking everyday practices from an environmental perspective that generates awareness on processes of coexistence with the environment.
The proposal consists of a total of four meetings, three of which are synchronous and are led by specialists in the area who will share ideas, concepts, proposals and practical experiences to rethink our ways of doing things and, in addition, a closing face-to-face meeting. We propose a first approach to the integral environmental perspective, the worldview and understanding the relationship with the environment. Concepts linked to the circular economy, waste management and food sovereignty will also be developed with special emphasis on the practical aspect. And as a closure, issues related to communication and dissemination within cultural spaces will be addressed.
Registration until March 23. More information and registration on the Formar Cultura platform.
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Alicia Genovese's new class at FILBA
Many of the contemporary poetic productions turn their attention to the clarity and transparency of the image, to its material support, to the captable and unquestionable visibility of an event. The question is whether the poem can only stock up on that or if it is on that border, on that border that the poem's challenge begins. At what point does the transparent image take off and accompany its own shadow, emotional chaos, what it does not know or does not see?
To inquire about these questions, we will previously circulate and read poems by Hugo Padeletti, Circe Maia, Juana Bignozzi, Diana Bellessi, María del Carmen Colombo, Andi Nachon, Patricio Foglia.
Target audience: People interested in writing poetry.
Thursday, April 21, from 7 p.m. to 9 p.m. by Zoom. Cost: $3200. MORE INFORMATION
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History of the Opera from its origins to Mozart
This course proposes to enter the early eras of one of the most extraordinary and exciting genres of classical music. Exploring and analyzing the masterpieces that make up the repertoire of his origins by composers such as Monteverdi, Gluck, Pergolesi and Mozart among others.
Teacher: Silvana D'Onofrio. Duration: 4 classes. Monday from 7:00 p.m. to 8:30 p.m. Classes will be held on March 7, 14, 21 and 28. Online mode through the ZOOM platform with the option of access to the video class for those who cannot witness it live. Cost: $4000
Reports and Registration: WhatsApp: 15 6669 1769/ info@cursosarteycultura.com.ar/www.cursosarteycultura.com.ar
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Free workshops of the Cultural Program in Neighborhoods and the Circuit of Cultural Spaces
After transforming the proposal to virtuality in times of isolation, the programs return to face-to-face, adding together more than 1,000 workshops in 43 spaces and cultural centers in the different neighborhoods of Buenos Aires.
From March 14 to 19, registrations open for more than 200 free workshops of different artistic disciplines, to be held at different points of the Circuit of Cultural Spaces of the City. Through the registration portal, you can get to know all the proposals, which were designed to attract different audiences and different ages, and there are also virtual options. In the workshops you will be able to participate in weekly group meetings, given by CEC workshops, and learn film, music, photography, theater, literature, plastic arts, dance and circus, among other practices.
The Circuit Spaces
● Carlos Gardel Cultural Space
Olleros 3640, Chacarita.
● Chacra de los Remedios Cultural Space
Directory Avenue and Lacarra, Avellaneda Park.
● Cultural Space of the South
Off. Caseros 1750, Barracas.
● Adán Buenosayres Cultural Space
1200 Assembly Avenue, Chacabuco Park.
● Julio Centeya Cultural Space
Off. San Juan 3255, Boedo.
● Marcó del Pont Cultural Space
Artigas 202, Flowers.
● Resurgence Cultural Space
General Artigas 2262, Villa del Parque.
Those interested and interested will be able to see the offer and register from 21 to 28 March, by entering buenosaires.gob.ar/inscripciontalleres.
Among the workshop options, there are innovative proposals such as photographic production, screen printing, vocal ensemble, art and creativity for children, contemporary dance, decorative painting, plastic with recycled materials, musical comedy, cooking, textile art, hip hop and makeup, among other alternatives for all ages and profiles.
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Entrepalabras Writing Workshops
❖ WRITING, READING AND TEACHING WORKSHOPS
✔ Fiction writing workshop for teachers
Coordinates: Beatriz Vottero
This workshop aims to generate a pedagogy of fiction writing between teachers and teachers who are encouraged to “go through” the beautiful, challenging, intense and joyful experience of writing. It is intended for teachers who share the idea that, as the teacher says, “we all have a sleeping poet or a sleeping poet, like Belle, waiting for a couple of good slogans to wake her up.”
Attended: 4 asynchronous classes (April and May) /start: 8/4
✔ Academic writing workshop (the final polishes: clarity and precision)
Coordina: Marta Marin
This workshop proposes tools that guide the review of drafts produced in the academic context, so that the concepts developed in the writings are consistent, as well as rigorous and precise. It is intended for advanced and postgraduate students, as well as university and tertiary teachers who need to help their students improve their written work.
Attended: 8 asynchronous classes (April to July) /start: 8/4
✔ Spelling and grammatical autocorrection workshop
Coordinates: Veronica Bondorevsky
This workshop proposes to reflect on the normative aspects as well as the coherence and cohesion of the non-fictional writings themselves. It is intended for the general public who wish to reflect on their writings in order to write non-fictional texts with solvency.
Attended: 4 asynchronous classes (April and May/start: 8/4
✔ Keys to reading Borges
Coordina: Silvina Marsimian
This workshop proposes to address some keys that facilitate the entry into the reading of Jorge Luis Borges and open the doors to what he thought, what he wrote and what he proposed in a renewing way to the literature of his time. It is intended for readers in general.
Attended: 6 asynchronous classes+2 zoom (April and May) /start: 6/4
❖ READING AND WRITING WORKSHOP LIJ (Children's and Young People's Literature)
✔ It's a saying.../Workshop on reading and creating a picture book
Coordina: Istvansch
This workshop aims to discover how the different discourses that coexist in children's books are intertwined (with emphasis on the album-book as it is the most complex genre) and to produce an illustrated project of its own. It is intended for adult audiences interested in the image in children's books, with basic knowledge of drawing and color (or at least, without fear of the blank page), since the purpose of the course is not to teach drawing.
Attended: 8 classes (from April to July) start: 8/4
❖ CREATIVE WRITING WORKSHOPS
✔ Workshop on sustained practice of textual production
Coordinates: Cecilia Pisos
This workshop aims to explore the periodic interaction of each writer with his own writing, related to the two dimensions that constitute him: temporal and spatial, involved in periodicity and serialization, and in the extension and segmentation of textual work. It is intended for young people and adults interested in training in a textual work routine that allows them to face writing projects.
Attended: 6 asynchronous classes+4 zoom (from April to July) start: 13/4
✔ I read, then I write I/Short narrative workshop I (first stage of approach to writing)
Coordinates: Ines Fernandez Moreno
This workshop aims to explore the path of writing with literary texts of recognized quality as a guide. The goal is to facilitate production, and to address the concern of “I really like to write, but I don't know “what” to write”.
The focus is on untying that “what”, without forgetting that it is inextricably linked to the “how” and that, in that complex and unique link, literary value is played out. It is intended for the general public, with or without experience in writing, but yes in literary reading.
Attended: 6 asynchronous classes (from April to June) /start: 8/4
✔ Poachers of One's Own Life/Autofiction Workshop
Coordinates: Natalia Zito
This workshop seeks to create a fertile field for developing literary writing from one's own life as a raw material. Based on the contrast between fiction and reality, the laws of fiction and the limits of one's own life and reality, it invites us to explore narration from a unique place: one's own gaze. It is intended for a general public interested in writing literature.
Attended: 6 asynchronous classes (from April to June) /start: 8/4
✔ Creative writing workshop based on the image
Coordina: Maru Leonhard
This workshop aims to explore how images tell something. What is the narrative of an image and how is it translated into words? A color, a texture, the light, what illuminates, what is left in the shadows, what is perceived out of frame. How can we get a reader to “see” the image we tell them in words? It is intended for young people and adults who are taking their first steps in writing (there is no need for previous knowledge, but a share of curiosity and desire to sharpen the eye to begin to see what is, really, in an image).
Attended: 6 asynchronous classes (from April to June) /start: 8/4
✔ Theatrical writing workshop
Coordinates: Laura Fernandez
This workshop proposes to provide tools to exercise dramatic writing, inviting you to meet or deepen your own poetics. The different proposals are aimed at training sensoriality and unfolding the imaginary in the production of a short work at the end of the course. It is intended for the general public interested in writing a play.
Attended: 8 asynchronous classes+3 zoom (from April to June) /start: 8/4
✔ Microstory workshop
Coordinates: Analia Testa
Through a selection of microstories, this workshop proposes to analyze the resources that authors use to build them and, based on this blank of readings, to rehearse the writing itself. It is intended for young people and adults interested in exploring the world of gender, with or without previous experience.
Attended: 6 asynchronous classes plus a zoom meeting on 22/4 (from April to July) /start: 22/4
✔ Workshop “The keys to fiction”
Coordinated by: Pablo De Santis
This workshop proposes to discover, from writing and reading, the two keys to narrative: experience and imagination. Writing is always an investigation into what has been experienced; but imagination is also there to translate, in its language of symbols and wonders, the other side of life. Through readings it invites us to ask what a story is, what separates it from other texts. And through slogans, that personal inquiry that is writing will be launched. It is intended for young people and adults interested in exploring the world of storytelling.
Attended: 6 asynchronous classes (from May to July) /Start: 13/5
✔ Screenplay writing workshop
Coordinates: Sofia Bianco
This workshop proposes to work with test exercises, in which each one can explore the techniques of script writing based on the forms of cinematographic discourse. For this, the articulation with other artistic forms that are addressed by cinema and can support the work of writing will be taken into account. It is intended for the general public interested in writing screenplays.
Attended: 6 asynchronous classes (from May to July) /Start: 13/5
Reports and registration: escuela@entrepalabras.org
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Courses and workshops at the Cultural Centres of San Isidro
The Houses of Culture of San Isidro have already prepared a 2022 menu of offers in courses, workshops and face-to-face, virtual and mixed seminars of different lengths, and for all tastes and ages. More than 150 proposals ranging from art, care for physical and mental well-being, and languages, to computer science, crafts and many other disciplines that can be studied in Beccar, Boulogne and at the two Martínez locations.
From January 15, the complete list of courses will be available, which is worth following periodically as it will be updated with new courses. Registration for all modalities will open on February 14 and can be done online or in person at the respective Houses, and classes will start on March 3, although some proposals will begin in April.
Thinking about a possible job outlet, the range is very wide and ranges from Apparel Design and Textile Recycling (teenagers and adults), Sustainable Jewelry (teenagers and adults), Sewing and Sewing, and Industrial Molding to Two-needle knitting, Crochet and Macrame, and Handmade Binding. There will also be upholstery and restoration, carpentry, wood carving, basic electricity, installation of air conditioning equipment, social makeup, artistic makeup, barbershop, agroecological garden and gardening, food science and safety and hygiene, among others.
It should be remembered that the Casas, coordinated by Luciana María Hernández, have all the comforts, technological development and sufficient space for the proper conduct of classes, both face-to-face and virtual, and that each of the activities has a quota of assistants and complies with current health protocols.
MORE DATA
Beccar Civic Cultural Center: Centenario Avenue 1891 /4512-3160.
Boulogne Civic Cultural Center: Avelino Rolón Avenue 2315/4513-7803/4
Martinez House of Culture: Monsignor Larumbe 762/4580-3113 and Saavedra 1710/4793-9532
+ The vast majority of courses have a monthly cost of $1800 (intensive monthly ones are the most expensive, $2800) and tuition is 200 pesos. Payments can be made with cash at the Casas or by bank transfer or Mercado Pago. The Houses will be open until February 11, from 9 to 14, and from 14 of that month, from 9 to 18. Reports: casasdeculturamsi@gmail.com
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FILBA Writing Workshops
Registration is now open for the workshops of Betina González, Clara Muschietti, Nicolás Schuff and Paloma Valdivia and for the master classes of Diego Golombek, Darío Sztajnszrajber and Guillermo Martínez. If you are interested in any of the workshops that have not yet opened their registration, you can leave us your email on each workshop page and we will let you know when you can sign up. Queries: talleres@filba.org.ar
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Certificate in Latin American Narrative
Registration is open for the online certificate NARRATIVA LATINOAMERICANA TODAY. A PRISM OF DISRUPTIVE VOICES, coordinated by Nicolás Hochman and with a teaching staff composed of writers Maria Fernanda Ampuero (Ecuador), Claudia Apablaza (Chile), Armando Alzamora (Peru), Dainerys Machado (Cuba), Luis Othoniel Rosa (Puerto Rico), Daniel Saldaña Paris (Mexico) and Gina Saraceni (Venezuela).
The activity is organized by 17, Institute of Critical Studies, of Mexico City, and will be held virtually between February 28 and October 30.
Anyone can participate from anywhere in the world, without having to have specific previous readings and with the possibility of having the schedules as is most convenient for each one. Payment can be made in Argentine pesos, Mexican pesos, dollars or euros, through transfer, credit card or PayPal.
Over the course of eight months, participants will explore stories, novels and chronicles by Margo Glantz, Ariana Harwicz, Mario Bellatin, Maria Gainza, Benjamin Labatut, Fernanda Garcia Lao, Mariana Enriquez, Rita Indiana, Marta Aponte Alsina, Julio Meza, Victor Goldgel, Diamela Eltit, Ena Lucia Portela, Javier Sicilia, Andrea Roque Larraquy, Daniela Tarazona, Matias Celedon, Czar Gutierrez, Michel Nieva, Miluska Benavides, Liliana Colanzi, Carmen Maria Machado, Luciano Lamberti, Pilar Quintana, Juan Cardenas, Cristina Rivera Garza, Igor Barreto, Gonzalo Galvez Romano, Claudia Hernandez, Monica Ojeda and Martin Kohan.
To learn about the full program, costs and register can be accessed here.
17, INSTITUTE FOR CRITICAL STUDIES is conceived as a post-university, located at the crossroads of academia, culture and psychoanalysis. It is a writing space, dedicated for twenty years to the construction and deconstruction of notions, forms and horizons.
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Storybook Club “Horror Monday”, run by Lala Toutonian
After these recent times where we pass terror as a daily part of our reality, let us immerse ourselves in the narrative that welcomes and comforts us in its arms. Throughout the year we will review the work of Horacio Quiroga, Joyce Carol Oates, Edgar Allan Poe, Shirley Jackson, Stephen King, Mariana Enriquez, Howard Phillips Lovecraft, Silvina Ocampo and Bram Stoker.
Four stories per month that we will read and discuss virtually (that's how we reach everyone), they just have to turn on the computer or cell phone, there will come the stories we chose within the horror genre, the last resort of romantic, and we will see each other's faces and we will listen to each other add analysis to these texts of similar authors, masters of the current that makes us hair stand on end. Of pleasure.
We start in March with Horacio Quiroga on Mondays 7, 14, 21 and 28 at 6 pm in Argentina and we will see a story (which I will send you in time) per day. Then the ones detailed above will be continued.
The value of this club that brings us passionate readers together is 3,000 Argentine pesos or 16 dollars per month. What's more, if you are interested in taking three of the workshops, the fourth one I invite you with all my heart. For information and registration: latoutonian@gmail.com
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Courses at the Actoral Training School of La Zancada Theatre
Starting in March, a wide range of regular, face-to-face and virtual courses will be held in the Federal Capital and in the west of Greater Buenos Aires.
We identify ourselves with pedagogies that promote autonomy in creation, the exploration of various technical and aesthetic resources and an ethical understanding of what to link. As part of the school you can publish in our theatre magazine, participate in meetings and festivals and hold annual exhibitions.
- Creation of UNIPERSONALES
Saturdays from 11 to 13. Face-to-face and virtual. Teachers: Aldana Pellicani and Carolina Ayub. The objective of the course is to produce a stage material for an actor. A personalized follow-up will be carried out. Creative strategies and technical tools will be provided that allow the construction of a dramaturgy, a space and stage action to develop a material.
- HUMOR comic training
Monday from 19 to 21. Machado theater. Antonio Machado 617, Centennial Park. Teacher: Nicolas Gentile. The objective is to stimulate students' abilities, through practical humor exercises. We will work on the basis of a creative, proactive and autonomous interpretation. We will use tools from clown, art comedy and physical humor.
- YOUNG CREATORS under-18 theater workshop
Monday from 19 to 21 (Starts on 7/03/2022) Art and life. Climbing Remedies of San Martin 6750. Martin Coronado. Teachers: Carolina Ayub and Aldana Pellicani. The main objective of the course is to discover and enhance your expressive abilities. Acting technical tools and creative strategies will be provided. Starting from different theatrical genres, work will be done on the construction of stage materials.
- SMALL STRIDE theater workshop under-13
Saturdays from 11 to 13 (Starts on 5/03/2022). Art and life. Climbing Remedies of San Martin 6750. Martin Coronado. Teachers: Julieta Costa and Nabila Hosain. The main objective of the course is to discover and enhance expressive abilities from the theatrical game. It will work with group dynamics, theatrical techniques and the method of collective creation. We will use theatrical language to build an expressive space that stimulates creative encounters.
- MAGIC and body
Saturdays 11:30 to 13.00 (Starts 5/03/2022) Virtual. Teacher: Nicolas Gentile
The course proposes to creatively cover the staging of a magic show. Understanding the magician as a performing artist will provide training that enhances body and expression, based on theatrical methodologies such as clown and art comedy. We will work on the magic acts of each student in order to find their particular imprint.
For more information contact via Whatsapp: +54 9 11 3650 1677.
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Baroque art, rhetoric and persuasion
This course proposes a journey through the development of the Baroque in Europe, from its emergence in Italy, to France, Spain and Northern Europe. In each class, the most important works of the outstanding artists of the period will be analysed and put them in relation to the ideas in vogue during this period.
Teacher: Ms. Daniela de la Rez. 4 classes. Tuesday from 19 to 20:30. It starts on Tuesday, March 8. Classes will be held on March 8, 15, 22 and 29. Online mode through the ZOOM platform with the option of access to the video class for those who cannot witness it live. Cost: $4000.
Information and Registration: WhatsApp: 15 6669 1769/info@cursosarteycultura.com.ar/www.cursosarteycultura.com.ar
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Workshops in Indigo Teatro
In Indigo Teatro, in the city of Berazategui, registration is open for the workshops for all ages to be held in 2022 on: Theatre /Dance /Singing /Plastic Arts/Combined Arts/Kids in Motion/Art Therapy/Yoga and Mobility (+50)/Minds in Movement/ Staging.
Reports and Consultations: Street: 144 N° 1536, Berazategui. Hours: Tuesday to Friday 10 a.m. to 1:00 p.m./ 4 p.m. to 7 p.m. Monday from 4 p.m. to 7 p.m. Saturdays 10am to 7pm. Tel: 15 5763 5385. Facebook: Indigo Teatro Oficial. Instagram: @IndigoTeatroOficial
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Arte Naif, a workshop to promote Croatian artistic expression
Dictated by the plastic artist and restorer Adriana “Jadranka” Relota. The purpose of the activity is to invite those interested to make a typical crib, so that together with their loved ones, they can discover and learn the techniques and characteristics of traditional naive art. The workshop will show the technique and models in a video in which the artist will exhibit different decorative objects explaining their respective step by step. More information
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Singing workshop with María Ezquiaga
Vocal technique, musical language and songs. Starts in february, online. Inquiries to the email mariaezquiaga@gmail.com. More information.
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INFANTILES
Tales that care, two books for childhood to download for free
Tales that care is a collection that invites children to peer into a universe of stories, stories about the rights of children. In 2021 Filbita and Unicef came together to think about how to reach families with stories that wake up, tickle and invite people to think, and from that agreement came two new titles for the collection: The Michini Family, by Melina Pogorelsky and Vanessa Zorn, and Cichipo and Astrulina, by Luciano Saracino and Jimena Tello.
The books, which Unicef will circulate in different spaces for participation, exchange and childcare throughout Argentina, are available for free download.
The Michini family
Kitten doesn't stop for a second: he jumps from one side to the other, runs around the house and today he even flipped his cup. He's so small he just wants to play! But mom and dad are very tired and need to rest. When patience seems to run out and nothing has a solution, a very special help arrives that will make the Michinis learn that screaming is never a good option.
Cichipo and Astrulina
Cichipo has just landed in his new home with his family. Although his mother and dad are building a house very similar to the one they had before, Cichipo is sad: he misses his old house, his friends, the square apples... Until one afternoon he meets a very special being who will show him all the wonderful things that are in the new place and who, if he looks at them carefully and with the hand of his new friend, you will understand that they are not so different from your favorite things.
The Tales that Care, created for the early years of childhood, come with a reading guide for mothers, fathers and caregivers, with information about the rights that each book leads to thinking about and triggers and suggestions to talk to boys and girls. Because reading enriches, widens and enjoys conversation more, because talking is thinking with others.
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The Children's Floor reopens its doors at the Kirchner Cultural Center
The Kirchner Cultural Center, together with the Ministry of Culture of the Nation, have the joy of announcing the reopening of the Children's Floor, with a third floor of the building entirely dedicated to children.
During the month of December, the apartment can be visited from Wednesday to Sunday throughout the opening hours of the Cultural Center, and will offer a schedule of workshops and activities throughout the end of December 2021 and January 2022. Each room on the floor will have a particular curatorial proposal in the hands of artists, workshops or educators, offering fun and fun activities with a strong artistic and cultural anchorage.
Each room is designed for a particular age group, with different proposals oriented from early childhood to 12 years old. Complete programming.
* Centro Cultural Kirchner. Sarmiento 151, C. A. B. A.
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My Favorite Storyhunter
You can now read the winning stories, finalists and with special mention of the second edition of the children's literary contest My Favorite Storyteller, through Vivamos Cultura. The call was organized by Storyteller, with the support of Impulso Cultural through Patronage. The jury, made up of Pablo de Santis, María Fernanda Maqueira and Fernanda Ribeiz, deliberated among the 175 stories sent by boys and girls between the ages of 7 and 12, made under the theme “I'm brave, I'm afraid”.
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The day that changed Mr. Odio's life
Based on the award-winning text by young Venezuelan Oswaldo Maccio, the day that changed the life of Mr. Odio arrives in Buenos Aires, an adaptation for puppet and object theater, written and directed by Mariana Calderón and Vanessa León. The work - intended for children from 5 years old and for the whole family - has the outstanding live participation of singer Amanda Querales, a reference in traditional Latin American music. With attractive puppet manipulation techniques such as puppet, big mouth puppet, bunraku and mixed media, the show invites us to an adventure for the recognition of otherness.
RE-RELEASE: Sunday, April 3rd PERFORMANCES: Sundays in April at 3pm. General Admission: $1000 - Family Promo: 2x$1600 - by Alternative Duration: 70 minutes
*The Kairós Teatro Method. El Salvador 4530, CABA
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Cultural Center of Science C3
Visits discussed by Lugar a Dudas. Fridays, Saturdays and Sundays, at different times. By the C3 education team.
More information can be consulted by writing here.
*Cultural Center of Science. Godoy Cruz 2270, CABA
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We count in Pakapaka
Within the framework of the 8M, the children and public channel Pakapaka carried out a series of actions to make the voices of girls from all over the country visible, actions that will continue throughout the month of March. Pakapaka, in coordination with the National Secretariat for Children, Adolescents and the Family (SENAF) and Tecnópolis, promoted the We Count campaign, an invitation for girls from all over the country to intervene on screens and territory with their voices, opinions, ideas and dreams.
The campaign worked along a double conceptual line: on the one hand, the slogan “We count” refers to the participation of girls in the social fabric, recognizing their rights and the unique challenges and experiences they face; on the other, it seeks to make their voices visible on a date that is usually focused on the adult world. What does it mean to be a girl today? What dreams do girls have? What makes them feel strong or brave?
Through different slogans, the campaign aimed to share their gaze in the first person, promoting their active participation in exercising their rights without gender mandates that limit them. Nosotras Counts sought to guarantee the intervention of girls in audiovisual format, digital environment and territory.
To continue enjoying all of March: on the TV screen and on the networks:
- Series of microphones in the animation format motion graphics with voices of girls between 4 and 11 years old from all over Argentina, who tell their views on 8M, “being girls”, what are their dreams, when they feel free or strong, or brave, or inspired to move the world.
This content is aired on Pakapaka's TV screen, interspersed in the programming, and is available on Pakapaka and SENAF networks.
- With the collaboration of the magazine Billiken, by Editorial Atlántida, a series of twenty-one animated microphones reminiscent of iconic women of Latin America is broadcast on Pakapaka's screen and YouTube channel. https://youtube.com/playlist?list=PLeb5KurR3ZBCnF9-j7RIc3L_gGjs6w_xv
On the networks
- Marathon Powerful Girls is a compilation of Zamba chapters with fundamental women of history as protagonists. One hour long, it is available on Pakapaka's YouTube channel https://www.youtube.com/watch?v=yzyh0fZ5XU8&t=196s
- New Instagram filter with the invitation for girls to tell us when they feel free, strong and safe. It can be accessed at the following link: https://www.instagram.com/ar/2083761475121287
Redessociales PAKAPAKA
@canalpakapaka
YouTube: http://www.youtube.com/CanalPakapaka
Instagram: https://www.instagram.com/canalpakapaka
Facebook: https://www.facebook.com/canalpakapaka
Twitter: https://twitter.com/CanalPakapaka
TikTok: @canalpakapaka.ok
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A space for children in the Casa de la Independencia
A fun experience that plays with the local flora and fauna. Parrots, toucans, frogs and even a puma receive girls and boys in the Childhood Room of the Casa de la Independencia, in Tucumán.
This space combines two major projects of the Historic House: having a room for children; and the cartoon “Lola and Choko, an adventure for independence”, designed by the educator of the Mariana Romano Museum, and made entirely by professionals from Tucumán, on which the children's room is centered.
“Lola and Choko, an adventure for independence” is the first cartoon ever made in a national museum and was born out of a face-to-face activity that took place at the Museum before the pandemic. Covid-19 caused Lola and Choko to become cartoons first, and now also corporeal images in the childhood room.
In what mode of transport did the congressmen arrive in Tucumán? In an interactive way, girls and boys choose between horse-drawn carts, airplanes, motorcycles or collectives. They also know the adventures of Choko, Lola's mischievous dog, and what happens to the Act of Independence, who signed it and in what languages the document was printed. The design and illustrations of the children's room were made by Ximena Foguet.
The boys and girls who visit the Casa de la Independencia play, paint, enjoy the first chapter of Lola and Choko, in an environment specially designed for children and surrounded by the Tucuman flora and fauna. It can be visited from Wednesday to Sunday and holidays from 9 to 13 and from 16 to 20.
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Forbidden not to touch
On Saturdays and Sundays from 3 pm to 8 pm at the Recoleta Cultural Center. Games without restrictions. A unique space in Buenos Aires for boys and girls to express themselves in freedom and learn through play.
*CC RECOLETA. Junín 1930, C.A.B.A.
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From head to toe
Through eight episodes, the literary podcast for childhood From Head to Toe invites boys and girls aged 6 and over to explore and discover their own bodies through stories, songs, stories, opinions, information and many interesting things. Produced jointly between the Kirchner Cultural Center and the Pakapaka channel, with a script by writer Nicolás Schuff.
Disponible en la web y en Spotify.
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* Send information about activities for this agenda to the email cultura@infobae.com
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